6.8/10
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The Great American Broadcast (1941)

After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ... See full summary »

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(original screen play), (original screen play) | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
Chuck Hadley
...
Rix Martin
...
Bruce Chadwick
...
Singer
Charles Fuqua ...
Song Specialty
The Ink Spots ...
The Four Ink Spots (as The Four Ink Spots)
Hoppy Jones ...
Song Specialty
Bill Kenny ...
Ink Spots Member
Deek Watson ...
Song Specialty
The Nicholas Brothers ...
Dancers (as Nicholas Brothers)
Fayard Nicholas ...
Railroad Station Dance Specialty (as The Nicholas Brothers)
Harold Nicholas ...
Railroad Station Dance Specialty (as The Nicholas Brothers)
The Wiere Brothers ...
Dancers (as Wiere Brothers)
...
Secretary
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Storyline

After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Great Stars! A Grand Story! IN THE GREATEST MUSICAL OF THEM ALL! (original print ad-all caps) See more »


Certificate:

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Details

Country:

Language:

Release Date:

9 May 1941 (USA)  »

Also Known As:

Addio Broadway!  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Run Little Raindrop Run" (music by Harry Warren, lyrics by Mack Gordon) had been intended for this movie. Rather, in Springtime in the Rockies (1942), Betty Grable, John Payne and a chorus would sing the song. Later, Miss Grable and Cesar Romero would dance to the melody, played by Harry James and His Music Makers. See more »

Goofs

Although the story takes place in 1919, and the years immediately following, all of Alice Faye's clothes and hairstyles are strictly in the 1941 mode, as are also those of Mary Beth Hughes and the other female members of the cast; the musical arrangements of Faye's featured songs are also in the contemporary 1941 style. See more »

Connections

Featured in Take It or Leave It (1944) See more »

Soundtracks

If I Didn't Care
(uncredited)
Written by Jack Lawrence
Performed by The Ink Spots (as The Four Ink Spots) when Chuck is stringing up the wire
See more »

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User Reviews

 
Interesting Pseudo History with a Too Familiar Dumb Plot
27 October 2001 | by (Springfield, VA) – See all my reviews

Few middle-aged people now even remember the waning days of big time network radio, much less its prime time from the late 1920s to the mid 50s. When I first became aware of radio, about 1930, the networks had been operating for some time. Nothing in this movie would tell me how long. The signals were, indeed, carried over telephone lines. In fact, by the late 30s, at least, telephone cables consisting of thousands of wires in a lead sheath carried larger gauge wires in the center to provide a cleaner signal for radio transmission. Broadcasts originated mostly in New York, with quite a few from California, some from Chicago, and a few from other places around the country -- like Nashville. If it was necessary to switch the feed from, say, New York to Hollywood for a special interview, it took about 5 seconds for the phone lines to be reconnected in the opposite direction. It was a fun time, that this movie pretends to have invented. When it originated, the people -- broadcasters and listeners -- must have been fully as excited about it as the movie depicts.

The plot of the story is one we've seen in at least a dozen films: boy steals friend's girl; friend and girl succeed big in some enterprise, boy, left out, becomes jealous and disappears; boy turns up just in time to observe girl's ultimate triumph. The enterprise may be a business, a farm, or a mine, but more commonly it's an act or dramatic career. The story is always stupid, and this film is no exception.

Still, the music featuring Alice Faye, a couple of numbers by the Ink Spots, the hilarious Wiere Brothers, and the incomparable Nicholas Brothers, and even John Payne in one of his early singing roles, makes for eminently watchable entertainment, with the bit of questionable broadcast history thrown in for good measure. Despite the too familiar plot, it's far better than the average musical of the 30s through 50s. I loved it enough to save the recording I made off the cable 15 years ago, and liked it just as much when I dug up the tape this week.


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