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The Little Foxes (1941)

Passed  |   |  Drama, Romance  |  29 August 1941 (USA)
8.2
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Reviews: 99 user | 25 critic

The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century.

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(stage play), (screen play), 3 more credits »
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Title: The Little Foxes (1941)

The Little Foxes (1941) on IMDb 8.2/10

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Nominated for 9 Oscars. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
...
Herbert Marshall ...
...
...
Dan Duryea ...
Patricia Collinge ...
Charles Dingle ...
Carl Benton Reid ...
Jessica Grayson ...
Addie (as Jessie Grayson)
John Marriott ...
Cal
Russell Hicks ...
Lucien Littlefield ...
Manders
Virginia Brissac ...
Mrs. Hewitt
Terry Nibert ...
Julia
Henry 'Hot Shot' Thomas ...
Edit

Storyline

The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both? Written by J. Spurlin

Plot Summary | Add Synopsis

Taglines:

...the film version of the stage hit, as the ruthless beauty whose ambition spelt the doom of three men

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

29 August 1941 (USA)  »

Also Known As:

La loba  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

William Wyler encouraged Bette Davis to see Tallulah Bankhead's Broadway performance. Davis was not keen on the idea but agreed to do so, regretting it instantly as she realized that she was now forced to play the character in a very different manner. Bankhead played her as a fighter; Davis' interpretation was of a cold, calculating and conniving woman. See more »

Goofs

In the final scene, just before Alexandra leaves Regina, in the shot when Regina climbs the stairs, and asks Zan if she would "like to sleep in her room tonight", we see a chair in the background (which earlier in the scene, Regina had sat in). The chair seat is empty. Two shots later, when Alexandra collects her hat and coat to leave, they have suddenly appeared on the chair. See more »

Quotes

David Hewitt: You know, that's the first time I ever heard your mother tell you to do something, and you didn't hop to do it.
Alexandra Giddens: That's a funny thing to say
David Hewitt: You know, you take one step. And then you take another. After a while you'll find out you're walking all by yourself.
See more »

Connections

Spoofed in The Carol Burnett Show: Episode #9.8 (1975) See more »

Soundtracks

Never Too Weary to Pray
(1941) (uncredited)
Music and Lyrics by Meredith Willson
Sung off-screen by an unidentified group during the opening and closing credits
See more »

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User Reviews

Magnificent adaptation of Hellman's hit play
17 February 2003 | by (Stonehaven, Scotland) – See all my reviews

As the greedy, conniving Regina Giddons, Bette Davis gives a fascinating performance which ranks with her very finest. Tallulah Bankhead had her greatest stage success playing Regina on Broadway in 1939. Wyler wanted Davis to portray Regina with a more sympathetic "hot house" flavour, but Bette was adamant that the character was a witch in spades: the resulting performance is striking. Regina Giddons is a classic example of a character movie viewers love to hate. Carl Benton Reid is great as the equally greedy brother and Dan Duryea is fine as Leo the crumb. As Alexandra, Teresa Wright is almost annoyingly innocent in the beginning, but she wisens up considerably towards the end of the film: "Why, Alexandra, you have spirit after all. I used to think you were all sugar-water" says a frankly impressed Regina. As the alcoholic flibbertigibbet Birdie, Patricia Collinge is perfection personified: a truly memorable portrait brilliantly enacted. Herbert Marshall is fine as the tragically deceived Horace who shouldn't depend on his "lovely" wife to fetch his heart medicine for him. A magnificent example of a great play transferred to film, Wyler's guiding hand is patent throughout: they definitely don't make films like this anymore - no matter what the cost.


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