Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both? Written by
Bette Davis and William Wyler fought a great deal during filming. Disagreements ranged from Davis's interpretation of the character (Wyler thought she should be more sympathetic) to the appearance of the house (Davis thought it was far too opulent for a family struggling financially), to her appearance (Wyler thought her white makeup made her look like a Kabuki performer.) Davis eventually walked out of production, but returned when she heard rumors she was going to be replaced by Katharine Hepburn or Miriam Hopkins. See more »
In the final scene, just before Alexandra leaves Regina, in the shot when Regina climbs the stairs, and asks Zan if she would "like to sleep in her room tonight", we see a chair in the background (which earlier in the scene, Regina had sat in). The chair seat is empty. Two shots later, when Alexandra collects her hat and coat to leave, they have suddenly appeared on the chair. See more »
[having learned what her brothers and cousin Leo have been up to, laughing]
Well, this'll make a fine little scandal.
A fine little scandal to hold over their heads. Ha ha! How could they be such fools?
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Opening credits prologue: "Take us the foxes, The little foxes, that spoil the vines:
For our vines have tender grapes." The Song of Solomon 2:15
Little foxes have lived in all times, in all places. This family happened to live in the deep South in the year 1900. See more »
One of the several masterpieces made by master William Wyler, and definetely one of the best movies of all times. As he did in The Letter, Mr. Wyler counted on Bette Davis and Herbert Marshall to play the leading roles in Little Foxes; and the choice worked out perfectly again.
I'm sure that some of the others reviewers will have written about the story of Little Foxes (greed, betrayal, hate... against honesty and loyalty), so I won't. I'll talk about some other things:
-Bette Davis: for me there're no more than 5 actresses which would deserve the title of "best actress ever": Katharine Hepburn, Ingrid Bergman, Audrey Hepburn, Barbra Stanwyck, and of course Bette. She was the best playing evil women, heartless, unmerciful ones. And there's no doubt that the character of Reggina Gibbens gathers all those characteristics together. The performing of Bette Davis is memorable (as expected), and the way she says things such as "I don't hate you, I just feel contempt for you"... that are just like a punch in your face. There should be a picture of Mrs. Davis in the dictionaries next to that sentence that says "look that kills". Bette Davis was the look that killed.
-The Film: "Millimetric" it would be a nice word to define the script. Some of the dialogues of Little Foxes are part of the history of cinema, especially the ones between Reggina and her husband. The scene in which she watches him have a heartattack is simply devastating. There are lots of long shot-sequences that intensify the tension, and Wyler's sense of rhythm is something to be shown in Cinema School even nowadays (especially nowadays).
We got the Gioconda, the Basílica of San Pedro in Vatican, the Guernica... and we got movies such as The Little Foxes.
My rate: 10/10
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