The Little Foxes (1941)

The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century.

Director:

William Wyler

Writers:

Lillian Hellman (stage play), Lillian Hellman (screen play),

Stars:

Bette Davis, Herbert Marshall, Teresa Wright

Nominated for 9 Oscars. Another 1 win.

Cast

Cast overview, first billed only:
Bette Davis	...	Regina Giddens
Herbert Marshall	...	Horace Giddens
Teresa Wright	...	Alexandra Giddens
Richard Carlson	...	David Hewitt
Dan Duryea	...	Leo Hubbard
Patricia Collinge	...	Birdie Hubbard
Charles Dingle	...	Ben Hubbard
Carl Benton Reid	...	Oscar Hubbard
Jessica Grayson	...	Addie (as Jessie Grayson)
John Marriott	...	Cal
Russell Hicks	...	William Marshall
Lucien Littlefield	...	Manders
Virginia Brissac	...	Mrs. Hewitt
Terry Nibert	...	Julia
Henry 'Hot Shot' Thomas	...	Harold

Storyline

The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both?

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Plot Keywords:

money | business | chicago illinois | shaving | small town | 

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Taglines:

...the film version of the stage hit, as the ruthless beauty whose ambition spelt the doom of three men

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Genres:

Drama | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

1 December 1941 (Portugal)

Also Known As:

La vipère

Filming Locations:

Belle Helene Plantation, Baton Rouge, Louisiana, USA

Company Credits

Production Co:

Samuel Goldwyn Company, The

Technical Specs

Runtime:

116 min 116 min (copyright length)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on August 6, 1945 with Bette Davis, 'Charles' Dingle' and Teresa Wright reprising their film roles.

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Goofs

In the final scene, just before Alexandra leaves Regina, in the shot when Regina climbs the stairs, and asks Zan if she would "like to sleep in her room tonight", we see a chair in the background (which earlier in the scene, Regina had sat in). The chair seat is empty. Two shots later, when Alexandra collects her hat and coat to leave, they have suddenly appeared on the chair.

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Quotes

Regina Giddens: How much more time can you give me?
Ben Hubbard: Horace has refused.
Regina Giddens: He'll change his mind. I'll find a way to make him. How much longer can you wait?
Ben Hubbard: Well, I could wait a few days, but I can't wait a few days. I could, but I can't. Could and can't.
[laughs]

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Connections

Version of The Little Foxes (1956)

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Soundtracks

"Never Too Weary to Pray"
(1941) (uncredited)
Music and Lyrics by Meredith Willson
Sung off-screen by an unidentified group during the opening and closing credits

User Reviews

Magnificent adaptation of Hellman's hit play

As the greedy, conniving Regina Giddons, Bette Davis gives a fascinating performance which ranks with her very finest. Tallulah Bankhead had her greatest stage success playing Regina on Broadway in 1939. Wyler wanted Davis to portray Regina with a more sympathetic "hot house" flavour, but Bette was adamant that the character was a witch in spades: the resulting performance is striking. Regina Giddons is a classic example of a character movie viewers love to hate. Carl Benton Reid is great as the equally greedy brother and Dan Duryea is fine as Leo the crumb. As Alexandra, Teresa Wright is almost annoyingly innocent in the beginning, but she wisens up considerably towards the end of the film: "Why, Alexandra, you have spirit after all. I used to think you were all sugar-water" says a frankly impressed Regina. As the alcoholic flibbertigibbet Birdie, Patricia Collinge is perfection personified: a truly memorable portrait brilliantly enacted. Herbert Marshall is fine as the tragically deceived Horace who shouldn't depend on his "lovely" wife to fetch his heart medicine for him. A magnificent example of a great play transferred to film, Wyler's guiding hand is patent throughout: they definitely don't make films like this anymore - no matter what the cost.