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The Lady Eve (1941)

Not Rated  |   |  Comedy, Romance  |  21 March 1941 (USA)
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Ratings: 8.0/10 from 13,669 users  
Reviews: 111 user | 73 critic

A trio of classy card sharps targets the socially awkward heir to brewery millions for his money, till one of them falls in love with him.



(screen play: based on a story by),
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Nominated for 1 Oscar. Another 2 wins. See more awards »



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Complete credited cast:
Eric Blore ...
Sir Alfred McGlennan Keith
Melville Cooper ...
Martha O'Driscoll ...
Janet Beecher ...
Robert Greig ...
Dora Clement ...
Luis Alberni ...
Pike's Chef


Returning from a year up the Amazon studying snakes, the rich but unsophisticated Charles Pike meets con-artist Jean Harrington on a ship. They fall in love, but a misunderstanding causes them to split on bad terms. To get back at him, Jean disguises herself as an English lady, and comes back to tease and torment him. Written by John Oswalt <>

Plot Summary | Add Synopsis


Mother Eve had nothing on her! See more »


Comedy | Romance


Not Rated | See all certifications »

Parents Guide:





Release Date:

21 March 1941 (USA)  »

Also Known As:

Lady Eve  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


To maintain a light atmosphere on the set, Preston Sturges encouraged visitors. Friends, press representatives and even the general public were free to visit his sets and watch him at work. See more »


When "Colonel" Harrington talks to Jean in her cabin the morning after Pike proposes, the shadow of a spotlight moves up and out of frame. See more »


"Colonel" Harrington: Are you really in love with this mug?
Jean Harrington: Uh-huh.
"Colonel" Harrington: Don't you think it a little bit dangerous? I don't mean for us, I mean for your heart. They're apt to be slightly narrow-minded, the righteous people.
See more »


With the Wind and the Rain in Your Hair
(1940) (uncredited)
Music by Jack Lawrence and Clara Edwards
Played during the opening credits an often in the score
See more »

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User Reviews

A Tonic For The Senses
11 July 2001 | by (nyc) – See all my reviews

As a lifelong Preston Sturges fan, I find the problem with submitting 'user comments' on his films to be twofold. The first is where to begin, the second how to stop. A third problem (growing out of the first two) manifests itself immediately upon watching a flawless jewel like THE LADY EVE: why even bother to praise it? No matter how accurate or elegant a rave you write, they'd still be merely words, and words can't do Sturges justice...not after hearing and seeing his own words spinning like a thousand plates over the 90-odd minutes it takes for this film to utterly captivate you. Unlike many black-and-white products of the studio era, which generate condescension or apathy among the Gen X'ers of today (when do we get to Gen Z - or are we there already?), the Sturges cult grows with every passing year, as younger fans fall under his spell, drawn initially to his work for the still-startling energy of the stream of raspberries he blew at the Production Code. (In this sense, EVE marks a high point; it's all about sexual gamesmanship, and its tone is both matter-of-fact and dizzyingly playful at the same time.) But hopefully, they're coming for the sizzle and staying for the steak. Like all Sturges' Paramount films, EVE is an embarrassment of riches - a boudoir farce, a slapstick clinic, a cynical dialogue comedy AND a love story of great, soulful heart. It's especially recommended to anyone beset by misery and tribulation as a guaranteed restorative and cure-all. When a movie from any era can so completely take you out of yourself and lift the blackest of clouds without resorting to any cheapjack plot-gimmicks or trite manipulation of an audience's emotions, all you can do is be grateful. Though the unfailingly superb Sturges Players are on hand, in fine form (including of course his human rabbit's foot, Wm Demarest) EVE features a number of actors making their first and only appearances in a Sturges-directed film: Stanwyck, Fonda, Eric Blore, Melville Cooper and perennial Fonda cohort Eugene Pallette. All of them take to the material like catnip, making one long for an alternate reality in which Preston Sturges could have remained unmolested at Paramount for 20 years and a dozen more films than he actually made, not only to see this cast reunited, but to see what might have resulted from any number of quality actors being exposed to the hothouse atmosphere of his screenplays. That it never worked out that way is one more reason to treasure THE LADY EVE.

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