Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks and every kind of ... See full summary »
In the early years of World War II, a German U-boat (U-37) sinks Allied shipping in the Gulf of St. Lawrence and then tries to evade Canadian Military Forces seeking to destroy it by sailing up to Hudson Bay. The U-boat's Fanatical Nazi captain sends some members of his crew to look for food and other supplies at a Hudson Bay Company outpost. No sooner than the shore party (lead by Lieutenant Hirth) reaches the shore, the U-boat is spotted and sunk by the Canadian Armed Forces leaving the six members of the shore party stranded in Canada. The Nazi Lieutenant then starts to plan his crews' return to the Fatherland. He needs to reach the neutral United States or be captured. Along the way they meet a variety of characters each with their own views on the war and nationalism. In this film Michael Powell and Emeric Pressburger show their ideas of why the United States should join the Allied fight against the Nazis. Written by
Steve Crook <email@example.com>
Raymond Lovell nearly drowned in the scene where the seaplane crashes in the lake as he couldn't swim and the plane sunk a lot quicker than anticipated. See more »
When Philip Armstrong Scott and his men chase the Nazi into the cave it is only just a short while past sunset (about 10pm). But when they drag him out of the cave it is already sunrise. See more »
I see a long, straight line athwart a continent. No chain of forts, or deep flowing river, or mountain range, but a line drawn by men upon a map, nearly a century ago, accepted with a handshake, and kept ever since. A boundary which divides two nations, yet marks their friendly meeting ground. The 49th parallel: the only undefended frontier in the world.
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Along with the credits for the actors at the beginning of the film, there is a 'starring' credit for 'The music of Ralph Vaughan Williams'. See more »
This film, being labeled as propaganda, seems to be different from the usual fare Hollywood presented for the same purpose during the years of WWII. It takes a director like Michael Powell, working with his usual collaborator, Emeric Pressburger, to turn this movie into a riveting case against fascism. The screen play, by Mr. Pressburger and Rodney Ackland involves the viewer from the start.
Mr. Powell and his crew did wonders with their budgets. Things were done in a much modest scale in England, especially during those days of hardship as the country was already involved in the conflict. By bringing the production to Canada, Mr. Powell achieved a coup by shooting the film in locations that show the majesty of the country.
In a way, "49th Parallel" shows the difference in ideology from the stranded Nazis with the friendliness and openness of Canada. The generosity of that country in receiving, and accepting all the people in need of refuge, is also in sharp contrast with the philosophy advocated by Hitler and his ilk in Europe.
One of Mr. Powell's accomplishment with this film is to present the biggest stars of the English cinema in roles that were not what one expected from these actors to assume. Thus, we watch Leslie Howard, Lawrence Olivier, Anton Walbrook, Raymond Massey in roles that are self effacing, at best, but which leave their mark on us, the viewers. Eric Portman is the only one that is seen throughout the film, as he got the best opportunity of his career where to shine as the hateful Lt. Hans Hirth. A young Glynis Johns is seen at the rural commune.
The great cinematography of Freddie Young and the elegant editing of David Lean are hidden assets of this film. The musical score by Ralph Vaughan Williams is heard in the background.
This is a highly recommended film to realize the greatness of Michael Powell at work.
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