Spade and Archer is the name of a San Francisco detective agency. That's for Sam Spade and Miles Archer. The two men are partners, but Sam doesn't like Miles much. A knockout, who goes by the name of Miss Wonderly, walks into their office; and by that night everything's changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wonderly is surrounded by dangerous men. There's Joel Cairo, who uses gardenia-scented calling cards. There's Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come, and it will all be because of these dangerous men -- and their lust for a statuette of a bird: the Maltese Falcon. Written by
John Huston and company tickled themselves with a number of other on-set jokes. As Mary Astor recounted in her autobiography, the cast and crew had a system, whereby Huston would signal for a certain practical joke to be played for visitors to the set. For the benefit of visiting star-struck social clubwomen, the "No. 5" had Humphrey Bogart going into a prepared act with Sydney Greenstreet. He'd start yelling and cursing at him, calling him a fat old fool. "Who the hell do you think you are? You upstaged me, and I'm telling you I'm not having any--," at which point Huston would jump into the act, holding back Bogart's mock rage. Very quickly, the embarrassed and disillusioned ladies would shuffle towards the nearest exit. Meanwhile, the "No. 10" had Peter Lorre coming out of Astor's dressing room at the appropriate moment, adjusting his fly and saying, "See you later Mary." See more »
(at around 51 mins) When Sam first goes to see Gutman in 12C, as he walks down the corridor we can see that directly in front of him is a chair, a table with flowers on and a silhouette of a diamond framed window and the flowers on the wall, but when he leaves we can see two chairs either side of the table and the diamond frame silhouette is not there. See more »
The Maltese Falcon has a totally atypical Hollywood history. After two previous filmings of Dashiell Hammett's novel, the third time a classic film was achieved. Usually the original is best and the remakes are the inferior product.
These characters that John Huston wrote and breathed life into with his direction are so vital and alive even 65 years after the premiere of The Maltese Falcon. You can watch this one fifty times and still be entertained by it.
I'm not sure how the code let this one slip through. Humphrey Bogart as Sam Spade is partners with Jerome Cowan in a detective agency Spade and Archer. Client Mary Astor comes into their office requesting help in getting rid of a man who's intruding in on her life. Jerome Cowan as Miles Archer eagerly takes the assignment and gets himself bumped off for his troubles.
Cowan is quite the skirt chaser and he certainly isn't the first or the last man to think with his hormones. That's OK because Bogart's been fooling around with his wife, Gladys George. That gives the police, Barton MacLane and Ward Bond, motive enough to suspect Bogart might have had a hand in Cowan's death.
As fans of The Maltese Falcon are well aware, there's quite a bit more to the story than that. Bogart's investigation leads him to a crew of adventurous crooks, Sydney Greenstreet, Peter Lorre, and Elisha Cook, Jr. who are in pursuit of a statue of a Falcon that is said to be encrusted in gold and precious jewels.
The Maltese Falcon is a milestone film role for Humphrey Bogart. It is the first time that Bogey was ever first billed in an A picture while he was at Warner Brothers. In fact this is also John Huston's first film as a director. He had previously just been a screenwriter and in fact got an Oscar nomination for the screenplay he wrote here. There are some who will argue that this first film is Huston's best work and I'd be hard up to dispute that.
After a long career on stage The Maltese Falcon was the screen debut of Sydney Greenstreet. Greenstreet may be orally flatulent here, but there's no doubt to the menace he exudes while he's on screen. Greenstreet got an Oscar nomination for Best Supporting Actor, but lost to Donald Crisp for How Green Was My Valley. Greenstreet created quite a gallery of characters for the next ten years, mostly for Warner Brothers.
A favorite character of mine in The Maltese Falcon has always been Lee Patrick as Effie, the secretary at Spade&Archer. She's loyal, efficient and crushing out on Bogey big time. This and the part of Mrs. Topper in the television series Topper are Lee Patrick's career roles. I never watch The Maltese Falcon without hoping that Bogey will recognize how really "precious" Effie is.
The Maltese Falcon will be entertaining people hundreds of years from now. And please no more remakes of this one.
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