Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both? Written by
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on August 6, 1945 with Bette Davis, 'Charles' Dingle' and Teresa Wright reprising their film roles. See more »
In the final scene, just before Alexandra leaves Regina, in the shot when Regina climbs the stairs, and asks Zan if she would "like to sleep in her room tonight", we see a chair in the background (which earlier in the scene, Regina had sat in). The chair seat is empty. Two shots later, when Alexandra collects her hat and coat to leave, they have suddenly appeared on the chair. See more »
[having learned what her brothers and cousin Leo have been up to, laughing]
Well, this'll make a fine little scandal.
A fine little scandal to hold over their heads. Ha ha! How could they be such fools?
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One of the several masterpieces made by master William Wyler, and definetely one of the best movies of all times. As he did in The Letter, Mr. Wyler counted on Bette Davis and Herbert Marshall to play the leading roles in Little Foxes; and the choice worked out perfectly again.
I'm sure that some of the others reviewers will have written about the story of Little Foxes (greed, betrayal, hate... against honesty and loyalty), so I won't. I'll talk about some other things:
-Bette Davis: for me there're no more than 5 actresses which would deserve the title of "best actress ever": Katharine Hepburn, Ingrid Bergman, Audrey Hepburn, Barbra Stanwyck, and of course Bette. She was the best playing evil women, heartless, unmerciful ones. And there's no doubt that the character of Reggina Gibbens gathers all those characteristics together. The performing of Bette Davis is memorable (as expected), and the way she says things such as "I don't hate you, I just feel contempt for you"... that are just like a punch in your face. There should be a picture of Mrs. Davis in the dictionaries next to that sentence that says "look that kills". Bette Davis was the look that killed.
-The Film: "Millimetric" it would be a nice word to define the script. Some of the dialogues of Little Foxes are part of the history of cinema, especially the ones between Reggina and her husband. The scene in which she watches him have a heartattack is simply devastating. There are lots of long shot-sequences that intensify the tension, and Wyler's sense of rhythm is something to be shown in Cinema School even nowadays (especially nowadays).
We got the Gioconda, the Basílica of San Pedro in Vatican, the Guernica... and we got movies such as The Little Foxes.
My rate: 10/10
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