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The Feminine Touch (1941)

 -  Comedy  -  October 1941 (USA)
6.8
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Ratings: 6.8/10 from 444 users  
Reviews: 15 user | 2 critic

John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy ... See full summary »

Director:

(as Major W.S. Van Dyke II)

Writers:

(screenplay), (screenplay), 1 more credit »
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Cast

Complete credited cast:
...
Julie Hathaway
...
Prof. John Hathaway
...
Nellie Woods
...
Elliott Morgan, Publisher
...
Captain Makepeace Liveright
Gordon Jones ...
Rubber-Legs Ryan
...
Shelley Mason, Critic
...
Freddie Bond, Elliott's Lawyer
...
Dean Hutchinson, Digby College
David Clyde ...
Brighton, Elliot's Butler
Rest of cast listed alphabetically:
Forrester Harvey ...
(scenes deleted)
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Storyline

John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy published. John and Julie go to Elliott Morgan Publishing to discuss his book. Being that it is highly technical and boring, Nellie wants to focus on the small part about couples that she thinks will sell. But it soon becomes apparent that everyone is more intrigued by Julie than the book. Elliott tries to make advances on Julie while Nellie is more interested in John than his book. Julie, however, is worried about John, while John, who wrote the book on jealousy, seems oblivious to it and thinks that he knows everything about jealousy. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

October 1941 (USA)  »

Also Known As:

All Woman  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Quotes

Nellie Woods: [to Elliott] If you're lying, I'll kill you and go to the chair with a song on my lips.
See more »

Connections

Features The Wizard of Oz (1939) See more »

Soundtracks

Happy Days Are Here Again
(1929) (uncredited)
Music by Milton Ager
Hummed by Kay Francis
See more »

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User Reviews

 
Erratic screenplay hampers a good cast
13 October 2007 | by (United States) – See all my reviews

Any old film aficionado would be drawn to a film starring Rosalind Russell, Don Ameche, Van Heflin and Kay Francis, so it's no surprise that this poster tuned into "The Feminine Touch," a 1941 comedy. The story concerns a college professor, John Hathaway (Ameche) who has written a very intellectual book on jealousy and travels with his wife (Russell) to meet his publisher Elliot (Heflin) and editor Nellie (Francis). Elliot likes to play around, and Nellie is in love with him. Julie keeps trying to make her husband jealous, not by deed but by hints that a certain man likes her, for instance, and is he worried - thinking that a jealous outburst would be proof of his love. However, he trusts her unreservedly and never suspects her of anything. He's especially sure that despite Elliot's interest in her, Julie would never reciprocate - because Elliot has a beard, and Julie hates them.

This film is a case of too many cooks, as this screenplay was worked over by several writers. The premise is flimsy, for starters, and I fear Russell is miscast. Rosalind Russell in films is a beautiful woman, but she has a strength and intelligence about her as well. It's not an ingénue beauty. In the world of "The Feminine Touch," despite her tailored suits, every man who meets her falls madly in love with her. I could have bought it if it had been Lana Turner. I'm not buying it here. Women like Russell are the "whole package" and men fall for her in a different way and probably after a conversation or two - not on sight. And then, to have a smart woman like Julie upset because her husband never gets jealous is ridiculous. It might bother an immature 18-year-old, but this character? The end of the film -- which comes about 15 minutes later than it should have - is the best part, as it turns into a more screwball comedy with Julie setting fire to Elliot's beard and other crazy things happening. Otherwise, the film drags on with too much dialogue. I'm not opposed to dialogue - All About Eve has a large amount of dialogue. This dialogue was superfluous, probably because a scene or two could have been tossed.

Heflin proves himself as adept at comedy as he is at drama, Francis is delightful, as is Ameche, who makes a good professorial type. Someone mentioned the clothing - Francis wears one hat that looks like a rendition of the Mickey Mouse Club ears, except with taller ears and the entire hat covered in fur. It was one of the funniest things in the movie.


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