Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both? Written by
William Wyler encouraged Bette Davis to see Tallulah Bankhead's Broadway performance. Davis was not keen on the idea but agreed to do so, regretting it instantly as she realized that she was now forced to play the character in a very different manner. Bankhead played her as a fighter; Davis' interpretation was of a cold, calculating and conniving woman. See more »
In the final scene, just before Alexandra leaves Regina, in the shot when Regina climbs the stairs, and asks Zan if she would "like to sleep in her room tonight", we see a chair in the background (which earlier in the scene, Regina had sat in). The chair seat is empty. Two shots later, when Alexandra collects her hat and coat to leave, they have suddenly appeared on the chair. See more »
[From his balcony]
Really, Ben! You look very silly in your nightgown. You shouldn't show yourself.
That's why I never got married. I shall dress and come over for breakfast with you and Alexandra.
No, don't. I hate conversation before I've had something hot.
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Bette is an absolute knockout in this adaptation of Lilliam Hellman's play about greed and corruption in the old south, at the turn of the century. Bette plays Regina Giddens, the formidable matriarch of a powerful southern clan, who will stop at nothing in order to secure wealth and social status. Director William Wyler and cinematographer Gregg Toland succeeded in creating a visually exciting film instead of just a filmed stage play. Nominated for ten Academy Awards, this is an unforgettable and still timeless film. A must!
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