The editor of a New York exploitation newspaper meets the wife he had abandoned years ago, while using another name, at a LonelyHearts ball sponsored by his newspaper. She threatens to ... See full summary »
Police surround the apartment of apparent murderer Joe Adams, who refuses to surrender although escape appears impossible. During the siege, Joe reflects on the circumstances that led him to this situation.
Barbara Bel Geddes,
Roy 'Mad Dog' Earle is broken out of prison by an old associate who wants him to help with an upcoming robbery. When the robbery goes wrong and a man is shot and killed Earle is forced to go on the run, and with the police and an angry press hot on his tail he eventually takes refuge among the peaks of the Sierra Nevadas, where a tense siege ensues. But will the Police make him regret the attachments he formed with two women during the brief planning of the robbery. Written by
Mark Thompson <firstname.lastname@example.org>
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on April 17, 1944 with Humphrey Bogart and Ida Lupino reprising their film roles. See more »
When Roy Earle, traveling under an alias, first meets Pa Goodhue at the gas station in the desert, he only introduces himself as "Collins". However, when they meet for the second time after the car accident in Tropic Springs, Pa immediately greets him as "Roy," even though Earle had never offered a first name. See more »
Times have sure changed.
Yeah, ain't they? You know, Mac, sometimes I feel like I don't know what it's all about anymore.
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Bogart Stands Out In An Interesting & Well-Crafted Story
Even aside from its impact on Humphrey Bogart's career and on the noir genre, "High Sierra" is an entertaining and interesting movie that is worth seeing in its own right. Bogart's portrayal of Roy Earle, along with Ida Lupino, a talented supporting cast, and some well-chosen settings, are all fit together nicely to tell an interesting story.
Though it's hard now to experience Bogart's gangster roles as they would have appeared to their original audiences, it's still easy to see why this and similar roles attracted so much attention at the time. The character is interesting to begin with, and Bogart makes him even more so. The tension between Earle's ruthlessness and his sense of fairness, and between his desires and his practicality, makes for some interesting possibilities.
Bogart makes good use of these opportunities with his distinctive style. The other characters and the plot developments furnish plenty of material that develop Earle's character and give Bogart lots to work with. Even the sequences that might seem unlikely or out of place are used to add depth to the character and the story.
The climactic sequence in the mountains ties everything together nicely, in a very appropriate setting. "High Sierra" is the kind of movie that classic movie fans can enjoy both for the chance to see its influence on later movies and for its own interesting and well-crafted story.
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