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The Little Foxes (1941)

Passed  |   |  Drama, Romance  |  29 August 1941 (USA)
8.2
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Ratings: 8.2/10 from 6,649 users  
Reviews: 99 user | 25 critic

The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century.

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(stage play), (screen play), 3 more credits »
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Title: The Little Foxes (1941)

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Nominated for 9 Oscars. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
...
Herbert Marshall ...
...
...
Dan Duryea ...
Patricia Collinge ...
Charles Dingle ...
Carl Benton Reid ...
Jessica Grayson ...
Addie (as Jessie Grayson)
John Marriott ...
Cal
Russell Hicks ...
Lucien Littlefield ...
Manders
Virginia Brissac ...
Mrs. Hewitt
Terry Nibert ...
Julia
Henry 'Hot Shot' Thomas ...
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Storyline

The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both? Written by J. Spurlin

Plot Summary | Add Synopsis

Taglines:

...the film version of the stage hit, as the ruthless beauty whose ambition spelt the doom of three men

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

29 August 1941 (USA)  »

Also Known As:

La loba  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Four members of the original Broadway cast repeated their roles in the film: Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge. See more »

Goofs

(at around 5 mins) When the piano is played the sounds we hear are an octave lower than the hand-positions shown. See more »

Quotes

Regina Giddens: You're a good loser, Ben. I like that.
Ben Hubbard: Well, I say to myself, what's the good? You and I aren't like Oscar. We're not sour people. I think that comes from a good digestion.
[Regina giggles]
Ben Hubbard: Until one loses today, and wins tomorrow. I say to myself, years of planning, and I get what I want. And then I don't get it... But I'm not discouraged. The world's open for people like you and me. There's thousands of us all over the world. We'll own the country some day. They won't try to stop us. We'll get...
[...]
See more »


Soundtracks

Rosen aus dem Süden
(uncredited)
Written by Johann Strauss II
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User Reviews

Davis is unforgettable
1 September 1999 | by See all my reviews

This film fully deserves its reputation as one of the most scorching dramas of greed and corruption ever placed on celluloid. A deceptively slow start soon draws into the machinations of the Hubbard clan whose brazen backstabbings and betrayals even today make our jaws drop. Davis' stunning portrayal of the supremely grasping Regina Giddens leads a stellar cast which does a superb job of delineating a finely drawn group of characters. Charles Dingle's deceptively warm smile masks the cooly intelligent deviousness of Ben Hubbard. Carl Reid's Oscar Hubbard is just as malicious but his inferior intelligence makes him yield to his brother's and sister's lead. Dan Duryea nicely portrays the imbecilic and immature Leo Hubbard, a characterization which borders on but never crosses over into comedy. Patricia Collinge breaks our hearts as the broken-spirited and alcoholic Birdie, Oscar's wife. Herbert Marshall's performance as the doomed Horace, Regina's husband, delineates the pain, anger, and sense of betrayal burning beneath his deathly illness. The star of the proceedings, however, is clearly Davis. Wyler's superb direction blends all these characters into a masterful whole.

Hellman's skill as a dramatist must be credited for much of this, but her Marxist inclinations clearly peep through the seams of the dialogue.

I'm glad I finally had a chance to see this undoubted classic. Thanks again to that great channel, American Movie Classics.


26 of 34 people found this review helpful.  Was this review helpful to you?

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