Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house ... See full summary »
Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in boot camp. To their dismay, the company's drill instructor is none other than the cop... See full summary »
Dick is faced with a series of brutal murders in which the victims, all from different social and economic backgrounds, are viciously slashed to pieces. Suspects abound but Tracy, getting a... See full summary »
A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
A deranged scientist is using his employer's top-secret bio-laboratory to engage in clandestine eugenics experiments. When he starts kidnapping leading citizens for use in his twisted tests... See full summary »
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if ... See full summary »
Rocky and Puddin' Head are waiting tables at an inn on Tortuga when a letter given them by Lady Jane for delivery to Martingale gets switched with a treasure map. Kidd and Bonney kidnap them to Skull Island to find said treasure.
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers. Written by
Daniel Bubbeo <email@example.com>
This film went into production under the title "Oh Charlie!" as Bud Abbott and Lou Costello's second feature film and follow-up to their wildly successful Buck Privates (1941). Production was completed in February 1941 just as "Buck Privates" was breaking box office records across the country, and Universal was worried that the new scare comedy had no real connection to the first hit (preview audiences reportedly asked where The Andrews Sisters were). A nervous studio decided to shelve "Oh Charlie!" and rework it at a future date and concentrated instead on pushing a new service comedy, In the Navy (1941), through production as the team's next feature. Upon completion of "In the Navy," this film went back into production in May 1941 as "Hold That Ghost" with the addition of the opening and closing nightclub scenes (which added Mischa Auer, Ted Lewis, The Andrews Sisters and musical numbers to the proceedings). The new scenes required a rewriting and reworking of the existing footage. Joan Davis, who had by that time reported to 20th Century-Fox for a role in Sun Valley Serenade (1941), was unavailable for the re-shoots and had to be written out of the new scenes (including the new nightclub finale). See more »
When Moose Matson pulls up to the gas station that Chuck and Ferdie work at, his front license plate is of a white color. But when the police are chasing him in the same car, the license plate is clearly black. See more »
With one eye, watch that candle, with the other eye watch the other candle, and with the other eye, watch me.
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The opening credits show animated figures representing Abbott and Costello being chased by a giant white flying ghost, whose body morphs into Abbott's and Costello's names and then into the title of the film. See more »
Another nice early film from A&C, with a good supporting cast and the usual thickly laid on Universal atmosphere included. I've seen it maybe 10 times now over the decades with no loss of pleasure.
It has Ted Lewis and the Andrews Sisters as pleasant musical bookends to what has previously been described as a Ghosts & Gangsters tale. Add comedy and murder and that's what this is all about, the lid is firmly kept on the romance between Carlson and Ankers - and may I add, she seldom looked lovelier than in here. Favourite routines: Ferdie's bedrooms changing into gaming rooms behind his back, to Chuck's harsh disbelief; The candles moving to the spluttered "Oh Chuck! What Kept You"; the figure of speech gag finished by the gangsters arrival. Abbott got in more face slapping Costello than in other films, and although it's something that never really appealed to me it's not too bad. Joan Davis has some good lines too but wasn't fully exploited. Not in A&C's Top 5, but still a nice b&w inconsequential entertaining spooky old house comedy.
All told, good stuff for A&C fans like me - masochists who already know that they don't like 'em should really try to save themselves the 81 minutes running time + their IMDb commenting time and do the rest of us a favour.
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