Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house ... See full summary »
Dick is faced with a series of brutal murders in which the victims, all from different social and economic backgrounds, are viciously slashed to pieces. Suspects abound but Tracy, getting a... See full summary »
In one of his rare performances without Bud Abbott, Lou Costello plays a rubbish collector and inventor. When radiation in a nearby cave turns his girlfriend into a giantess, antics ensure ... See full summary »
A compilation of clips from 19 Abbott & Costello features: The Wistful Widow of Wagon Gap, In the Navy, Hit the Ice, Who Done It?, Abbott and Costello Meet Frankenstein, Mexican Hayride, ... See full summary »
During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were ... See full summary »
A. Edward Sutherland,
A Universal Army enlistment promotion, produced as a musical showcase for Harry James, the Andrews Sisters, Joe E. Lewis, and Donald O'Connor & Peggy Ryan. The film's thin plot has James ... See full summary »
Edward F. Cline
The Andrews Sisters,
Joe E. Lewis
A documentary showing the constructive approach taken by the Lou Costello, Jr. Youth Foundation in Los Angeles toward prevention of juvenile delinquency. William Bendix, as a neighborhood ... See full summary »
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers. Written by
Daniel Bubbeo <email@example.com>
A double for 'Joan Davis', who was unavailable for re-shoots, is seen in the penultimate scene as Abbott & Costello discuss opening a nightclub. See more »
When Moose Matson pulls up to the gas station that Chuck and Ferdie work at, his front license plate is of a white color. But when the police are chasing him in the same car, the license plate is clearly black. See more »
We were very close to Charlie Smith at the time of his semise.
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Although the Andrews Sisters are credited onscreen only as a group, Ted Lewis (I) identifies each of them orally. See more »
Another nice early film from A&C, with a good supporting cast and the usual thickly laid on Universal atmosphere included. I've seen it maybe 10 times now over the decades with no loss of pleasure.
It has Ted Lewis and the Andrews Sisters as pleasant musical bookends to what has previously been described as a Ghosts & Gangsters tale. Add comedy and murder and that's what this is all about, the lid is firmly kept on the romance between Carlson and Ankers - and may I add, she seldom looked lovelier than in here. Favourite routines: Ferdie's bedrooms changing into gaming rooms behind his back, to Chuck's harsh disbelief; The candles moving to the spluttered "Oh Chuck! What Kept You"; the figure of speech gag finished by the gangsters arrival. Abbott got in more face slapping Costello than in other films, and although it's something that never really appealed to me it's not too bad. Joan Davis has some good lines too but wasn't fully exploited. Not in A&C's Top 5, but still a nice b&w inconsequential entertaining spooky old house comedy.
All told, good stuff for A&C fans like me - masochists who already know that they don't like 'em should really try to save themselves the 81 minutes running time + their IMDb commenting time and do the rest of us a favour.
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