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Johnny Eager (1941)

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Ratings: 7.1/10 from 1,462 users  
Reviews: 42 user | 15 critic

District Attorney's daughter falls in love with a gangster the D.A. is trying to put in jail.

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Title: Johnny Eager (1941)

Johnny Eager (1941) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
...
Johnny Eager
...
Lisbeth Bard
...
John Benson Farrell
...
Jeff Hartnett
...
Jimmy Courtney
Patricia Dane ...
Garnet
Glenda Farrell ...
Mae Blythe
Henry O'Neill ...
Mr. Verne
Diana Lewis ...
Judy Sanford
...
Lew Rankin
Charles Dingle ...
Marco
...
Julio
Cy Kendall ...
Halligan
Don Costello ...
Billiken
Lou Lubin ...
Benjy
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Storyline

Ruthless hood Johnny Eager is pretending to his parole officer that he has chucked the rackets and is now a full-time taxi driver. In fact, he's as deep in as he ever was and desperately needs official permission to open his new dog track. When he meets up with Lisbeth Bard, he finds he not only has a stunning new girlfriend but a possible way to get his permit. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

He's Taylor-made for her ! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

17 January 1942 (USA)  »

Also Known As:

Der Tote lebt  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In one of the bedrooms in Johnny's apartment at the track is a large painting, done in the art deco style, of a reclining blonde woman. Coincidentally, this same painting is featured briefly but prominently in Eyes in the Night (1942), released the same year and also starring Edward Arnold, referred to in that film by Marty as "a blonde tomato." See more »

Goofs

In the scene where Johnny is asking Benjy about the cop that won't let him put in slot machines, Benjy hands him a note with the cop's badge number (#711) on it which he unfolds before handing to Johnny. Then we see Johnny unfolding it again. See more »

Quotes

John 'Johnny' Eager: Oh, now don't turn ordinary on me. I get tired of ordinary dames. And I don't want to get tired of you.
See more »

Connections

Featured in Watch the Birdie (1950) See more »

Soundtracks

Melancholy
(1911) (uncredited)
(Also known as "Melancholy Baby" and "My Melancholy Baby")
Music by Ernie Burnett
Played during the opening and closing credits
Played as dance music by the band at Tony Luce's place
Played as background music often
See more »

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User Reviews

 
Van Heflin shines in this MGM gangster film
17 November 2004 | by (Boulder, Colorado) – See all my reviews

MGM produced this well-written, well-produced gangster saga, a type of film that was very unusual for the studio.

As the alcoholic, self-loathing, philosophizing buddy of Johnny Eager (Robert Taylor), Heflin steals the show. He plays his role with great intensity and complexity, making his performance one of the most deserved Best Supporting Actor Oscars in the history of the Academy Awards. His crying scenes are enough to choke a person up, and his possible suggestion of a homoerotic attraction to Eager is unique in a film of this era.

It's unfortunate that Heflin's subsequent roles and performances were generally dull. This actor needed roles that put him emotionally on the edge and exploited his intensity. But at least in Johnny Eager, Heflin set a standard for screen acting that remains a role model to this day.

Robert Taylor plays his scenes with Heflin with some dramatic tension and a hint of subtext, while still remaining comfortably within the confines of a handsome Hollywood leading man. Turner delivers her lines very artificially, coming across as insincere, and her face seems incapable of expressing emotion. Beautiful she is, but given the taut script, the director had the potential of eliciting less formulaic playing from her. Luckily, the rest of the cast is excellent -especially Edward Arnold and Robert Sterling.

Watch this one and you won't be disappointed. Heflin's performance is worth it all.


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