London based American nurse, Susan, Lady Ashwood, is at the hospital awaiting the imminent arrival of injured soldiers. She is hoping that her enlisted son, Sir John Ashwood, who resembles ... See full summary »
Georgi has attempted suicide in reaction to an earlier love affair. Now that Dr. Decker has married her he sets out to get her to love him. To make enough to give her what she wants he ... See full summary »
During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
What a remarkable movie! It contains, as far as I've seen her, Hedy Lamarr's best performance ever...she's luminous here, human, warm, heart-wrenching, not the aloof goddess of other MGM films (which I like too, by the way). She gives a complex, multi-layered performance as a liberal, independent, unprejudiced, modern working woman who falls in love with a lad (grandly impersonated by Robert Young) who comes from an aristocratic, old fashioned, "blue-blood" family from Boston.
They meet while working together in an advertising/publicity company, but their relationship is not an easy one, due to Marvin's (Hedy) unease with his family's morals, mores and ways...
The movie is told in flashback, with Harry Pulham (Robert Young) remembering his childhood and younger days, when he's well into his forties and married to a woman of his same "Social Circle" (Ruth Hussey-what a good actress she was, giving a first-rate performance in a role so different from the one she played the previous year in "The Philadelphia Story").
You can tell this movie was directed by a first rate director like King Vidor, who could handle so well "sociological" issues.
Good performances too by Van Heflin as Young's pal, Bonita Granville as his sister, Charles Coburn as his father et al.
An engrossing film, watch it on TCM, where it's scheduled regularly.
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