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Here Comes Mr. Jordan (1941)

7.7
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Ratings: 7.7/10 from 3,561 users  
Reviews: 45 user | 27 critic

Boxer Joe Pendleton dies 50 years too soon due to a heavenly mistake, and is given a new life as a millionaire playboy.

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(screen play), (screen play), 1 more credit »
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Title: Here Comes Mr. Jordan (1941)

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Won 2 Oscars. Another 2 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Rita Johnson ...
...
...
John Emery ...
Donald MacBride ...
Don Costello ...
Lefty
Halliwell Hobbes ...
Benny Rubin ...
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Storyline

Boxer Joe Pendleton, flying to his next fight, crashes...because a Heavenly Messenger, new on the job, snatched Joe's spirit prematurely from his body. Before the matter can be rectified, Joe's body is cremated; so the celestial Mr. Jordan grants him the use of the body of wealthy Bruce Farnsworth, who's just been murdered by his wife. Joe tries to remake Farnsworth's unworthy life in his own clean-cut image, but then falls in love; and what about that murderous wife? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

A picture different from anything ever screened before!


Certificate:

TV-G | See all certifications »
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Details

Country:

Language:

Release Date:

21 August 1941 (USA)  »

Also Known As:

El difunto protesta  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

James Gleason was nominated for an Oscar for Best Supporting Actor in the role of Max Corkle. This is the first time in Academy Awards history for a person to be nominated for a supporting Oscar for a role for which a different person would later also be nominated for a supporting Oscar: Jack Warden was nominated for Best Supporting Actor as Max Corkle in Heaven Can Wait (1978). See more »

Goofs

Pendleton (as Farnsworth) hands the $25,000 check to Max, who takes it with his left hand. There's an edit to a slightly different angle and suddenly the check is in Max's right hand. See more »

Quotes

Messenger 7013: I'm the one who says 'let's go'...
See more »

Connections

Followed by Down to Earth (1947) See more »

Soundtracks

The Last Rose of Summer
(1808) (uncredited)
Music: traditional Irish melodies
Played often on saxophone by Robert Montgomery (probably dubbed)
Played also in the score
See more »

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User Reviews

 
Heaven Can't Wait
28 November 2005 | by (United States) – See all my reviews

During a flight in a personal airplane, a young boxer by the name of Joe Pendleton crashes into a wooded area - just within the first ten minutes of the beginning of Here Comes Mr. Jordan. Unfortunately, a heavenly escort prematurely plucks his body from the plane before the actual crash, thereby rendering Joe body-less, yet technically alive. Joe's body is promptly cremated, so his new friend, Mr. Jordan, promises Joe a new form and they begin a search for a replacement. The 1941 film centers around Joe Pendleton, an affable man and a capable boxer, who is on his way to a fight whenever he meets his untimely death. With the help of Mr. Jordan, Joe attempts to reverse his misfortune with a new body and a fresh opportunity to enter the title fight. Along the way, however, he meets the unexpected: a beautiful, independent, and charmingly belligerent woman that he falls hopelessly in love with. The film centers around Joe's struggle to realize his dream of winning a title fight, however, it is truly a romantic comedy with themes that tend to focus on love and the fulfillment of our dreams. The makers of the film use Joe's different forms to impart their view that love is a connection between two people, while the body is simply a shell and love is a faceless awareness that sees through physical realities. Don't be turned off by this seemingly heavy theme, because Joe's constant wisecracks and frequent squabbles with the man who took him from his body keep the film light and enjoyable. Despite the occasional sluggish scene, this timeless film offers enough clean-cut comedy and bearable romanticism to warrant a viewing. It deals with an important subject without taking any importance away from keeping the film light and fun to watch.


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