Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house ...
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Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in basic training. To their dismay, the company's drill instructor is none other than ... See full summary »
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if ... See full summary »
A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers. Written by
Daniel Bubbeo <firstname.lastname@example.org>
The opening credits show animated figures representing Abbott and Costello being chased by a giant white flying ghost, whose body morphs into Abbott's and Costello's names and then into the title of the film. See more »
This combination of haunted house scares and A&C slapstick works terrifically, for several reasons--the supporting cast is first-rate, and Joan Davis proved to be the best comic foil Costello ever had, their scenes together sparkle and their chemistry is undeniable; the boys' timing, always a marvel, has seldom been better; and, as in their best film, "A&C Meet Frankenstein," the spooky elements are played exactly that way, and not for laughs, and it works as well as it did in that film. Also, it doesn't have the cheaper, rushed look that many of their later ones had, and director Arthur Lubin--responsible for some of the team's best pictures--keeps things running very smoothly. The boys showcase some of their classic routines, Joan Davis is a joy to watch, the Andrews Sisters' songs don't slow things down ("Aurora" is actually a bright, catchy little number); all combine to make this one of the best Abbott & Costello films. Don't miss it.
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