John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy ... See full summary »
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »
A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, ... See full summary »
John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy published. John and Julie go to Elliott Morgan Publishing to discuss his book. Being that it is highly technical and boring, Nellie wants to focus on the small part about couples that she thinks will sell. But it soon becomes apparent that everyone is more intrigued by Julie than the book. Elliott tries to make advances on Julie while Nellie is more interested in John than his book. Julie, however, is worried about John, while John, who wrote the book on jealousy, seems oblivious to it and thinks that he knows everything about jealousy. Written by
Tony Fontana <email@example.com>
I am second to none in my admiration for Roz Russell, but she was clearly second choice for this role. The wife is supposed to slay men at first sight and make them behave like idiots. Sorry, but that's not Roz. It seems tailor made for Hedy Lamarr, who would have been at the height of her beauty in 1941. Even the Adrian wardrobe looks designed with Lamarr in mind. Someone above mentioned Lana Turner, but she would have been too young at this time. Also, Roz plays it like a half-wit, something Lamarr wouldn't have to resort to, as a war-bride who had trouble with American idioms and customs. Ameche, Heflin and Francis are terrific as usual, as is the rest of the supporting cast. And I loved the production design, van Heflin's couch and lamps in his NY apartment are particularly terrifying, as is Kay Francis's "beaver-mouse ears" hat. And I LOVE that Dali-esquire dream sequence. Someone ought to do a compilation of the Dali-inspired dream sequences from the period. There were lots.
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