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I Wake Up Screaming (1941)

Passed  -  Crime | Drama | Film-Noir  -  31 October 1941 (USA)
7.3
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.3/10 from 2,076 users  
Reviews: 65 user | 26 critic

Why is Inspector Ed Cornell trying to railroad Frankie Christopher for the murder of model Vicky Lynn?

Director:

(as Bruce Humberstone)

Writers:

(screen play), (novel)
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Cast

Complete credited cast:
...
Jill Lynn
...
Frankie Christopher
...
Vicky Lynn
Laird Cregar ...
Ed Cornell
William Gargan ...
Jerry MacDonald
...
Robin Ray
Allyn Joslyn ...
Larry Evans
...
Harry Williams
Chick Chandler ...
Reporter
Cyril Ring ...
Reporter
Morris Ankrum ...
Asst. District Attorney
...
Keating, Florist
Frank Orth ...
Caretaker
Gregory Gaye ...
Headwaiter
May Beatty ...
Mrs. Handel (as Mae Beatty)
Edit

Storyline

Promoter Frankie Christopher, being grilled by police in the murder of model Vicky Lynn, recalls in flashback: First meeting her as a waitress, Frankie decides to parlay her beauty into social acceptance and a lucrative career. He succeeds only too well: she's on the eve of deserting him for Hollywood...when someone kills her. Now Frankie gets the feeling that Inspector Ed Cornell is determined to pin the killing on him and only him. He's right. And the only one he can turn to for help is Jill, the victim's sister, who's been cool toward him... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Plot Keywords:

promoter | model | inspector | police | murder | See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

31 October 1941 (USA)  »

Also Known As:

Hot Spot  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

"Daddy" (music and lyrics by Bobby Troup), plugged by Betty Grable in a store's music department, was cut from the film so that Twentieth Century-Fox could showcase Miss Grable in a fully dramatic role. The shooting script had Betty working as a stenographer instead of plugging songs. As her sole musical moment, Miss Grable hummed a bit of the Tchaikovsky-based ballad, "The Things I Love" (music and lyrics by Harold Barlow and Lewis Harris), during a car ride with Victor Mature and Carole Landis. Most of the ditty would be sung by Miss Landis later in the movie. Footage of Miss Grable performing "Daddy" still exists. See more »

Goofs

When's Vicky Lynn's dead body is on the floor is being examined by Frankie, Jill walks in the room and the camera begins to quickly dolly up, all of a sudden, Vicky starts to quickly roll away as if to get out of the way of the camera path. (They show the same revealing mistake in the movie's trailer.) See more »

Quotes

Ed Cornell: What she meant we'll never know. It's what she said that counts.
See more »

Connections

Referenced in Good Dick (2008) See more »

Soundtracks

Street Scene
(uncredited)
Music by Alfred Newman
Played over main titles, then heard as background music throughout the movie
See more »

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User Reviews

Absorbing, Ambiguous Noir
28 January 2004 | by (Ottawa) – See all my reviews

Evocatively directed by Bruce Humberstone, this absorbing early film noir contains a surface sheen, polished elegance, and haunting ambiguity that anticipate similar noirs by Otto Preminger. Its cast of unusual actors and all-time greats is uniformly excellent. Betty Grable is quite revealing and capable of expressing a genuine human emotion in the rare dramatic role of Jill Lynn, the sister of the slain victim Vicky (Carole Landis). Victor Mature looks suitable for his part. Laird Cregar (who would later play the Devil in Lubitsch's "Heaven Can Wait") may be the most memorable character in the film; he is truly scary as the corrupt detective investigating the murder case. Director Humberstone's way of handling the two disjointed flashback structures in the beginning, narrated by Mature & Grable in their two separate rooms is quite intriguing and masterful. The film has a way of surprising us with its captivating twists and revelations, never failing to arouse the viewer's imagination. One of the most enjoyable noirs of the 40s.


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