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The Feminine Touch (1941)

 -  Comedy  -  October 1941 (USA)
6.8
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Ratings: 6.8/10 from 463 users  
Reviews: 15 user | 2 critic

John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy ... See full summary »

Director:

(as Major W.S. Van Dyke II)

Writers:

(original screenplay), (original screenplay), 1 more credit »
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Cast

Complete credited cast:
...
...
John Hathaway
...
Nellie Woods
...
Elliott Morgan
...
Captain Makepeace Liveright
Gordon Jones ...
Rubber-Legs Ryan
...
Shelley Mason
...
Freddie Bond
...
Dean Hutchinson
David Clyde ...
Brighton
Rest of cast listed alphabetically:
Forrester Harvey ...
(scenes deleted)
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Storyline

John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy published. John and Julie go to Elliott Morgan Publishing to discuss his book. Being that it is highly technical and boring, Nellie wants to focus on the small part about couples that she thinks will sell. But it soon becomes apparent that everyone is more intrigued by Julie than the book. Elliott tries to make advances on Julie while Nellie is more interested in John than his book. Julie, however, is worried about John, while John, who wrote the book on jealousy, seems oblivious to it and thinks that he knows everything about jealousy. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

October 1941 (USA)  »

Also Known As:

All Woman  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Quotes

Nellie Woods: [to Elliott] If you're lying, I'll kill you and go to the chair with a song on my lips.
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Connections

References Tugboat Annie (1933) See more »

Soundtracks

Jealous
(1941) (uncredited)
Music by Jack Little
Lyrics by Dick Finch and Tommie Malie
Played as background music during the opening and end credits
Sung by an unidentified woman at a nightclub
Sung a cappella by Rosalind Russell
Played as background music often
See more »

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User Reviews

Sprightly romantic comedy well worth a look
8 December 2002 | by (Midland, GA) – See all my reviews

Very charming early 40's romantic screwball comedy. Don Ameche is a psychology professor at Digby College, which he decides to leave after being asked to pass a dimwitted football player so Digby can win an upcoming game. Prof. Hathaway is now free to publish his book on his theories on marital jealousy. Only he doesn't expect to be smitten with his editor, Kay Francis and likewise his wife, Rosalind Russell with Kay Francis' partner, Van Heflin. It's not heavy on plot; rather, its forte is in its snappy dialog, especially from Russell and Francis.

Here is one thing I especially love about 40's/50's romantic comedies: the bachelor pads, such as Van Heflin's here! They're always large and usually have a sunken living room with lots of cool furniture. You go up three steps and behold! A grand piano! As if this weren't enough, Heflin's also got a log cabin retreat outside the city (NY). Other outstanding 1940's visuals: Kay Francis' outrageous hats. Francis looks even better here than in the 30's. She even reminded me somewhat of Sean Young in BLADE RUNNER. Other highlights include the make-up exam Prof. Hathaway gives to Rubber-Legs, the football player in question at the beginning, at the request of the dean. The questions are deliberately idiotic, but Rubber-Legs bows out with a headache! For more abuse of football players at the hands of professors I recommend Disney's THE MONKEY'S UNCLE (24 years later). Then there's the scene in the publisher's office where Ameche and Russell find claustrophobic Elliott Morgan (Heflin) locked in a closet by Nellie (Francis)! Funny seeing a bearded Heflin through the keyhole. There's also a lot of coffee preparing and drinking in this movie, and some kind of statement about beards. At the beginning the football players are wearing beards until they defeat their opponent. Later, Francis declares that Elliott is hiding behind a beard for security (??) We're also treated to some 1940's feminism spouted by Don Ameche and scoffed at by Francis, who says those are the women (overly independent) who are alone at night.

This is a sprightly comedy with sturdy comedic performances from all. Give it a look - you'll feel good when you do!


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