After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ...
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Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
Nan Spencer is on a boat bound for Havana which runs aground. The man sent to rescue her is engaged and she doesn't understand his disinterest. Gambler is interested, to the annoyance of his girlfriend.
Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together. Written by
Ed Stephan <firstname.lastname@example.org>
Original 1919 Jess Willard-Jack Dempsey fight film footage used. See more »
Although the story takes place in 1919, and the years immediately following, all of Alice Faye's clothes and hairstyles are strictly in the 1941 mode, as are also those of Mary Beth Hughes and the other female members of the cast; the musical arrangements of Faye's featured songs are also in the contemporary 1941 style. See more »
You know those Fox musicals: dreary plots, dragged-out playing times, benumbed direction, uninteresting photography, excruciatingly familiar casts, undistinguished or antiquated old-fave scores. This one, with less production values than usual, actually has a fun if unremarkable plot, pretending to be about the history of radio, but really just an excuse to let its stars do what they do best: Alice Faye to sing in her throaty, comforting contralto, John Payne to look handsome (he also warbles a bit, and not badly), Jack Oakie to clown (less annoyingly than usual). Mack Gordon and Harry Warren wrote many gorgeous ballads; here the keeper is "Long Ago Last Night," and it's a corker. It moves fast--positively at a gallop, by Fox standards--and though there are anachronisms everywhere, in the costumes and the dialog and the sets, this time you don't mind. A very entertaining, unpretentious Fox musical.
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