Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house ... See full summary »
In one of his rare performances without Bud Abbott, Lou Costello plays a rubbish collector and inventor. When radiation in a nearby cave turns his girlfriend into a giantess, antics ensure ... See full summary »
Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in boot camp. To their dismay, the company's drill instructor is none other than the cop... See full summary »
A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if ... See full summary »
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers. Written by
Daniel Bubbeo <email@example.com>
This film went into production under the title "Oh Charlie!" as Bud Abbott and Lou Costello's second feature film and follow-up to their wildly successful Buck Privates (1941). Production was completed in February 1941 just as "Buck Privates" was breaking box office records across the country, and Universal was worried that the new scare comedy had no real connection to the first hit (preview audiences reportedly asked where The Andrews Sisters were). A nervous studio decided to shelve "Oh Charlie!" and rework it at a future date and concentrated instead on pushing a new service comedy, In the Navy (1941), through production as the team's next feature. Upon completion of "In the Navy," this film went back into production in May 1941 as "Hold That Ghost" with the addition of the opening and closing nightclub scenes (which added Mischa Auer, Ted Lewis, The Andrews Sisters and musical numbers to the proceedings). The new scenes required a rewriting and reworking of the existing footage. Joan Davis, who had by that time reported to 20th Century-Fox for a role in Sun Valley Serenade (1941), was unavailable for the re-shoots and had to be written out of the new scenes (including the new nightclub finale). See more »
When Ferdie leaves his bedroom to go out into the hall to see who was knocking at his door, the door slams behind him. He turns around, tries the handle and pushes the door, yells, "It's locked!" and runs across the hall to Chuck's room. However, when he initially pushed on the door it clearly opened several inches; he pulled it shut, turned the handle one more time and it again opened an inch or two. It was then he yelled "It's locked!" and ran off. See more »
You boys ready to leave?
I was ready to leave when he put the key in the front door to come in!
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The opening credits show animated figures representing Abbott and Costello being chased by a giant white flying ghost, whose body morphs into Abbott's and Costello's names and then into the title of the film. See more »
Arthur Lubin directs this scary comedy with Abbott and Costello inheriting a gangster's abandoned piece of property. A haunted house? Some guys have all the luck. Well paced funny script complete with stormy atmosphere. Hilarious and a little spooky. Joan Davis is a scene stealer. Others in support: Richard Carlson, Evelyn Ankers and Marc Lawrence. Classic Abbott and Costello.
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