A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
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After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Alexander Korda's bit for the British war effort shows the world both at peace and on the verge of Nazi domination. Spliced together to form a documentary style film of both newsreel and ... See full summary »
In the early years of World War II, a German U-boat (U-37) sinks Allied shipping in the Gulf of St. Lawrence and then tries to evade Canadian Military Forces seeking to destroy it by sailing up to Hudson Bay. The U-boat's Fanatical Nazi captain sends some members of his crew to look for food and other supplies at a Hudson Bay Company outpost. No sooner than the shore party (lead by Lieutenant Hirth) reaches the shore, the U-boat is spotted and sunk by the Canadian Armed Forces leaving the six members of the shore party stranded in Canada. The Nazi Lieutenant then starts to plan his crews' return to the Fatherland. He needs to reach the neutral United States or be captured. Along the way they meet a variety of characters each with their own views on the war and nationalism. In this film Michael Powell and Emeric Pressburger show their ideas of why the United States should join the Allied fight against the Nazis. Written by
Steve Crook <firstname.lastname@example.org>
The British press complained about what it saw as the film's sympathetic portrayal of Nazis. Emeric Pressburger's rebuttal was that there must be reasonable Germans as well as ruthless ones. Michael Powell joined in by writing a letter to The Times, defending the film's stance. At any rate, it didn't impede the film's success--it was the biggest grossing film in the UK in 1941 and the biggest grossing British film to date in the US. See more »
On the map of North America shown after the opening credits, the eastern boundary of North Dakota is inaccurately drawn, bulging out well into Minnesota, where in fact the border between the states is an almost straight, though slightly slanted, line. See more »
I see a long, straight line athwart a continent. No chain of forts, or deep flowing river, or mountain range, but a line drawn by men upon a map, nearly a century ago, accepted with a handshake, and kept ever since. A boundary which divides two nations, yet marks their friendly meeting ground. The 49th parallel: the only undefended frontier in the world.
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Along with the credits for the actors at the beginning of the film, there is a 'starring' credit for 'The music of Ralph Vaughan Williams'. See more »
Unless you believe George Orwell's claim that all art is propaganda; which, with all due respect to one of the twentieth century's finest minds, is poppycock. The propaganda film is a special kind of film, usually unbearable garbage. This one is an exception.
A German U-boat is sunk just off the coast of Canada and the surviving crew must make it through hostile enemy country to the neutral United States. After a short while their plight becomes known and the whole world is watching to see which nation, Canada or Germany, can manage to win the metaphorical battle.
The most interesting thing - considering the movie as propaganda - is that Powell's intended audience was the United States: he wanted to get that country involved in the war, or at least get the people of that country to support the war. Realise this and you realise how remarkably subtle the film is. Not once is Powell's goal explicitly stated or even alluded to; and even the underlying message (the USA *is* involved in the war, whether it wants to admit it or not) requires some thought to work out. Yet it's an integral part of the story. More explicit is the democracy vs. dictatorship theme, which is hammered home a number of different ways, not all of them obvious. (This theme is handled a bit too obviously now and then, I'll admit.)
Another interesting fact is that the hero of the story is either democracy, or Canada, or the Western Allies, or some such - no one person plays the role. The central characters are the Germans. In fact they're all quite likable (except for the doctrinaire Nazi, of course). Powell bends over backwards to inhibit anti-German sentiment. Despite all this we are not once on the Germans' side. We want them to be captured so long as they continue to serve an evil regime.
It's also a beautifully shot travelogue of Canada. And Ralph Vaughan Williams's score is lovely. He was seventy or so when he wrote it; he'd never written for the cinema before; he had his own ideas about what film music should be like.
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