Lydia MacMillan, a wealthy old woman who has never married, is invited by an old beau, Dr. Michael Fitzpatrick, for a reunion with the men who have been in her life to reminisce about the ... See full summary »
Stranded, penniless in a small Wyoming town, Maisie Ravier flirts with Slim, the manager of Clifford Ames' ranch. Disgusted by Maisie's flirtation, Slim orders her to leave town. Maisie ... See full summary »
Lydia MacMillan, a wealthy old woman who has never married, is invited by an old beau, Dr. Michael Fitzpatrick, for a reunion with the men who have been in her life to reminisce about the times when they were young and courted her. In memory, each romance seemed splendid and destined for happiness, but in each case, Lydia realizes, the truth was less romantic, and ill-starred. Written by
Jim Beaver <firstname.lastname@example.org>
Well, as soon as we see that Joseph Cotten and Edna Oliver are in this, we know it won't be a bad film... it was nominated for best Music in a drama, but The Devil and Daniel Webster won it that year. Lydia (Merle Oberon) and Michael (Cotten) meet up in their later years, and reminisce about the past, which we always seem to remember as better than it was. Edna Oliver is (once again)the overbearing, frumpy grandmother who is very set in her ways, and is determined that Lydia will only be with a proper gentleman.
Lydia and her old beaus talk about "the grand ball" they had attended in their youth, with the harps, mirrors, and chandeliers, which everyone remembers differently. Then, we flash back to the glorious football game, on which they also disagree. We flash forward, then backward, and forward and backward, and its all a lot of work to keep up with where we are now. It's all done competently, but there are no sparks between her and the men from her past, and its a little like reading a history book. It just seems to be a lot of talk about being in love way back when. Then, about halfway through, Lydia meets up with a little boy who changes her life. Then we find out how Lydia got to where she is today. It's entertaining enough, but not one of my favorite films. Produced by Alexander Korda, who happened to be Oberon's hubby at the time.
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