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Women Are Better Diplomats (1941)
"Frauen sind doch bessere Diplomaten" (original title)

5.7
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Ratings: 5.7/10 from 39 users  
Reviews: 2 user

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Title: Women Are Better Diplomats (1941)

Women Are Better Diplomats (1941) on IMDb 5.7/10

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Cast

Cast overview, first billed only:
...
Marie-Luise Pally
Willy Fritsch ...
Rittmeister von Karstein
Aribert Wäscher ...
Der Landgraf
Hans Leibelt ...
Geheimrat Berger
Ursula Herking ...
Mariechen
Herbert Hübner ...
Dr. Schuster
Carl Kuhlmann ...
Paul Lamberg - Direktor des Spielcasinos Homburg (as Karl Kuhlmann)
Georg Alexander ...
Viktor Sugorsky
Leo Peukert ...
Der Bürgermeister
Erika von Thellmann ...
Seine Frau
Erich Fiedler ...
Oberleutnant Keller
Karl Günther ...
Der General
Rudolf Carl ...
Karl - Bursche des Rittmeisters von Karstein
Edith Oß ...
Annette
Eva Tinschmann
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Storyline

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Genres:

Musical

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Details

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Release Date:

31 October 1941 (Germany)  »

Also Known As:

Kobiety sa jednak lepszymi dyplomatami  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Supporting actor Karel Stepanek emigrated during the nearly three years of production and was replaced by Rudolf Carl. Cutting and new shooting came to 500,000 RM additional production cost, because color processing had been developed further. See more »

Connections

Featured in Die Nacht der Regisseure (1995) See more »

Soundtracks

Warum, weshalb, wieso?
Written by Franz Grothe & Willy Dehmel
Performed by Marika Rökk
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User Reviews

 
Knocked together first Agfa Colour Feature
30 March 1999 | by (Amsterdam, The Netherlands) – See all my reviews

The shooting of this film took almost 2 years due to ongoing innovations of the colour processing and some personal problems. Whether these were the causes or not, fact is that this a knocked together, as good as unwatchable bad film, that is far below the standards of director Georg Jacoby whose aspirations were already never that high.

With a clumsy told story, there is an incredible obtuse ballet on the grass, and Marika Rökk's dancing that is plumper than ever. Even Willy Fritsch and Franz Grothe's music can not save this one.

This film is worth watching for one aspect only: being the first feature in Agfa colour.


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