Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-marshaled out of the army and boards a Japanese ship for the Orient in late 1941. But has ... See full summary »
Roy 'Mad Dog' Earle is broken out of prison by an old associate who wants him to help with an upcoming robbery. When the robbery goes wrong and a man is shot and killed Earle is forced to go on the run, and with the police and an angry press hot on his tail he eventually takes refuge among the peaks of the Sierra Nevadas, where a tense siege ensues. But will the Police make him regret the attachments he formed with two women during the brief planning of the robbery. Written by
Mark Thompson <firstname.lastname@example.org>
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on January 4, 1942 with Humphrey Bogart reprising his film role. See more »
When Roy Earle, traveling under an alias, first meets Pa Goodhue at the gas station in the desert, he only introduces himself as "Collins". However, when they meet for the second time after the car accident in Tropic Springs, Pa immediately greets him as "Roy," even though Earle had never offered a first name. See more »
I almost forgot, Mendoza brought us a present and Roy, I guess you're the engineer. Here.
[Hands Roy the machine-gun case]
Big Mac gave me the machine gun. You know how to work it? Red doesn't, and neither does Babe.
That's a good one , that is.
What's so funny?
Does he know how to work it?
Yeah. Say, you know that gun reminds me of one time, 9 or 10yrs ago. We was getting ready to do a job back in Iowa... when one of the guys got the shakes. Pretty soon we found out that ...
[...] See more »
Aw, the film that launched stardom for Humphrey Bogart and changed him from the perpetual villain to the "good guy."
The movie doesn't feature a lot of action but it keeps your interest. You have two women in here: the hard-boiled Ida Lupino and the soft-and-sweet Joan Leslie. Both are entertaining to watch and both demonstrate a few surprises in the personalities of the characters they are playing. Bogart does the same: goes back and forth between tough guy and softy.
Another key member of this unusual crime story/film noir is "Pard:" a little dog! Human supporting roles are supplied by some familiar and solid actors such as Arthur Kennedy, Alan Curtis, Henry Hull, Henry Travers, Barton MacLane and Cornel Wilde. Most of the people in here, including "Pard," are that endearing but there are so many different angles to this story, it's always interesting to see.
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