The Great Commandment is a Christian film directed by Irving Pichel, which portrays the conversion to Christianity of a young Zealot, Joel, and the Roman soldier Longinus through the ...
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A young man, Facing torture and possibly death for his Christian beliefs, confesses his fears to Peter, who awaits a similar fate. Peter tells him of fear he felt in following Jesus' arrest... See full summary »
A brother is cast out from his family, sold in to slavery and then returns years later as a man of power - but shows forgiveness and compassion to his family through the strength of character given to him by God.
The Great Commandment is a Christian film directed by Irving Pichel, which portrays the conversion to Christianity of a young Zealot, Joel, and the Roman soldier Longinus through the teachings of Jesus in his Parable of the Good Samaritan. It was co-produced by Rev. James K. Friedrich and released by Cathedral Films in 1939. Its theatrical release was in 1941 by Twentieth Century Fox. Written by
Rev. James K. Friedrich produced this picture in order to portray a "correct" version of the crucifixion. After PCA censor Joseph I. Breen voiced concerns about the onscreen representation of Jesus, producer John T. Coyle decided to eliminate Jesus as an onscreen character and to use the camera's point of view to represent him instead. The picture was not released nationally until 1941, but had its previews in Joplin, MO, and at the Ambassdor Theater in Los Angeles on 2 Oct. 1939 See more »
The oldest, yet longest, of the four religious films commissioned by various Christian groups that I watched (I opted not to go through too much 'straight' stuff while waiting for the result of the General Elections over here!) actually had the backing of one of the Hollywood majors Twentieth Century Fox. The familiar events of The Passion are played out as a backdrop to the main narrative that involving a couple of zealot brothers who clash over their mission (the impulsive younger sibling wants to act now while the more practical older one, played by John Beal, wants to wait for the arrival of The Messiah); the latter also falls out with his father because he has in mind for him to become a scholar while marrying off Beal's sweetheart to his brother! Eventually, he sets out to find Jesus and offer him his sword of allegiance but he slowly comes to understand his message of Peace and Love. Also involved is a Roman officer, well played by Albert Dekker: as it turns out, Beal's brother winds up dead after an attempt on Dekker's life (who is crippling the Jews with taxes, gathered by the "snivelling" and typically slimy Ian Wolfe); however, Beal inspired by his new faith takes care of the wounded Dekker who, noticing the Jews' confusion and anger at Beal for his conduct, decides to lock him up. During his tenure in jail, it transpires that Christ was tried, convicted and crucified; still baffled by Beal's behavior, Dekker asks him to explain the catch is that the person who 'converted' Beal towards helping even his enemies turns out to be the very same one in whose side Dekker had just driven the proverbial spear!
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