Life is hard in a Welsh mining town and no less so for the Morgan family. Seen through the eyes of the family's youngest, Huw, we learn of the family's trials and tribulations. Family patriarch Gwilym and his older sons work in the mines, dangerous and unhealthy as it is. Gwilym has greater hopes for his youngest son, but Huw has his own ideas on how to honor his father. Daughter Angharad is the most beautiful girl in the valley and is very much in love with Mr. Gruffydd, who isn't sure he can provide her the life she deserves. Times are hard and good men find themselves out of work and exploited by unseen mine owners. Written by
Two of Huw's sisters from the book - Ceridwen (older) and Olwen (the youngest sibling) - do not appear in the film. See more »
At Angharad's wedding, from inside the church we see Huw waiting outside, wearing a cap. When they cut to the reverse shot outside the church, the cap is gone. See more »
You've been lucky, Huw. Lucky to suffer and lucky to spend these weary months in bed. For so God has given you a chance to make the spirit within yourself. And as your father cleans his lamp to have good light, so keep clean your spirit... By prayer, Huw. And by prayer, I don't mean shouting, mumbling, and wallowing like a hog in religious sentiment. Prayer is only another name for good, clean, direct thinking. When you pray, think. Think well what you're saying. Make your thoughts into things ...
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This moving film has become part of the all-time American classics, and rightly so. It is a beautifully conceived and executed adaptation of a beloved novel.
One of John Ford's finest hours, it is magnificently staged and shot, with a lovely score (by Alfred Newman) and rich performances, headed by Walter Pidgeon, Maureen O'Hara and Roddy McDowall.
That it was made on a fairly limited budget and filmed entirely on the 20th Century back lot is little short of amazing. Its truly great, sprawling set seems to be the real thing: a actual coal mining town.
Ford's attention to careful group blocking and staging of tableau adds to the artistry of the work. Its political subtext corresponds with America's stance regarding European policy at the time. Other issues such as women's rights and religious bigotry help to likewise bolster the tale.
I agree that "How Green Was My Valley" is a fine achievement, now gloriously restored to dvd for many future viewers to enjoy.
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