IMDb > The Maltese Falcon (1941)
The Maltese Falcon
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The Maltese Falcon (1941) More at IMDbPro »

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The Maltese Falcon -- Sam Spade, a private detective, gets involved in a murderous hunt for a valuable statuette.

Overview

User Rating:
8.1/10   124,546 votes »
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Popularity: ?
Down 19% in popularity this week. See why on IMDbPro.
Director:
Writers:
John Huston (screenplay)
Dashiell Hammett (based upon the novel by)
Contact:
View company contact information for The Maltese Falcon on IMDbPro.
Release Date:
18 October 1941 (USA) See more »
Genre:
Tagline:
It's thrilling . . . it's chilling . . . it's the most baffling mystery story in years ! See more »
Plot:
A private detective takes on a case that involves him with three eccentric criminals, a gorgeous liar, and their quest for a priceless statuette. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for 3 Oscars. Another 4 wins See more »
NewsDesk:
(426 articles)
User Reviews:
Top notch mystery that kicked off the film noir genre of the 1940s See more (361 total) »

Cast

  (in credits order) (verified as complete)

Directed by
John Huston 
 
Writing credits
John Huston (screenplay)

Dashiell Hammett (based upon the novel by)

Produced by
Henry Blanke .... associate producer
Hal B. Wallis .... executive producer
 
Original Music by
Adolph Deutsch 
 
Cinematography by
Arthur Edeson (director of photography)
 
Film Editing by
Thomas Richards (film editor)
 
Art Direction by
Robert M. Haas  (as Robert Haas)
 
Costume Design by
Orry-Kelly (gowns)
 
Makeup Department
Perc Westmore .... makeup artist
Frank McCoy .... makeup artist (uncredited)
Jean Udko .... hair (uncredited)
 
Production Management
Al Alleborn .... unit manager (uncredited)
 
Second Unit Director or Assistant Director
Claude Archer .... assistant director (uncredited)
John Prettyman .... second assistant director (uncredited)
Jack Sullivan .... assistant director (uncredited)
 
Art Department
John Gilbert Kissel .... props (uncredited)
Keefe Maley .... assistant props (uncredited)
William McConnell .... scenic artist (uncredited)
 
Sound Department
Oliver S. Garretson .... sound
 
Camera and Electrical Department
William Conger .... gaffer (uncredited)
E.F. Dexter .... grip (uncredited)
Mack Elliott .... still photographer (uncredited)
Mike Joyce .... camera operator (uncredited)
Wally Meinardus .... assistant camera (uncredited)
William Steudeman .... best boy (uncredited)
 
Costume and Wardrobe Department
Burrell Kring .... wardrobe man (uncredited)
Cora Lobb .... wardrobe woman (uncredited)
 
Music Department
Leo F. Forbstein .... musical director
Louis Kaufman .... musician: violin (uncredited)
Arthur Lange .... orchestrator (uncredited)
 
Other crew
Robert Foulk .... dialogue director
Meta Carpenter .... script clerk (uncredited)
Natacha Nahon .... french adaptation: original version with subtitles (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
100 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Argentina:13 | Australia:PG | Australia:NRC | Australia:G (TV rating) | Australia:A (original rating) | Brazil:12 | Canada:PG (Manitoba/Ontario) | Canada:G (Nova Scotia/Quebec) | Finland:K-12 (1987) | Finland:K-16 (1946) | Germany:12 (re-rating) (2000s) | Iceland:L | Netherlands:AL | New Zealand:PG | Norway:16 (1945) | South Korea:12 (2003) | Spain:T | Sweden:15 (re-rating) (1943) | Sweden:(Banned) (1942) | UK:A (original rating) | UK:PG (video rating) | USA:Not Rated | USA:TV-PG (TV rating) | USA:Approved (certificate #7457) | West Germany:16 (nf) (original rating)

Did You Know?

Trivia:
Sydney Greenstreet appeared in a special trailer to promote the film.See more »
Goofs:
Errors in geography: (at around 1h 6 mins) "Los Angeles Fire Department" appears on the firefighters' hats. The film is set in San Francisco.See more »
Quotes:
[first lines]
Sam Spade:Yes, sweetheart?
Effie Perine:There's a girl wants to see you. Her name's Wonderly.
Sam Spade:Customer?
Effie Perine:I guess so. You'll want to see her anyway. She's a knockout.
Sam Spade:Shoo her in, Effie darling, shoo her in.
See more »

FAQ

How much sex, violence, and profanity are in this movie?
What is a "gunsel"?
Is "Maltese Falcon" the first noir film?
See more »
64 out of 87 people found the following review useful.
Top notch mystery that kicked off the film noir genre of the 1940s, 1 December 2002
Author: back2wsoc from Chicago, Illinois

"The Maltese Falcon", scripted and directed by Hollywood first-timer John Huston (from Dashiell Hammett's novel), would go on to become an American film classic. Humphrey Bogart chews the scenery in his star-making turn as acid-tongued private eye Sam Spade, whose association with the beautiful and aloof Brigid O'Shaughnessy (Mary Astor), neurotic Joel Cairo (Peter Lorre), and morbidly obese Kasper Gutman (Sydney Greenstreet, in his Oscar-nominated screen debut) over the recovery of the title object, sets in motion a movie experience that is as much crackling as it is dazzling. While much of the action and dialogue is considerably dated by modern standards, the film's essential power to mystify and entrance remains undiminished despite its age. While this was the third adaptation of Hammett's story (the first was made in 1931 and the second was "Satan Met a Lady" (1936)), this is also the best remembered and most praised, due largely in part to Bogart's seemingly effortless portrayal of the tough but softhearted, world-weary hero. Mary Astor and Lee Patrick were, respectively, the definitive femme fatale and girl Friday, and the villianous roles of Cairo, Gutman and Wilmer (Elisha Cook Jr.) were equally remarkable. What may not be wholly obvious is the fact that these three men have homosexual tendencies (as given in the novel), but just look at what's given: Cairo's delicate speech and manner, Wilmer's questionable quick tempered attitude towards Spade (could this be covering up the fact that he finds Spade attractive?) and Gutman's clutching of Spade's arm when Sam arrives at his hotel room. A polished film noir that gave rise to Bogart's mounting popularity. (Sidenote: The character of Sam Spade was originally offered to George Raft, who turned it down. Raft also turned down "Casablanca" (1942), "High Sierra" (1941) and William Wyler's "Dead End" (1937), all of which went to Bogart and helped to boost his star status. Bogart had Raft to thank for his enduring popularity.) A must-see masterpiece. ****

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