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Knockout (1941)

Approved  |   |  Drama, Romance, Sport  |  29 March 1941 (USA)
5.8
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Title: Knockout (1941)

Knockout (1941) on IMDb 5.8/10

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Cast

Complete credited cast:
...
Johnny Rocket
...
Angela Grinnelli
Virginia Field ...
Gloria Van Ness
...
Trego
...
Pinky (credits) / Sleepy
...
Tom Rossi
Richard Ainley ...
Allison
William Edmunds ...
Louis Grinnelli
...
Denning
John Ridgely ...
Pat Martin
Ben Welden ...
Pelky
Vera Lewis ...
Mrs. Turner (scenes deleted)
Charles C. Wilson ...
Monigan (as Charles Wilson)
Edwin Stanley ...
Doctor
Rest of cast listed alphabetically:
Nat Carr ...
(scenes deleted)
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Storyline

Add Full Plot | Add Synopsis

Taglines:

From Champ to Chump!

Genres:

Drama | Romance | Sport

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

29 March 1941 (USA)  »

Also Known As:

Right to the Heart  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Film debut of David Clarke. See more »

Soundtracks

What Do I Have to Do to Be Loved
(1941) (uncredited)
Music by Sanford Green and Cliff Hess
Played at the nightclub when Johnny, Trigo and Denning are discussing the Fisk fight
See more »

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User Reviews

 
Headlines aplenty
12 May 2004 | by (Oakland CA) – See all my reviews

There are newspaper headlines aplenty in this Bryan Foy produced programmer, but Knockout remains an above average 'B' film that will satisfy bottom of the bill fanciers. Arthur Kennedy stars as Johnny Rocket, a talented young pugilist who's got his eye on a new bride and a new job at a gym. But crafty manager Harry Trego(Anthony Quinn) soon intercedes in an effort to keep Rocket's golden gloves performing in the ring. Nicely shot by Ted McCord, the film is at its best when Rocket's life hits bottom when he gets in over his head with the smart set and wife Olympe Bradna leaves him. Bradna, a Frenchwoman, is the film's weak link, as she's unable to contain her Parisian accent whilst trying to portray the first generation daughter of a Brooklyn-based Italian immigrant. If you can overlook her shortcomings, however, you'll find this a satisfying example of the lost art of 'B' grade filmmaking.


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