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The Maltese Falcon (1941)

8.2
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Ratings: 8.2/10 from 89,905 users  
Reviews: 302 user | 144 critic

A private detective takes on a case that involves him with three eccentric criminals, a gorgeous liar, and their quest for a priceless statuette.

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(screenplay), (based upon the novel by)
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Top 250 #151 | Nominated for 3 Oscars. Another 1 win. See more awards »

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Cast

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Lee Patrick ...
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Jerome Cowan ...
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James Burke ...
Murray Alper ...
John Hamilton ...
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Storyline

Spade and Archer is the name of a San Francisco detective agency. That's for Sam Spade and Miles Archer. The two men are partners, but Sam doesn't like Miles much. A knockout, who goes by the name of Miss Wanderly, walks into their office; and by that night everything's changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wanderly is surrounded by dangerous men. There's Joel Cairo, who uses gardenia-scented calling cards. There's Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come, and it will all be because of these dangerous men -- and their lust for a statuette of a bird: the Maltese Falcon. Written by J. Spurlin

Plot Summary | Plot Synopsis

Taglines:

It's thrilling . . . it's chilling . . . it's the most baffling mystery story in years ! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 October 1941 (USA)  »

Also Known As:

The Gent from Frisco  »

Box Office

Budget:

$375,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

It was Howard Hawks who knew that John Huston wanted to direct. He suggested that Huston do this film, which was already owned by Warner Brothers and had been adapted to film twice before. Unlike the previous productions, Hawks suggested that Huston "film the book." Before going on a vacation, Huston gave his secretary a copy of the book and told her to type it up in screenplay form. Studio chief Jack L. Warner saw the script, read it and gave it a green light even before Huston had a chance to read it. See more »

Goofs

When Spade is talking to Det. Tom Polhaus about the Webley, the sound stage ceiling can be clearly seen above the tops of the buildings. See more »

Quotes

[first lines]
Sam Spade: Yes, sweetheart?
Effie Perine: There's a girl wants to see you. Her name's Wonderly.
Sam Spade: A customer?
Effie Perine: I guess so. You'll want to see her anyway. She's a knockout.
See more »

Connections

Referenced in Saturday Night Live: The Best of Commercial Parodies (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Top notch mystery that kicked off the film noir genre of the 1940s
1 December 2002 | by (Chicago, Illinois) – See all my reviews

"The Maltese Falcon", scripted and directed by Hollywood first-timer John Huston (from Dashiell Hammett's novel), would go on to become an American film classic. Humphrey Bogart chews the scenery in his star-making turn as acid-tongued private eye Sam Spade, whose association with the beautiful and aloof Brigid O'Shaughnessy (Mary Astor), neurotic Joel Cairo (Peter Lorre), and morbidly obese Kasper Gutman (Sydney Greenstreet, in his Oscar-nominated screen debut) over the recovery of the title object, sets in motion a movie experience that is as much crackling as it is dazzling. While much of the action and dialogue is considerably dated by modern standards, the film's essential power to mystify and entrance remains undiminished despite its age. While this was the third adaptation of Hammett's story (the first was made in 1931 and the second was "Satan Met a Lady" (1936)), this is also the best remembered and most praised, due largely in part to Bogart's seemingly effortless portrayal of the tough but softhearted, world-weary hero. Mary Astor and Lee Patrick were, respectively, the definitive femme fatale and girl Friday, and the villianous roles of Cairo, Gutman and Wilmer (Elisha Cook Jr.) were equally remarkable. What may not be wholly obvious is the fact that these three men have homosexual tendencies (as given in the novel), but just look at what's given: Cairo's delicate speech and manner, Wilmer's questionable quick tempered attitude towards Spade (could this be covering up the fact that he finds Spade attractive?) and Gutman's clutching of Spade's arm when Sam arrives at his hotel room. A polished film noir that gave rise to Bogart's mounting popularity. (Sidenote: The character of Sam Spade was originally offered to George Raft, who turned it down. Raft also turned down "Casablanca" (1942), "High Sierra" (1941) and William Wyler's "Dead End" (1937), all of which went to Bogart and helped to boost his star status. Bogart had Raft to thank for his enduring popularity.) A must-see masterpiece. ****


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