Lydia MacMillan, a wealthy old woman who has never married, is invited by an old beau, Dr. Michael Fitzpatrick, for a reunion with the men who have been in her life to reminisce about the ... See full summary »
Stranded, penniless in a small Wyoming town, Maisie Ravier flirts with Slim, the manager of Clifford Ames' ranch. Disgusted by Maisie's flirtation, Slim orders her to leave town. Maisie ... See full summary »
Lydia MacMillan, a wealthy old woman who has never married, is invited by an old beau, Dr. Michael Fitzpatrick, for a reunion with the men who have been in her life to reminisce about the times when they were young and courted her. In memory, each romance seemed splendid and destined for happiness, but in each case, Lydia realizes, the truth was less romantic, and ill-starred. Written by
Jim Beaver <email@example.com>
The poem Lydia and Bob quote at the ball is "The Night has a Thousand Eyes" by Francis William Bourdillon, a late Victorian English poet (1852-1921). The text is "The night has a thousand eyes,/ And the day but one;/ Yet the light of the bright world dies/ With the dying sun./ The mind has a thousand eyes,/ And the heart but one:/ Yet the light of a whole life dies. /When love is done." See more »
An unexceptionable pleasure to the primary senses of the eyes and ears. This results from a combination of Oberon's lush eyebrows and the pillowy opulence one imagines from a director with a surname like Duvivier. The film is a 'refashioning' of his French-language 'Un Carnet De Bal' from 1937, in that the basic plot is Oberon's portmanteau recollection of 4 past loves. Cynics may understandably dive for the sick bags, but it's a pleasant surprise therefore to find that for all the typical Fox emphasis on visual scrumptiousness, this romantic opus turns out to be a narratively literate affair. It's lent considerable dramatic weight by an excellent cast, including an uncharacteristically unhistrionic Oberon.
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