49th Parallel (1941)

A WW2 U-boat crew is stranded in northern Canada. To avoid internment, they must make their way to the border and get into the still-neutral USA.

Director:

Michael Powell

Writers:

Emeric Pressburger (original story and screenplay), Rodney Ackland (scenario),

Stars:

Richard George, Eric Portman, Laurence Olivier

Won 1 Oscar. Another 2 nominations.

Cast

Cast overview, first billed only:
Richard George	...	Kommandant Bernsdorff
Eric Portman	...	Lieutenant Hirth
Raymond Lovell	...	Lieutenant Kuhnecke
Niall MacGinnis	...	Vogel
Peter Moore	...	Kranz
John Chandos	...	Lohrmann
Basil Appleby	...	Jahner
Laurence Olivier	...	Johnnie - the Trapper
Finlay Currie	...	The Factor
Ley On	...	Nick - the Eskimo
Anton Walbrook	...	Peter
Glynis Johns	...	Anna
Charles Victor	...	Andreas
Frederick Piper	...	David
Leslie Howard	...	Philip Armstrong Scott

Storyline

In the early years of World War II, a German U-boat (U-37) sinks Allied shipping in St. Lawrence Bay and then tries to evade Canadian Military Forces seeking to destroy it by sailing up to Hudson Bay. The U-boat's Fanatical Nazi captain sends some members of his crew to look for food and other supplies at a Hudson Bay Company outpost. No sooner than the shore party (lead by Lieutenant Hirth) reaches the shore, the U-boat is spotted and sunk by the Canadian Armed Forces leaving the six members of the shore party stranded in Canada. The Nazi Lieutenant then starts to plan his crews' return to the Fatherland. He needs to reach the neutral United States or be captured. Along the way they meet a variety of characters each with their own views on the war and nationalism. In this film Michael Powell and Emeric Pressburger show their ideas of why the United States should join the Allied fight against the Nazis.

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Plot Keywords:

nazi | u boat | canada | seaplane | escape | 

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Taglines:

THE MIGHTEST MANHUNT THAT EVER SWEPT THE SCREEN! (original poster-all caps)

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Genres:

Drama | War | Thriller

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Certificate:

TV-14

Details

Country:

UK

Language:

English French German

Release Date:

15 April 1942 (USA)

Also Known As:

The Invaders

Filming Locations:

Associated Sound News Studios, Montréal, Québec, Canada

Box Office

Budget:

£132,000 (estimated)

Company Credits

Production Co:

Ortus Films

Technical Specs

Runtime:

123 min 122 min (TV)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The submarine used in the opening scenes was a replica built in the Halifax shipyards. The Canadian government, although cooperative in the production, could not spare one of its own submarines, which were then patrolling waters in defense of its borders.

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Goofs

On the map of North America shown after the opening credits, the eastern boundary of North Dakota is inaccurately drawn, bulging out well into Minnesota, where in fact the border between the states is an almost straight, though slightly slanted, line.

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Quotes

[first lines]
Prologue: I see a long, straight line athwart a continent. No chain of forts, or deep flowing river, or mountain range, but a line drawn by men upon a map, nearly a century ago, accepted with a handshake, and kept ever since. A boundary which divides two nations, yet marks their friendly meeting ground. The 49th parallel: the only undefended frontier in the world.

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Crazy Credits

(opening dedication) This film is dedicated to the actors who believed in our story and came from all parts of the world to play in it.

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Connections

Featured in Showbiz Goes to War (1982)

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Soundtracks

"The Lake in the Mountains"
Written by Ralph Vaughan Williams
Played by Phyllis Sellick

User Reviews

"The only undefended frontier in the world"

You'd be tempted to think that there's no way '49th Parallel (1941)' could have turned out anything less than excellent. Not only do Michael Powell and Emeric Pressburger perform their famous double-act, but there's also the equally-enviable partnership of David Lean (here working as editor) and cinematographer Freddie Young. But we must remember that in the realm of WWII propaganda there lie dangerous waters, and only the most talented filmmakers (so far, I count Hitchcock, Wilder, Renoir, Curtiz and Reed) can navigate their war-themed picture towards any degree of lasting respectability. We can certainly add Michael Powell to that list of famous names. '49th Parallel' is different from most of its contemporaries because it presents the film solely from the German point-of-view. The portrayal is not favourable, of course, and at least their commander reeks of pure evil, but the German characters are nonetheless humanised to no small extent. These aren't cold, immoral monsters, but ordinary people, swept up in euphoric Nazi ideology and pining for the simpler life they can barely remember.

When a German submarine is destroyed in Hudson Bay, Canada, the surviving Nazi soldiers – led by the fiercely patriotic Kommandant Bernsdorff (Richard George) – must navigate their way across the country into the then-neutral United States of America. The native citizens they meet along the way are largely jovial and laid-back, many hardly aware of the war raging across the Atlantic, and the Germans haughtily deem them foes unworthy of the Fuhrer's might. But these Canadians, as placid as they first seem, can surely recognise fascism when they see it, and each of the soldiers is picked off one by one, like the characters from a war-themed version of Agatha Christie's "And Then There Were None." Among the unwitting local patriots is French-Canadian trapper Laurence Olivier – a caricature but an entertaining one – anthropologist/author Leslie Howard, and grinning deserter Raymond Massey, each of whom shows the Nazis that they're dealing with an enemy whose sheer spirit overshadows all of Hitler's armies combined.

The film was apparently intended as a tribute to Canada's involvement in the war, and perhaps – as was Hitchcock's 'Foreign Correspondent (1940)' – a call-to-arms for the then-isolationist United States, who would hold back until the Japanese attack on Pearl Harbour in December 1941. Many of the film's characters remark upon the sheer remoteness of the war relative to their own lives, unaware that it is actually standing before them; this idea was almost certainly aimed at American audiences. After the brilliantly suspenseful first act at Hudson Bay, I initially felt that the film was going off track by continuing to follow the Germans after their aerial departure from the remote village. However, as time wore on, I began to appreciate what the film was aiming for. Though the snow-swept slopes around Hudson Bay may seem leagues away from the Canadian/American border, Kommandant Bernsdorff and his ever-dwindling band gradually progress their way south, until, not only does he reach the border, but he physically crosses into the United States. The War had never been closer.