Lydia MacMillan, a wealthy old woman who has never married, is invited by an old beau, Dr. Michael Fitzpatrick, for a reunion with the men who have been in her life to reminisce about the ... See full summary »

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(story "Un Carnet de Bal"), (story "Un Carnet de Bal") (as L. Bush-Fekete) | 2 more credits »
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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
...
...
Sarah MacMillan
Alan Marshal ...
Richard Mason
...
Michael Fitzpatrick
...
Frank Andre (as Hans Yaray)
...
Bob Willard
...
Fitzpatrick
...
Mary
Billy Ray ...
Johnny
Frank Conlan ...
Old Ned
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Storyline

Lydia MacMillan, a wealthy old woman who has never married, is invited by an old beau, Dr. Michael Fitzpatrick, for a reunion with the men who have been in her life to reminisce about the times when they were young and courted her. In memory, each romance seemed splendid and destined for happiness, but in each case, Lydia realizes, the truth was less romantic, and ill-starred. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

A Free Woman, body and soul! See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

25 September 1941 (USA)  »

Also Known As:

Illusions  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on September 22, 1941 with Merle Oberon, Edna May Oliver, Alan Marshal, Joseph Cotten and George Reeves reprising their film roles. See more »

Connections

Remake of Dance Program (1937) See more »

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User Reviews

 
20th Century Fox - 19th Century Drama
6 September 2005 | by (Wales) – See all my reviews

An unexceptionable pleasure to the primary senses of the eyes and ears. This results from a combination of Oberon's lush eyebrows and the pillowy opulence one imagines from a director with a surname like Duvivier. The film is a 'refashioning' of his French-language 'Un Carnet De Bal' from 1937, in that the basic plot is Oberon's portmanteau recollection of 4 past loves. Cynics may understandably dive for the sick bags, but it's a pleasant surprise therefore to find that for all the typical Fox emphasis on visual scrumptiousness, this romantic opus turns out to be a narratively literate affair. It's lent considerable dramatic weight by an excellent cast, including an uncharacteristically unhistrionic Oberon.


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