A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things ... See full summary »
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if ... See full summary »
Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in boot camp. To their dismay, the company's drill instructor is none other than the cop... See full summary »
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house ... See full summary »
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's ... See full summary »
Rocky and Puddin' Head are waiting tables at an inn on Tortuga when a letter given them by Lady Jane for delivery to Martingale gets switched with a treasure map. Kidd and Bonney kidnap them to Skull Island to find said treasure.
Maj. Robert Scott was more than just the "technical advisor" for this film. As the base commander at Cal Aero, the training facility where "Keep 'Em Flying" was filmed, he would not permit a civilian to perform the scene where a trainer is taxied fast through the four hangars, which were built end-to-end. In his book, "The Day I Owned the Sky", Scott (author of the book on which God Is My Co-Pilot (1945) is based) revealed that he performed the stunt himself. See more »
When Benson and Heathcliff's plane lands, it is without landing gear in an area where no planes are near. When Heathcliff gets out of the plane, it is upright, indicating that landing gear is present, and other planes surround theirs. See more »
One of the funniest of Abbott and Costello's early Universal films was Keep 'Em Flying which stuck with the tried and true formula established by Buck Privates.
The boys are working at a carnival with their pal Dick Foran who's a stunt flier. After a disagreement with management, all three of them quit and wind up in the Army Air Corps.
For Foran he gets to renew a personal rivalry with William Gargan who's an instructor who had fired Foran once before in a civilian flying job. They're both interested in the lovely Carol Bruce who sings great and is a USO hostess.
The boys are up to their usual monkeyshines. Seeing both of them on the back of a speeding torpedo was as funny as when they repeated the same gag on the back of a bucking bronco in Ride 'Em Cowboy. And seeing them hit the silk at the end of the film is indescribable.
Martha Raye plays a dual role in the film as twin sisters, one of whom likes Abbott and the other Costello. Of course poor Costello doesn't realize they're twins and Martha's on and off attitude towards him is baffling. Later on the same twin gimmick was used by Betty Hutton in Here Come The Waves.
Gene DePaul and Don Raye wrote the original songs for this film and actually came up with an Academy Award nomination for one of their songs, Pigfoot Pete which Martha Raye sings and which is incorrectly credited in Academy records to another Universal Film, Hellzapoppin'. It's not bad, but it's really a poor man's Boogie Woogie Bugle Boy. The best song in the film is one interpolated for Carol Bruce when we first meet her as a nightclub singer, the Tommy Dorsey standard, I'm Getting Sentimental Over You.
Keep 'Em Flying is right in the great tradition of Buck Privates and In the Navy and still as funny today as when first made.
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