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102 reviews in total

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46 out of 55 people found the following review useful:
A John Ford Masterpiece, 25 December 1999

Author: gbheron from Washington, DC

John Ford's film of social and familial change details the chilling effects hard economic times have on a large, but tight-knit Welsh coal mining family around the turn of the last century. Told in narrative flashback by the youngest of seven children (5 young men and a young lady) it begins when the coalmines are new, the valley still green, and the village cohesive and close-knit. As economic times worsen, the family and community fray and slowly disintegrate. The backdrop village becomes darker and smokier as the family fights valiantly to remain together. But unlike the treatment the story would probably get today, the family does not lose its dignity.

There is not much, if anything, to criticize in this movie, it's one of the best ever.

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46 out of 56 people found the following review useful:
A Family Film In Every Sense Of The Word., 16 August 2004

Author: bkoganbing from Buffalo, New York

There has been a tendency to downgrade How Green Was My Valley recently because it beat out Citizen Kane for Best Picture of 1941. It turned out to be John Ford's only win in that department. Because Citizen Kane now is lauded as the best film EVER, How Green Was My Valley lost a bit of luster. Yet on its own merits it's a fine film and can be seen again and again without any boredom.

It's like Ford's Liberty Valance in that it shows the progress that the world's first industrial society, 19th century Great Britain as reflected in that Welsh valley, just like the settling of the American West in The Man Who Shot Liberty Valance. It's the reverse here, the valley is a place people leave, or at least a lot of the good ones. Nearly all the Morgan children and Walter Pidgeon who plays the minister.

1941 and 1942 marked the high point in the career of Walter Pidgeon. He never quite made the top rung of actors at his home studio of MGM. Yet in those two years he happened to star in both the films the Academy designated as Best Picture, this one and Mrs. Miniver in 1942. He's an outsider, arriving full of ideals and then forced to leave to stop gossip about him and Maureen O'Hara.

Maureen O'Hara made her John Ford debut in How Green Was My valley as the lovely and fetching Angharad. She and Pidgeon are in love, but Pidgeon does not want to inflict is life of denial on her. They give each other up and later their relationship is the cause of gossip.

Arthur Shields the lesser known brother of Barry Fitzgerald is the head of the deacons at Pidgeon's church. A narrow, bitter man he's one of a string of religious hypocrite characters that Ford has in his films. Offhand I can think of Willis Bouchey in The Last Hurrah and Grant Withers in Fort Apache. Barry's in this too, playing the comical Cynfartha.

The center of the film is the Morgan family headed by Donald Crisp and Sara Allgood. Playing Morgan patriarch Gwyllym Morgan, Crisp gets the Best Supporting Actor for this wonderful portrayal of strength and dignity. Sara Allgood matches him every step of the way.

Besides Pidgeon and O'Hara, the rest of the film revolves around the generational conflicts between the conservative father and his more broadminded sons who want to get a union started. In 1941 America that was a timely theme as our American Labor movement got its first backing from a friendly government in the New Deal. The labor troubles that the Morgans and the other Welsh coalminers in the valley deal with was a very relevant.

One of the great things about this is that Ford never takes sides here. Donald Crisp is never shown as a reactionary fool for his opposition to unionization. Indeed Ford puts him on a pedestal for sticking to his beliefs.

All this is seen through the eyes of young Hugh Morgan, played by Roddy McDowall in his first major part as a juvenile and narrated in flashback by British actor Irving Pichel as the adult Hugh. McDowell has his own troubles here, he and Sara Allgood fall in a freezing river and both have health problems afterward. McDowell is the first of the Morgans to go to school and he's bullied by both pupils and a snobbish teacher. Young McDowell is taught to box by Rhys Williams to take care of the kids and later Rhys Williams as Dai Bando, an ex-pugilist takes matters in his own hands with the teacher in the films most hilarious scene.

As we move into the post industrial age, the labor themes of How Green Was My Valley seem quaint. But the family travails, and heartaches, and triumphs with that 19th Century Welsh Coalmining family are timeless. This is the real genius of John Ford.

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43 out of 55 people found the following review useful:
Unforgettable Film, 4 April 2004

Author: harry-76 from Cleveland, Ohio

This moving film has become part of the all-time American classics, and rightly so. It is a beautifully conceived and executed adaptation of a beloved novel.

One of John Ford's finest hours, it is magnificently staged and shot, with a lovely score (by Alfred Newman) and rich performances, headed by Walter Pidgeon, Maureen O'Hara and Roddy McDowall.

That it was made on a fairly limited budget and filmed entirely on the 20th Century back lot is little short of amazing. Its truly great, sprawling set seems to be the real thing: a actual coal mining town.

Ford's attention to careful group blocking and staging of tableau adds to the artistry of the work. Its political subtext corresponds with America's stance regarding European policy at the time. Other issues such as women's rights and religious bigotry help to likewise bolster the tale.

I agree that "How Green Was My Valley" is a fine achievement, now gloriously restored to dvd for many future viewers to enjoy.

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43 out of 59 people found the following review useful:
How Green was my Valley was the greatest film of all time., 27 February 2006

Author: Ed-683 from United States

Greatest movie of all time. I saw this first during World War II, and it made such an impression upon me that I had to go back time after time. Now 60 years later it lingers in my memory over any other movie I have ever seen. No movie before or since has left such a lasting impression upon me.

It could easily be brought back to the modern screen as a classic film that will never die. I wish I could own it on DVD, but I have no idea where I can obtain it. It would be at the top of classic films of all time as an asset in my library. It appeared at a time in our history when the world was being torn asunder and we did not know what tomorrow would bring. It was so uplifting at a time when we needed that uplift.

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29 out of 35 people found the following review useful:
A Welch valley, 31 August 2004

Author: jotix100 from New York

John Ford was a director with a vision bigger than life, as demonstrated by his films. Richard Lewellyn's novel must have been one source of inspiration for bringing to life this story about a small town in Wales. The director had the good fortune to have Arthur Miller as his cinematographer for this tale about the stark conditions about the miners' lives. The small town comes alive by the vivid account one sees on the screen. At times, what we are witnessing before our eyes, remind us of the work of great photographers such as Margaret Bourke-White, whose pictures for the old Life magazine parallel Mr. Miller's stark photography in the film.

Mr. Ford uses songs in most of his films. In this movie as well as in The Quiet Man, this device enhances what we are watching. The songs are diversions for the stark reality in the miners' lives. Their every day misery is somehow eased when they sing with clear voices ancient folk melodies they, and their forefathers, have always known.

The Morgan family is at the center of the story. We hear the narration from Huw, the youngest member of this family. All the men work in the mine; they are all disillusioned by the working conditions and meager wages that they give without hesitation to the matriarch when they are paid. They appear content at the beginning of the film, but we watch them gradually abandon their village in search of a better life; who can blame them?

The cast assembled by Mr. Ford is first rate. Donald Crisp, as the patriarch of the Morgan family outdoes himself in this film. Walter Pidgeon as the local church pastor is excellent. The young and radiant beauty of Maureen O'Hara was so powerful, we can't stop watching her for a moment when she is on screen. Roddy McDowall as the youngest child of the clan in his first appearance is also a magnetic presence that holds the viewer's attention all the time.

The rest of the actors do incredible ensemble work to support the principals. Anna Lee, John Loder, Barry Fitzgerald, Anne Todd make us believe they are the characters they are playing.

Ultimately this is a John Ford's triumph. He is the force that welds everything together and in spite of all the bad things that happen to the family and the town, he seems to be telling us there still is hope and life will continue.

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24 out of 30 people found the following review useful:
What a Magnificent Movie!, 17 October 2005

Author: Claudio Carvalho from Rio de Janeiro, Brazil

In Wales, Huw Morgan recalls his childhood fifty years ago, in the end of Nineteenth Century. In a green valley, where the colliery is the unique economical activity, Huw (Roddy McDowall), his brothers and his sister are raised by his beloved parents, Mr. Gwilym Morgan Sr. (Donald Crisp) and Mrs. Beth Morgan (Sara Allgood). In times of changes and exploitations of the worker class, the young workers try to gather their power in a labor union and fight against the unemployed reserve army with a strike, while Mr. Morgan is against their movement. Along the years, the situation of the dwellers gets worse and worse, with poverty, while the coal mine blackens the hills of the valley with the slag.

What a magnificent movie "How Green Was My Valley" is! This is the first time I see this movie, and I am really excited with such masterpiece. The outstanding and awesome direction of John Ford certainly deserved the Oscar he won in 1942. The story is excellent, with drama and romance in a period of economical and political changes in the world. There are many important and strong characters, built with heart by the cast, and I was particularly impressed with the touching performance of Roddy McDowall, in the role of a boy with strong personality and moral qualities. The awarded black and white cinematography is also remarkable. The wonderful metaphoric title completes this classic. My vote is ten.

Title (Brazil): "Como Era Verde Meu Vale" ("How Green Was My Valley")

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16 out of 19 people found the following review useful:
Lost paradise?, 26 April 2004
Author: dbdumonteil

The story is told by an adult who remembers his childhood:Roddy McDowall gives a very sensitive performance in this part,he's simply the best actor of a topflight cast (to think that nowadays McDowall is remembered by the young generations mainly for his part of Cornelius the ape)All the scenes which involve the boy are simply wonderful,particularly the one with the daffodils (it 'd have been shot in color!),and the one with his father in his arms at the end.John Ford ,as usual , is a master when it comes to depict a small community who's got to stand together to survive.And he does not spare us the tragedies ,the bigotry ,the slander,but he adds humor,joie de vivre (the men,turning their nose on tea and wanting beer).

But sometimes it seems too good to be true:the boss's offspring marrying a miner's daughter,even when she's a beauty like Maureen O'Hara?The boss asking the poor father's permission?We are far from Emile Zola's "Germinal" :both stories happen about during the same era ,both with the miners' life both are radically different.Zola's world is a bleak,desperate world ,his depiction of the families' houses and meals (when there is food) and the pictures of Ford's movie are worlds apart.But the biggest difference is the omnipresence of the Lord's will:in "how green" the minister is a cool young handsome man (Pidgeon),in "Germinal" ,the priest's only a silhouette,but a selfish cruel one,unconcerned to man's plight:Zola's miners do not put their trust in a God anymore .

Wales and the east of France ,were they that much different?You can only say they were novels and movies,and reality is probably somewhere between them.

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18 out of 23 people found the following review useful:
Very moving, 11 December 2003

Author: perfectbond

This movie tugged at my heart strings like few others. I was thoroughly immersed in the lives of the Morgans and found myself especially drawn to young Huw's trials, tribulations, and triumphs. The scene where he taps his fork twice and sneezes before he is acknowledged by his father was poignant beyond belief. Despite the hardships and tragedies there is also warmth and humor such as when family friends of the Morgans visit the schoolmaster after he had been especially harsh with Huw. The romantic aspect of the film is also well done by its primary principles, Angharad and the pastor. All in all the films does a magnificent job of capturing the lives of a family in a bygone time and place. There is no doubt that this is a great film and the fact that it beat out the likes of Citizen Kane for Best Picture is a testament to that fact. 9/10.

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18 out of 24 people found the following review useful:
Every time I hear the lines, 22 March 2005

Author: vitaminmika from Japan

*** This review may contain spoilers ***

Every time I hear the lines "Men like my father cannot die.They are with me still, real in memory as they were in flesh." near last scene,I cannot help from my tears flood out. Huw's two teachers of his life,Mr.Gruffydd and his father are both very attractive.Despite his position ,I move Mr.Gruffydd's indirect expression of his passion for Angharad.I also like the scene when Mr. Gwilym Morgan says "Call Dai Bando!" and following the scene Dai Bando teaches Huw how to fight. The scene Sara Allgood's speech protecting her husband reminds me (not actually saw)John Ford's famous speech in the middle of the McCarthy era Communist witch-hunt "My name is John Ford.I direct films...."

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10 out of 15 people found the following review useful:
Yes, You Can Almost Feel The Grime, 27 March 2008

Author: ccthemovieman-1 from United States

This movie is a little long at times, but this is still a powerful story about the many stories that came out of the coal mining families in Wales, Great Britain. One of the top aspects of the movie is the cinematography, under the direction of John Ford. It is very effective. You can just feel the grime and dirt of the mines and cobblestone town. It looks really good now that's it out on DVD.

Walter Pigeon is the likable minister, and lead character, "Mr. Gruffydd." He's likable because he doesn't judge people as the head deacon does. The latter is portrayed ludicrously by Barry Fitzgerald, much to the delight of secular-minded film critics, who loved his performance. Nonetheless, there is a lot of "religion" pictured positively in this film, a lot of spiritual scenes and most were done well.

Roddy McDowell plays the most memorable character, I thought: "Huw," a young boy who went through some really tough times, as did most of the townsfolk.

If you are used to modern films, be warned this film does drag in spots. It is a fine movie, to be sure, and a powerful and emotional story.

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