8.2/10
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107 user 27 critic

The Little Foxes (1941)

Passed | | Drama, Romance | 29 August 1941 (USA)
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The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century.

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Writers:

(stage play), (screen play) | 3 more credits »
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Nominated for 9 Oscars. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Patricia Collinge ...
Charles Dingle ...
Carl Benton Reid ...
Jessica Grayson ...
Addie (as Jessie Grayson)
John Marriott ...
Cal
...
...
Manders
Virginia Brissac ...
Mrs. Hewitt
Terry Nibert ...
Julia
Henry 'Hot Shot' Thomas ...
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Storyline

The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both? Written by J. Spurlin

Plot Summary | Add Synopsis

Taglines:

...the film version of the stage hit, as the ruthless beauty whose ambition spelt the doom of three men

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

29 August 1941 (USA)  »

Also Known As:

La loba  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

When it opened at Radio City Music Hall in New York, it set an all-time attendance record for a normal opening day at the theatre, with over 22,000 people attending. See more »

Goofs

On the night before Alexandria leaves for Baltimore when she leans over the railing after Aunt Birdie is slapped: In the wide shot her right hand is about 20 inches from the column, then in the close-up her hand is just inches from the column. See more »

Quotes

Regina Giddens: Cal, the grits is cold. Take it back.
Cal: Yes'm.
[runs back to the kitchen with the grits]
Cal: The grits didn't hold the heat! The grits didn't hold the heat!
See more »

Connections

Featured in Stardust: The Bette Davis Story (2006) See more »

Soundtracks

Rosen aus dem Süden
(uncredited)
Music by Johann Strauss
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User Reviews

Watchable study of greed...Davis at her best...
28 March 2004 | by (U.S.A.) – See all my reviews

The only other film I can think of that matches this one for its study of greed is TREASURE OF THE SIERRA MADRE. Both have a rather downbeat and moralistic ending, but here the sudden end to the story comes as a bit of a disappointment. Too bad that William Wyler didn't stress the "loneliness" theme of Bette's character to give more strength to the ending that merely shows her watching her daughter walking away from her in the rain with a young man.

But aside from the abrupt and rather weak ending, this is a magnificent version of the Lillian Hellman stage play. I saw Elizabeth Taylor in a Broadway revival of the show years ago and she left none of the impact that BETTE DAVIS does here. Davis had the benefit of William Wyler's direction, as did all other members of the cast.

HERBERT MARSHALL is excellent as the only truly decent main character in the story. His performance here is reminiscent of the work he did as Bette's weak husband in THE LETTER--but the scene where she denies him his medicine is as brilliantly played and filmed as any scene in the entire film.

TERESA WRIGHT is a bit sugary as the sweet daughter but rises to the final moments--although I thought her last confrontation with her mother could have been even more harsh than Wyler permitted it to be. She and Davis were both Oscar nominated but lost to others. This scene loses some of its vitality due to Wright's low-key playing.

All the other performers are more than equal to their tasks and the beautiful deep focus B&W photography of Gregg Toland is remarkable and deepens the tone of the story. Charles Dingle stands out particularly in the supporting cast, as Bette's conniving brother who is left, in the end, with nothing but a "sense of humor" about the outcome. Dan Duryea is convincing as the dumb Leo and Richard Carlson does nicely as Wright's boyfriend who realizes that she has a lot of learning to do about the household before she grows up.

Most chilling aspect of the whole film is Bette Davis' towering performance as Regina--perhaps the most realistic of all of her "bad" roles.

But for an even more powerful study of greed, I suggest you watch TREASURE OF THE SIERRA MADRE.


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