After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ...
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Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
Nan Spencer is on a boat bound for Havana which runs aground. The man sent to rescue her is engaged and she doesn't understand his disinterest. Gambler is interested, to the annoyance of his girlfriend.
Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
In WWI dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the war, he becomes a producer. In WWII his son Johnny Jones, who was before his ... See full summary »
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After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together. Written by
Ed Stephan <firstname.lastname@example.org>
Original 1919 Jess Willard-Jack Dempsey fight film footage used. See more »
When Rix Martin (John Payne) first sees the radio equipment Chuck Hadley (Jack Oakie) has set up in his room, he thinks it's a still for making bootleg liquor. But the scene takes place in early 1919, before Prohibition had taken effect. See more »
You know those Fox musicals: dreary plots, dragged-out playing times, benumbed direction, uninteresting photography, excruciatingly familiar casts, undistinguished or antiquated old-fave scores. This one, with less production values than usual, actually has a fun if unremarkable plot, pretending to be about the history of radio, but really just an excuse to let its stars do what they do best: Alice Faye to sing in her throaty, comforting contralto, John Payne to look handsome (he also warbles a bit, and not badly), Jack Oakie to clown (less annoyingly than usual). Mack Gordon and Harry Warren wrote many gorgeous ballads; here the keeper is "Long Ago Last Night," and it's a corker. It moves fast--positively at a gallop, by Fox standards--and though there are anachronisms everywhere, in the costumes and the dialog and the sets, this time you don't mind. A very entertaining, unpretentious Fox musical.
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