César runs a bar along Marseilles' port, assisted by his 23 year old son, Marius. Colorful characters abound: M. Panisse, an aging widower and prosperous sail maker; Honorine, a fishmonger ... See full summary »
In the late 1800's, Franz Ferdinand, heir to the Austro-Hungarian empire, falls for Sophie Chotek, a Czech countess. He's already a problem to the Crown because of his political ideas; this... See full summary »
Honoré Panisse is dying, cheerfully, with friends, wife, and son at his side. He confesses to the priest in front of his friends; he insists that the doctor be truthful. But, he cannot ... See full summary »
In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his ... See full summary »
Already three trustees of the Van Traylen fund have died during the last months, looking like suicides. However after a mysterious accident of a bus with the last three trustees and 30 ... See full summary »
Volpone, an elderly Venetian, connives with his money-crazed servant to convince his greedy friends that he is dying, knowing that each will try to curry favor with him in order to be named... See full summary »
Jacques de Baroncelli
"Fanny" is the second part of the "Marseille trilogy", made by Marcel Pagnol with the generic name of "Marius, Fanny and César". Fanny falls in love and is abandoned by Marius. Now she ... See full summary »
Rural well-digger Pascal has a pretty 18-year-old daughter Patricia who grew up in Paris; he dreams of her marrying his middle-aged partner Felipe. But she meets young Jacques Mazel from the village; one thing leads to another, and when both Jacques and Felipe go off to war, she's carrying Jacques's child. Faced with estrangement from her father, denial by Jacques' family, and the news that Jacques himself is missing in action, will Patricia agree to marry Felipe? Written by
Rod Crawford <firstname.lastname@example.org>
The film was started on 20th May 1940 but interrupted because of the war. It was only resumed on 13th August of the same year with Line Noro replacing Betty Daussmond in the role of Marie Mazel. The film was released in France unoccupied zone in December 1940, but only in April 1941 in the occupied zone. See more »
A full-fledged Pagnol masterpiece - Marius or La Femme du boulanger - is as good as movies get. So a lesser Pagnol masterpiece is still worth watching. As the others have remarked, there is a lot of melodrama to this movie. But the best scenes rise above that. Orson Welles supposedly called Raimu the greatest actor in movies, and I'm not about to question that. The scene where he goes to the Mazel family to ask Jacques' parents to convince their son to marry his daughter and the subsequent scene where he sends his pregnant but unwed daughter away are as deeply moving as movies will ever get. Raimu gets more out of underacting than a hundred actors could get out of overacting. Charpin gets to play nasty as well as repentant, and he is good at both. It's a long movie - perhaps Pagnol needed a good editor; perhaps - but it never drags once it focuses on the real story: not Patricia's love for Jacques - that is just run-of-the-mill melodrama, the sort of thing we made in this country with Stanwyck and Davis and Crawford - but the emotions of the three parents, all of whom lose their children at one point in the story.
This is not Marius or La Femme du boulanger, but it's still very much worth watching.
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