Wealthy Brice Wayne enters West Point and, though he does well on the football field, angers fellow cadets with his arrogance. Disciplined by the coach he yells "To hell with the Corps!" ... See full summary »
Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a ... See full summary »
During World War I, a French girl is romanced by an American doughboy even though she is promised to a French soldier who is fighting at the front. When the French soldier returns from the ... See full summary »
Robert Z. Leonard
A chorus girl gets bad advice from her fellow chorines in handling a rich suitor who assumes she is a gold-digger. But she assumes he is after "one thing" and is holding out for marriage. ... See full summary »
Peg and her father live a simple life in an Irish fishing village. One day Sir Gerald arrives at the village to tell Pat that Peg is heir to estate of her grandfather, who hated Pat. The ... See full summary »
J. Farrell MacDonald
The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both? Written by
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on August 6, 1945 with Bette Davis, 'Charles' Dingle' and Teresa Wright reprising their film roles. See more »
In the final scene, just before Alexandra leaves Regina, in the shot when Regina climbs the stairs, and asks Zan if she would "like to sleep in her room tonight", we see a chair in the background (which earlier in the scene, Regina had sat in). The chair seat is empty. Two shots later, when Alexandra collects her hat and coat to leave, they have suddenly appeared on the chair. See more »
How much more time can you give me?
Horace has refused.
He'll change his mind. I'll find a way to make him. How much longer can you wait?
Well, I could wait a few days, but I can't wait a few days. I could, but I can't. Could and can't.
See more »
As the greedy, conniving Regina Giddons, Bette Davis gives a fascinating performance which ranks with her very finest. Tallulah Bankhead had her greatest stage success playing Regina on Broadway in 1939. Wyler wanted Davis to portray Regina with a more sympathetic "hot house" flavour, but Bette was adamant that the character was a witch in spades: the resulting performance is striking. Regina Giddons is a classic example of a character movie viewers love to hate. Carl Benton Reid is great as the equally greedy brother and Dan Duryea is fine as Leo the crumb. As Alexandra, Teresa Wright is almost annoyingly innocent in the beginning, but she wisens up considerably towards the end of the film: "Why, Alexandra, you have spirit after all. I used to think you were all sugar-water" says a frankly impressed Regina. As the alcoholic flibbertigibbet Birdie, Patricia Collinge is perfection personified: a truly memorable portrait brilliantly enacted. Herbert Marshall is fine as the tragically deceived Horace who shouldn't depend on his "lovely" wife to fetch his heart medicine for him. A magnificent example of a great play transferred to film, Wyler's guiding hand is patent throughout: they definitely don't make films like this anymore - no matter what the cost.
34 of 48 people found this review helpful.
Was this review helpful to you?