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The Maltese Falcon (1941)

Not Rated  |   |  Crime, Drama, Film-Noir  |  18 October 1941 (USA)
8.2
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Ratings: 8.2/10 from 99,479 users  
Reviews: 327 user | 147 critic

A private detective takes on a case that involves him with three eccentric criminals, a gorgeous liar, and their quest for a priceless statuette.

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(screenplay), (based upon the novel by)
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Title: The Maltese Falcon (1941)

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Top 250 #160 | Nominated for 3 Oscars. Another 2 wins. See more awards »

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Cast

Complete credited cast:
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Lee Patrick ...
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Jerome Cowan ...
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James Burke ...
Murray Alper ...
John Hamilton ...
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Storyline

Spade and Archer is the name of a San Francisco detective agency. That's for Sam Spade and Miles Archer. The two men are partners, but Sam doesn't like Miles much. A knockout, who goes by the name of Miss Wonderly, walks into their office; and by that night everything's changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wonderly is surrounded by dangerous men. There's Joel Cairo, who uses gardenia-scented calling cards. There's Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come, and it will all be because of these dangerous men -- and their lust for a statuette of a bird: the Maltese Falcon. Written by J. Spurlin

Plot Summary | Plot Synopsis

Taglines:

He's as fast on the draw as he is in the drawing room! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 October 1941 (USA)  »

Also Known As:

The Gent from Frisco  »

Box Office

Budget:

$375,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Having seen how profligate novice writer-directors like Orson Welles and Preston Sturges had been, Warner Brothers was not keen on giving John Huston too much control. The studio acquiesced when Huston agreed to do an immediate polish on the script for Sergeant York (1941). See more »

Goofs

When he first enters his office, Archer is smoking a cigarette with his left hand, and appears to be holding a match in his lowered right hand. He seems to have been caught holding the match he used to light the cigarette before entering the scene, and disposes of it by casually dropping it to the floor. See more »

Quotes

[first lines]
Sam Spade: Yes, sweetheart?
Effie Perine: There's a girl wants to see you. Her name's Wonderly.
Sam Spade: A customer?
Effie Perine: I guess so. You'll want to see her anyway. She's a knockout.
See more »

Connections

Referenced in Jeopardy!: Episode #26.156 (2010) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Entertainment defined
25 October 2007 | by (prejudicemadeplausible.wordpress.com) – See all my reviews

"The Maltese Falcon" would be nothing without the muscular, cynical, and very entertaining lead performance from Humphrey Bogart. Well, 'nothing' maybe a bit of an overstatement- the film is inventive and interesting otherwise but Bogart's performance makes the film. This film established his career, helping him escape the dozens of cheap crime films he was in prior to this film. It's easy to see why audiences were impressed with his charismatic portrayal of no-nonsense tough guy Sam Spade. I wasn't overly impressed with Mary Astor's performance in the film; she wasn't a compelling love interest and failed to live up to the script's strong characterization. Sydney Greenstreet and Peter Lorre, however, completely make up for Astor's performance.

This film was John Huston's debut film, and it doesn't really feel like a debut film. It's quite accomplished, actually. The film is heavily stylized, perhaps more than any other film before it. It is also unflinching in its moral ambiguity (it was named the first film in the 'film-noir' genre by French critic Nino Frank, though I think other films qualify such as Howard Hawks' "Scarface") portraying harsh, cruel, cold individuals. Sam Spade is a realistic character, stylized perhaps, but realistic. He is not the perfect John Wayne all-American hero; he is harsh, cold, and even capable of murder. When his partner is killed Spade does not feel much of anything, reacting indifferently to the death and even kissing his widow during their first meeting after he hears the news. John Huston wanted this film to be more character-based and less plot-based than the two previous adaptations of the novel (which he called 'wretched pictures'). The care taken to provide good characterization in the script is clear to the audience. Indeed, "The Maltese Falcon" has a fairly complicated plot and it's easy to understand how a film can get bogged down in the plot and fail to entertain the audience or even tell a good story. Huston made a wise choice in reducing the plot to the background and focusing on the characters and dialogue.

Huston also pays close attention to visual composition of shots, painstakingly recreating the sleazy underbelly of San Francisco. San Francisco is traditionally used in film as a romantic setting, and it is remarkable how drastically different Huston's portrayal of the city is from the norm and how effective it is. Huston, after writing the very fun and smart script, storyboarded every scene in the film and the attention to detail is clear to those viewing the film. Often such meticulous planning carries over to the screen and interrupts the dramatic flow, but not in this case. The film flows exceptionally well and feels much shorter than its 100 minute running time. The result of all the care that went into the film is, by all accounts, excellent entertainment. It's smart, stylish, generally well-acted, and always captivating. "The Maltese Falcon" is surely one of the most promising debut films in history, promise and potential which Huston most certainly delivered on later in his career.

****/4


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