| Bette Davis | ... | Maggie Patterson Van Allen | |
| George Brent | ... | Peter 'Pete' Van Allen | |
| Mary Astor | ... | Sandra Kovak | |
| Lucile Watson | ... | Aunt Ada Greenfield | |
| Hattie McDaniel | ... | Violet | |
| Grant Mitchell | ... | Joshua Mason | |
| Jerome Cowan | ... | Jock H. Thompson | |
| Charles Trowbridge | ... | Sen. Ted Greenfield | |
| Thurston Hall | ... | Worthington James | |
| Russell Hicks | ... | Colonel Harriston | |
| Virginia Brissac | ... | Sadie | |
| J. Farrell MacDonald | ... | Dr. Ferguson (as J. Farrell Macdonald) | |
| Addison Richards | ... | Mr. Talbot | |
| Sam McDaniel | ... | Jefferson Washington | |
| rest of cast listed alphabetically: | |||
| Olin Howland | ... | Ed, Arizona Ranch Hand (scenes deleted) | |
| Georgia Caine | ... | Mrs. Pine (uncredited) | |
| Richard Clayton | ... | Page Boy (uncredited) | |
| Gino Corrado | ... | Minor Role (uncredited) | |
| Billy Eugene Ferris | ... | Pete Van Allen Jr. #1 (uncredited) | |
| George Kirby | ... | Minister (uncredited) | |
| Doris Lloyd | ... | Bertha, Sandra's Maid (uncredited) | |
| Alphonse Martell | ... | Backstage Waiter (uncredited) | |
| Edmund Mortimer | ... | Man Greeting Sandra Backstage (uncredited) | |
| George Reed | ... | Greenfield's Butler (uncredited) | |
| Georges Renavent | ... | Maitre d'Hotel (uncredited) | |
| Cyril Ring | ... | Harry Anderson (uncredited) | |
| Napoleon Simpson | ... | Parker, Greenfield's Chauffeur (uncredited) | |
| Timony Tennyson | ... | Pete Van Allen Jr. #2 (uncredited) | |
| Leo White | ... | Waiter (uncredited) | |
| Lottie Williams | ... | Woman with Minister at Maggie's (uncredited) | |
| Charlotte Wynters | ... | Mrs. Anderson (uncredited) | |
Directed by | |||
| Edmund Goulding | |||
Writing credits | ||
| Lenore J. Coffee | (screen play) (as Lenore Coffee) | |
| Polan Banks | (novel "The Far Horizon") | |
Produced by | |||
| Henry Blanke | .... | associate producer | |
| Hal B. Wallis | .... | executive producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Tony Gaudio | (director of photography) | ||
Film Editing by | |||
| Ralph Dawson | |||
Art Direction by | |||
| Carl Jules Weyl | |||
Costume Design by | |||
| Orry-Kelly | (gowns) | ||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
Production Management | |||
| Frank Mattison | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jack Sullivan | .... | assistant director (uncredited) | |
Sound Department | |||
| C.A. Riggs | .... | sound | |
Special Effects by | |||
| Robert Burks | .... | special effects | |
| Byron Haskin | .... | special effects | |
Costume and Wardrobe Department | |||
| Eugene Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
| Hugo Friedhofer | .... | orchestral arranger | |
| Ray Heindorf | .... | orchestral arranger | |
| Max Rabinowitz | .... | musician: piano (uncredited) | |
Other crew | |||
| Norma Drury Boleslavsky | .... | stand-in: hands playing piano (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
A rich woman Maggie (Bette Davis) is in love with Peter Van Allen (George Brent) who is married to famous concert pianist Sandra Kovak (Mary Astor). Them Van Allen finds out his marriage to Kovak isn't legal--they got married before her divorce was final. So he marries Maggie which infuriates Kovak. Then Kovak discovers she's pregnant and Van Allen disappears when his plane crashes in the jungle...
As you can see this is more than a little silly. The above plot just covers the first 30 minutes or so--the story gets even more ridiculous. This is wildly overly melodramatic and has an ending where reality totally disappears, but production values, music and performances pull it over.
It was lushly made (Warners Brothers spared no expense on this one) and there's some great music here--LOVE the piano solos that Astor is supposedly playing. Brent is good in his role--handsome and intelligent. Davis is (as always) good--she ALMOST overdoes it but is pulled back. Astor is GREAT--she deservedly won a Best Supporting Actress Oscar for this. She takes her role and runs with it--she's playing an almost totally evil, self-absorbed woman and enjoys it.
So it IS silly but worth seeing. I watched the film with a smirk on my face the whole time but I DID keep watching. I give it a 7.