IMDb > The Maltese Falcon (1941)
The Maltese Falcon
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
Overview
main detailscombined detailsfull cast and crewcompany credits
Awards & Reviews
user reviewsexternal reviewsawardsuser ratingsparents guidemessage board
Plot & Quotes
plot summarysynopsisplot keywordsmemorable quotes
Did You Know?
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
box office/businessrelease datesfilming locationstechnical specsliterature listingsNewsDesk
Promotional
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

The Maltese Falcon (1941) More at IMDbPro »

Photos (See all 51 | slideshow) Videos (see all 2)
The Maltese Falcon -- Sam Spade, a private detective, gets involved in a murderous hunt for a valuable statuette.

Overview

User Rating:
8.2/10   90,256 votes »
Your Rating:
Saving vote...
Deleting vote...
/10   (delete | history)
Sorry, there was a problem
MOVIEmeter: ?
Up 289% in popularity this week. See why on IMDbPro.
Director:
Writers:
John Huston (screenplay)
Dashiell Hammett (based upon the novel by)
Contact:
View company contact information for The Maltese Falcon on IMDbPro.
Release Date:
18 October 1941 (USA) See more »
Genre:
Tagline:
It's thrilling . . . it's chilling . . . it's the most baffling mystery story in years ! See more »
Plot:
A private detective takes on a case that involves him with three eccentric criminals, a gorgeous liar, and their quest for a priceless statuette. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for 3 Oscars. Another 1 win See more »
User Reviews:
Noir at its best See more (304 total) »

Cast

  (in credits order) (verified as complete)
Create a character page for: ?

Directed by
John Huston 
 
Writing credits
John Huston (screenplay)

Dashiell Hammett (based upon the novel by)

Produced by
Henry Blanke .... associate producer
Hal B. Wallis .... executive producer
 
Original Music by
Adolph Deutsch 
 
Cinematography by
Arthur Edeson (director of photography)
 
Film Editing by
Thomas Richards (film editor)
 
Art Direction by
Robert M. Haas  (as Robert Haas)
 
Costume Design by
Orry-Kelly (gowns)
 
Makeup Department
Perc Westmore .... makeup artist
Frank McCoy .... makeup artist (uncredited)
Jean Udko .... hair (uncredited)
 
Production Management
Al Alleborn .... unit manager (uncredited)
 
Second Unit Director or Assistant Director
Claude Archer .... assistant director (uncredited)
John Prettyman .... second assistant director (uncredited)
Jack Sullivan .... assistant director (uncredited)
 
Art Department
John Gilbert Kissel .... props (uncredited)
Keefe Maley .... assistant props (uncredited)
William McConnell .... scenic artist (uncredited)
 
Sound Department
Oliver S. Garretson .... sound
 
Camera and Electrical Department
William Conger .... gaffer (uncredited)
E.F. Dexter .... grip (uncredited)
Mack Elliott .... still photographer (uncredited)
Mike Joyce .... camera operator (uncredited)
Wally Meinardus .... assistant camera (uncredited)
William Steudeman .... best boy (uncredited)
 
Costume and Wardrobe Department
Burrell Kring .... wardrobe man (uncredited)
Cora Lobb .... wardrobe woman (uncredited)
 
Music Department
Leo F. Forbstein .... musical director
Arthur Lange .... orchestrator (uncredited)
 
Other crew
Robert Foulk .... dialogue director
Meta Carpenter .... script clerk (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies
Create a character page for: ?

Additional Details

Also Known As:
Runtime:
100 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Argentina:13 | Australia:PG | Australia:G (TV rating) | Brazil:12 | Canada:PG (Manitoba/Ontario) | Canada:G (Nova Scotia/Quebec) | Finland:K-12 (1987) | Finland:K-16 (1946) | Germany:12 | Iceland:L | Netherlands:AL | New Zealand:PG | Norway:16 (1945) | South Korea:12 (2003) | Spain:T | Sweden:15 (re-rating) (1943) | Sweden:(Banned) (1942) | UK:A (original rating) | UK:PG (video rating) | USA:Not Rated | USA:TV-PG (TV rating) | USA:Approved (certificate #7457) | West Germany:16 (nf)

Did You Know?

Trivia:
Although he story-boarded every scene, John Huston was open to abandoning his plans if his more-experienced cast came up with something better. He estimated that three-quarters of the time, he used his original set-ups, but for the remaining quarter, he adopted ideas that the cast had come up with during rehearsal.See more »
Goofs:
Continuity: When Dundy and Polhaus are in the Spade's house, Spade serves a drink to them. When he begins to serve, Dundy is standing and Polhaus sitting. Then Polhaus stands up in the right side of Spade. Next shot he is in front of Spade.See more »
Quotes:
[first lines]
Sam Spade:Yes, sweetheart?
Effie Perine:There's a girl wants to see you. Her name's Wonderly.
Sam Spade:A customer?
Effie Perine:I guess so. You'll want to see her anyway. She's a knockout.
See more »
Movie Connections:
Spoofed in The Maltese Asparagus (1970)See more »

FAQ

What is a "gunsel"?
Elisha Cook Jr.---Did Hitchcock Want Him For A Film?
See more »
108 out of 138 people found the following review useful.
Noir at its best, 30 April 2003
Author: (relias@midohio.net) from Delaware Ohio



Humphrey Bogart died nearly fifty years ago, but polls still put him at the top of all-time Hollywood stars. What turns a man into a legend? The man himself wasn't much: a slight build, not too tall, no Stallone muscles to swell his suit. What he had in classic films like `The Maltese Falcon' was a voice that cut through a script like a knife. `The Maltese Falcon,' directed by John Huston in 1941, reprised Dashiell Hammett's thriller. (It had been filmed before.) Hammett practically invented the tough guy so deep in cynicism nobody could hope to put anything past him. The novel, thick with plot, wasn't easy for director John Huston to untangle. Few people who cherish this film can summarize its story in a sentence or two. I'll try. San Francisco private eye Sam Spade (Bogart) is pulled into the search for a fabulously valuable statue by a woman who seeks his help. First, his partner is killed, then Spade pushes through her lies to uncover connections to an effete foreigner (Peter Lorre) and a mysterious kingpin (Sydney Greenstreet). The story unfolds like a crumpled paper. But the whodunit becomes less important than how we respond to the strong screen presence of Bogart and his co-stars. That's what makes `The Maltese Falcon' a classic. We see more and appreciate more each time we watch it. The art of Huston and Bogart doesn't come across until a second or third viewing. Huston invented what the French called film noir, in honor of Hollywood films (often `B' movies, cheap to make, second movies in double features) that took no-name stars into city streets to pit tough guys, often with a vulnerable streak, against dangerous dames. Audiences knew that when the tough guy said, `I'm wise to you, babe,' he'd be dead within a reel or two. Bogart was luckier than most noir heroes, but it cost. Struggling to maintain his own independence – against the claims of love or his own penchant towards dishonesty – the Bogart hero can do little better than surrender, with a rueful shrug, to the irony his survival depends on. The climax of `The Maltese Falcon' ranks with the last scene of `Casablanca,' another Bogart vehicle, in showing how the tough guy has to put himself back together after his emotions almost get the better of him. That assertion of strength, bowed but not broken, defines the enduring quality of Bogart on screen. For Huston, telling this story posed a different problem. Telling it straight wasn't possible – too many twists. Huston chose to focus on characters. One way to appreciate Huston's choices is to LISTEN to the movie. Hear the voices. Notice how in long sequences narrating back story, Huston relies on the exotic accents of his characters to keep us interested. Could we endure the scene in which Greenstreet explains the history of the Maltese falcon unless his clipped, somewhat prissy English accent held our attention? Also, we watch Bogart slip into drug-induced sleep while Greenstreet drones on. Has any director thought of a better way to keep us interested during a long narrative interlude? And is there a bit of wit in our watching Bogart nod off during a scene which, if told straight, would make US doze? All of this leads to the ending, minutes of screen time in which more goes on, gesture by gesture, than a million words could summarize. He loves her, maybe, but he won't be a sucker. The cops come in, and the emotional color shifts to gray, the color of film noir heroes like Bogart. Bars on the elevator door as Brigid descends in police custody foreshadow her fate in the last image of Huston's film. But after the film, we're left with Spade, whom we like and loathe, a man whose sense of justice squares, just this once, with our own, maybe. Black and white morality prevails in a black and white movie, but Sam Spade remains gray – and so does our response to this film classic.

Was the above review useful to you?
See more (304 total) »

Message Boards

Discuss this movie with other users on IMDb message board for The Maltese Falcon (1941)
Recent Posts (updated daily)User
Why is spade so indifferent when hearing his partner is killed? ronenfe
plausibility problem brcanson-371-320454
unbroken seven-minute take nycstef
Why did the ship captain go to spade's office mam13143
Most ridiculous film ever (**spoilers** possible) GoodSOVeryVeryGood
I have tried many times to watch this movie ruthlessroddy
See more »

Recommendations

If you enjoyed this title, our database also recommends:
- - - - -
The Maltese Falcon Out of the Past The Lady from Shanghai The Departed Basic Instinct
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
Show more recommendations

Related Links

Full cast and crew Company credits External reviews
News articles IMDb top 250 movies IMDb Drama section
IMDb USA section

You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Edit page' button will take you through a step-by-step process.