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Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, ... See full summary »
Gordon Miller is rehearsing a musical comedy in the penthouse suite of Gribble's hotel...on credit. The mounting bill is driving Gribble frantic. Chaos increases when playwright Glen ... See full summary »
Beverly Ross moderates an 5:30 am radio show with swing music, dedicated to the local servicemen. Two buddies of her brother have a chance to meet her and both fall in love. One of them is ... See full summary »
Danny Wilson and partner Mike make a meager living singing in dives and hustling pool. One night they meet entertainer Joy Carroll, who gets them a job at racketeer Nick Driscoll's posh ... See full summary »
Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is ... See full summary »
Leaving home, young Buddy Baker arrives unannounced at the luxurious Manhattan apartment of his older brother, Alan, a swinging girl chasing bachelor who prefers his carefree life to ... See full summary »
Chuck Redwell is a gambling cowboy who discovers that he's lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn't like to hold hands with him, at least not ... See full summary »
Sam Laker is an American industrialist, working in Britain, who has just been awarded an international award for industrial design. He is planning to travel to East Germany to attend a ... See full summary »
Sidney J. Furie
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
A member of a New York City vaudeville troupe inherits property in Las Vegas and, upon arrival, is thrown in jail for bringing livestock into Nevada without a license. THe livestock consists of a crate of pigeons---trained birds with which one of the girls does her variation of a fan dance. Upon release, they learn the property is a ramshackle building, but decide to make a nightclub out of it. Hitting the jackpot in one of the casinos provides the needed money...but many, many complications ensue. Written by
Les Adams <firstname.lastname@example.org>
Though many seem to view this now as a Dorsey/Sinatra effort, the top billed man in the film was Bert Wheeler, so he was the one the audiences were coming to see. The Wheeler/Woolsey partnership is now an acquired taste (thank you TCM for giving me the chance to acquire it!), though in the 30's they were one of the top ranked comedy duos. But their humor was more risqué than other teams of the times, so their films didn't get a chance to find new audiences through TV replay.
According to the filmography this is Bert Wheeler's second solo effort after the death of Woolsey. His role here has grown up a bit: he's now a married man instead of a young lover, but his charm still has the same boyish quality as in his previous films.
But the interesting thing for those who have seen the previous films is to note how much the writers here must have had Woolsey still in mind. Hank Ladd serves as Bert's foil in this film and tries to put his own stamp on the part by being slick and oily, but one can easily imagine Woolsey delivering the lines, and his style and timing fitting them better.
If you've seen many of the W/W films then you'll also notice the re-use of a number of their old routines, though Ladd isn't the partner in all of them. It's interesting to see them pop up, and note the alterations.
Wheeler has good chemistry with Virginia Dale, and also with Moore and Cornell. Their song "Mary Mary Quite Contrary" is a pleasure. And Dale's "Dove Dance" is a hoot (sic).
Connie Haines joined the Dorsey band at about the same time that Sinatra did. This may be her first film appearance: it predates anything else currently listed in IMDb. She's a charmer, singing (uncredited) on "The Trombone Man Is The Best Man In The Band".
.... Which tune also has the obligatory Buddy Rich solo.
No, not the best of Woolsey's work, nor particularly inspired Dorsey, but still pleasant enough viewing.
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