| Photos (See all 64 | slideshow) | Videos (see all 3) |
| Humphrey Bogart | ... | Samuel Spade | |
| Mary Astor | ... | Brigid O'Shaughnessy | |
| Gladys George | ... | Iva Archer | |
| Peter Lorre | ... | Joel Cairo | |
| Barton MacLane | ... | Lt. of Detectives Dundy | |
| Lee Patrick | ... | Effie Perine | |
| Sydney Greenstreet | ... | Kasper Gutman | |
| Ward Bond | ... | Detective Tom Polhaus | |
| Jerome Cowan | ... | Miles Archer | |
| Elisha Cook Jr. | ... | Wilmer Cook | |
| James Burke | ... | Luke | |
| Murray Alper | ... | Frank Richman | |
| John Hamilton | ... | Bryan | |
| rest of cast listed alphabetically: | |||
| Charles Drake | ... | Reporter (uncredited) | |
| Chester Gan | ... | Bit Part (uncredited) | |
| Creighton Hale | ... | Stenographer (uncredited) | |
| Robert Homans | ... | Policeman (uncredited) | |
| William Hopper | ... | Reporter (uncredited) | |
| Walter Huston | ... | Captain Jacoby (uncredited) | |
| Hank Mann | ... | Reporter (uncredited) | |
| Jack Mower | ... | Announcer (uncredited) | |
| Emory Parnell | ... | Ship's Mate (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| John Huston | (screenplay) | |
| Dashiell Hammett | (based upon the novel by) | |
Produced by | |||
| Henry Blanke | .... | associate producer | |
| Hal B. Wallis | .... | executive producer | |
Original Music by | |||
| Adolph Deutsch | (music by) | ||
Cinematography by | |||
| Arthur Edeson | (director of photography) | ||
Film Editing by | |||
| Thomas Richards | (film editor) | ||
Art Direction by | |||
| Robert M. Haas | (as Robert Haas) | ||
Costume Design by | |||
| Orry-Kelly | (gowns) | ||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
| Frank McCoy | .... | makeup artist (uncredited) | |
| Jean Udko | .... | hair (uncredited) | |
Production Management | |||
| Al Alleborn | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Claude Archer | .... | assistant director (uncredited) | |
| John Prettyman | .... | second assistant director (uncredited) | |
| Jack Sullivan | .... | assistant director (uncredited) | |
Art Department | |||
| John Gilbert Kissel | .... | props (uncredited) | |
| Keefe Maley | .... | assistant props (uncredited) | |
| William McConnell | .... | scenic artist (uncredited) | |
Sound Department | |||
| Oliver S. Garretson | .... | sound | |
Camera and Electrical Department | |||
| William Conger | .... | gaffer (uncredited) | |
| E.F. Dexter | .... | grip (uncredited) | |
| Mack Elliott | .... | stills (uncredited) | |
| Mike Joyce | .... | second assistant camera (uncredited) | |
| Wally Meinardus | .... | assistant camera (uncredited) | |
| William Steudeman | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Burrell Kring | .... | wardrobe man (uncredited) | |
| Cora Lobb | .... | wardrobe woman (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
| Arthur Lange | .... | orchestrator (uncredited) | |
Other crew | |||
| Robert Foulk | .... | dialogue director | |
| Meta Carpenter | .... | script clerk (uncredited) | |
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| The Maltese Falcon | Out of the Past | The Lady from Shanghai | The Departed | Basic Instinct |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section |
Bogart. The coolest guy to ever live?
Have you ever wondered what makes someone possess an essence that's defined as being "cool"? They seem to have that combination between imagery and soul that few people truly have. Is it in the style of clothes you wear or one's knowledge of independence? Is it the way you comb your hair or your unkempt humility for everything out there? It could be in your talk or how you walk, but maybe it's more about what you say and where you're going. In a sense it's an attitude that seeks to define character and break the mold of control. It's the fine line between knowing when to speak up and when saying less means more. So is Bogart the coolest guy to ever live? In a single word, absolutely.
The Maltese Falcon is basically a showcase for Bogart. A role that seems to be made for him, even with two previous attempts at the film. He is and always was born to play Sam Spade. The tough guy private investigator, who always has the right things to say. More likely to fire a witty comeback than a gun. Able to fall in love, even if only for the moment, and then send her to the gallows. All in the name of doing the right thing. It's not an emotional business.
The movie itself wrote the book of the crime and mystery drama story. Probably the best written plot in it's genre. No doubt that Bogart makes the character come alive, with that infectious voice and his uncompromising demeanor. But the movie itself is, to say the least, very good. The ending just does it for me. The last couple of lines are some of the best in film history.
Although it took me a while to finally see this film, I realize that it's one of Bogart's triumphs and has all the main reasons why I love the guy so much. Please, see this film and remember Bogart as he was.
"Heavy. What is it? The, uh, stuff that dreams are made of."