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The Man Who Came to Dinner (1942)

When acerbic critic Sheridan Whiteside slips on the front steps of a provincial Ohio businessman's home and breaks his hip, he and his entourage take over the house indefinitely.

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(screen play), (screen play) | 2 more credits »
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Cast

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Elisabeth Fraser ...
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Ruth Vivian ...
Edwin Stanley ...
Betty Roadman ...
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Storyline

Lecturer Sheridan Whiteside slips on the ice on his way into the home of a prominent Ohio family. The local doctor says Whiteside must remain confined having broken his leg. He begins to meddle with the lives of everyone in the household and, once his plots are underway, learns there is nothing wrong with his leg. He bribes the doctor and resumes control of the household. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Nothing could be funnier! (Posters). See more »

Genres:

Comedy | Romance

Certificate:

G | See all certifications »

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Details

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Release Date:

24 January 1942 (USA)  »

Also Known As:

El hombre que vino a cenar  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Banjo is based on Harpo Marx. Sheridan Whiteside is based on noted theatre critic and personality Alexander Woollcott. See more »

Goofs

When Mr. Whiteside is having his conversation with June, each time the camera angle changes, Whiteside alternates his position from sitting back in his chair to leaning forward. See more »

Quotes

Beverly Carlton: Sherry, without launching into mountainous waves of self-pity, how are you?
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Connections

Referenced in Spin City: The Mayor Who Came to Dinner (1997) See more »

Soundtracks

Did You Ever Have the Feeling That You Wanted to Go?
(uncredited)
Written and Performed by Jimmy Durante
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User Reviews

 
The Most Hilarious Film Ever Made
14 April 2001 | by (New York City, USA) – See all my reviews

After nearly 60 years, "The Man Who Came To Dinner" still ranks as the most hilarious film ever committed to celluloid. Though censorship at the time required some of Kaufman and Hart's ribald dialogue to be toned down, no matter! Monty Woolley's performance is priceless, but Bette Davis, for once in a subdued, non-star performance, provides the heart of the movie and is achingly touching in her subtle evocation of a down-trodden secretary finally discovering love--and in danger of losing her Romeo to the ravishing, outrageously man-eating Ann Sheridan. A perfect film for Christmas viewing (thanks to its exquisite black-and-white cinematography capturing a greeting card background for the non-stop lunacy in the foreground). A perfect film for any day of the year. I've seen other versions--the TV production with Orson Welles, the Broadway musical in the late 1960s, the recent Broadway revival with Nathan Lane. They all pale when compared to this definitive, timeless, masterpiece!


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