5.7/10
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The Gay Parisian (1941)

In a Paris nightclub setting, the Ballet Russe de Monte Carlo performs to the music of Jacques Offenbach.

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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
Ballet Russe de Monte Carlo ...
Dancers
...
The Peruvian (as Leonide Massine)
Milada Mladova ...
The Glove Seller
Frederic Franklin ...
The Baron
Nathalie Krassovska ...
The Flower Girl
Andre Eglevsky ...
Tortoni - The Dancing Master
...
Officer
Lubov Roudenko ...
Can-Can Dancer
Casimir Kokitch ...
Dancer
James Starbuck ...
Dancer
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Storyline

At the Café Parisian during the can-can era, a young man, naïve but enthusiastic, arrives from Peru with two valises of money. He's immediately smitten by a lovely glove seller, who already receives attentions from a baron. The baron has additional admirers, including a florist whose beauty rivals that of the glover. Through dance, the lovers vie for each other's attention and affection while everyone can can-can. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Short | Musical | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

10 January 1942 (USA)  »

Also Known As:

Technicolor Specials (1941-1942 season) #3: The Gay Parisian  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Ironic that the Gay Parisian (1941) would be paired with The Maltese Falcon (1941) on DVD, with the director Negulesco's first film directorial assignment being The Maltese Falcon. Previously working as a second unit director on loan to Warner Brothers, Negulesco signed a contract, in 1940 until 1948, to direct short features. Between 1941 and 1944, Negulesco turned out a staple of shorts, generally of a musical nature and often featuring popular big bands, like those of Joe Reichman, Freddy Martin and Jan Garber. His first feature film directing assignment was The Maltese Falcon, replaced after two months with John Huston, coincidentally Huston's first directing job! John Huston had written the screen play adaption, with back room politicking, replacing Negulesco. See more »

Connections

Referenced in Ballets Russes (2005) See more »

Soundtracks

Can-Can
(1866) (uncredited)
from "La vie parisienne"
Written by Jacques Offenbach
Included in "Gaîté parisienne"
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User Reviews

 
Lots of Energy, No Coherence
17 March 2008 | by (San Diego, CA) – See all my reviews

There's considerable color, lots of energy, and the grins of the dancers tell us that we are supposed to think that this production is absolutely delightful. But the choreographer and dancers don't display sufficient technical virtuosity to off-set the almost complete lack of an actual story here. Imagine a second- or third-rate '40s musical, eliminate the singing, and replace the movie make-up with that appropriate to live theater, and you'll have a rough idea of what this film is like. Danny Kaye would have been expected to move with more precision than does Leonide Massine; the nameless dancers for MGM would have been expected to be better synchronized than are the Ballet Russe de Monte Carlo. While I'm sure that, with a run-time of 20 minutes, a more tiring film *could* be made, I'm not sure than one *has* been made.


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