Janos Szaby is a kind, innocent immigrant to America. Just after he arrives though, he is caught in a fire and his face is horribly burned and disfigured. Although a skilled craftsman his hideous features make it impossible for him to get work, and driven by despair he is forced to turn to crime to live. He finds himself very proficient at that, and soon makes enough money to buy a very lifelike mask to hide his scars behind. He hates what he does, but is he in too deep to get out? Written by
Ken Yousten <firstname.lastname@example.org>
Part of the SON OF SHOCK package of 20 titles released to television in 1958, which followed the original Shock Theater release of 52 features one year earlier. This was also one of the 11 Columbia titles, the other 61 all being Universals. See more »
What do you get out of bein' dead? Layin' in a grave ain't my idea of life.
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Popular B-Movie and a Cult item because it was Directed by the Always Interesting and Creative Robert Florey and Starred icon Peter Lorre. Both the Actor and Director are at Their Best here Despite Lorre's Tantrums about the Script. He unwittingly Created a Great Character in a Low-Budget Film that is Beloved and among His Best.
The Skimpy Budget and Shooting Schedule would Not Allow the Plot to be Developed and some of the Story may seem Contrived and Forced but Overall it is Gripping Movie making with a Good Supporting Cast including Evelyn Keyes as a Blind Innocent and George E. Stone as Lorre's sympathetic Friend.
It's Touching when it Needs to be and Horrific at times. The Film is One of those Lesser Efforts that Emerges Beyond its Limitations and manages to be Amazing in its Striking Simplicity. The Ending is Tragic and goes Against the usual Early WWII Optimism. This should at least be Considered a Forerunner to Film-Noir because of its Powerful Imagery and Downbeat, Gut-Wrenching Story.
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