7.7/10
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Here Comes Mr. Jordan (1941)

Approved | | Fantasy, Comedy, Romance | 21 August 1941 (USA)
Boxer Joe Pendleton dies 50 years too soon due to a heavenly mistake, and is given a new life as a millionaire playboy.

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(screen play), (screen play) | 1 more credit »
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Won 2 Oscars. Another 3 wins & 6 nominations. See more awards »

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Storyline

Boxer Joe Pendleton, flying to his next fight, crashes...because a Heavenly Messenger, new on the job, snatched Joe's spirit prematurely from his body. Before the matter can be rectified, Joe's body is cremated; so the celestial Mr. Jordan grants him the use of the body of wealthy Bruce Farnsworth, who's just been murdered by his wife. Joe tries to remake Farnsworth's unworthy life in his own clean-cut image, but then falls in love; and what about that murderous wife? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

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A picture different from anything ever screened before!


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Approved | See all certifications »
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21 August 1941 (USA)  »

Also Known As:

Heaven Can Wait  »

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Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Claude Rains plays an agent of Heaven who finds a new body for the soul of Robert Montgomery. In Angel on My Shoulder (1946) Rains plays the Devil, who finds a new body for the soul of Paul Muni. Harry Segall, who wrote the story for the latter film, also wrote the play "Heaven Can Wait", upon which Here Comes Mr. Jordan (1941) is based. The first film titled Heaven Can Wait (1943), staring Don Ameche and Gene Tierney, based on a play titled "Birthday", differs greatly from "Here Comes Mr. Jordan". The central character in the Ameche film is an older man who has already lived a full life and is confronted by the Devil. Not much emphasis is given to reincarnation. The second film, Heaven Can Wait (1978), starring Warren Beatty, based on the play "Heaven Can Wait", is practically a word-for-word rewrite of "Here Comes Mr. Jordan", the one exception being that the central character is a football player and not a boxer. See more »

Goofs

Just before Joe Pendleton and the messenger arrive at Joe's apartment, looking for his body, they pass a woman coming from the other direction. She moves her shoulder back and to the left to let Joe pass and also steals a quick glance at him. According to the messenger's comments just a moment later, neither he nor Joe can be seen or heard, so the woman should not have moved to let them pass or noticed them at all. See more »

Quotes

Max Corkle: Ohhhh... I'm goin' around again!
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Connections

Referenced in The Doughgirls (1944) See more »

Soundtracks

The Last Rose of Summer
(1808) (uncredited)
Music: traditional Irish melodies
Played often on saxophone by Robert Montgomery (probably dubbed)
Played also in the score
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User Reviews

 
Heaven Can't Wait
28 November 2005 | by (United States) – See all my reviews

During a flight in a personal airplane, a young boxer by the name of Joe Pendleton crashes into a wooded area - just within the first ten minutes of the beginning of Here Comes Mr. Jordan. Unfortunately, a heavenly escort prematurely plucks his body from the plane before the actual crash, thereby rendering Joe body-less, yet technically alive. Joe's body is promptly cremated, so his new friend, Mr. Jordan, promises Joe a new form and they begin a search for a replacement. The 1941 film centers around Joe Pendleton, an affable man and a capable boxer, who is on his way to a fight whenever he meets his untimely death. With the help of Mr. Jordan, Joe attempts to reverse his misfortune with a new body and a fresh opportunity to enter the title fight. Along the way, however, he meets the unexpected: a beautiful, independent, and charmingly belligerent woman that he falls hopelessly in love with. The film centers around Joe's struggle to realize his dream of winning a title fight, however, it is truly a romantic comedy with themes that tend to focus on love and the fulfillment of our dreams. The makers of the film use Joe's different forms to impart their view that love is a connection between two people, while the body is simply a shell and love is a faceless awareness that sees through physical realities. Don't be turned off by this seemingly heavy theme, because Joe's constant wisecracks and frequent squabbles with the man who took him from his body keep the film light and enjoyable. Despite the occasional sluggish scene, this timeless film offers enough clean-cut comedy and bearable romanticism to warrant a viewing. It deals with an important subject without taking any importance away from keeping the film light and fun to watch.


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