In the Fifteenth Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen years old farm girl Joan of Arc claims to hear voices from ... See full summary »
Francis L. Sullivan
New York City, Dr. Richard Jacks is a creator of perfumes. He spends all of his days try to invent the next best thing in the industry. His girlfriend, Sarah, sometimes gets pushed to the ... See full summary »
Old friends Ward and Phillip both become smitten with Phillip's mother's attractive young secretary Stella. But Stella marries Phillip and stands by him as his behavior becomes more and ... See full summary »
Young Kerstin Norbäck lives in a small town. She has a relationship with a sailor, but when she tries to leave him, he shoots her. She survives and begins a new life in Stockholm. There she... See full summary »
In one of the narrow streets of the Old town of Stockholm lies hotel City. It's inhabited by mysterious characters such as 'Greven', 'Blomman' and others. The police inspector Göransson is ... See full summary »
Dr. Jekyll believes good and evil exist in everyone. Experiments reveal his evil side, named Hyde. Experience teaches him how evil Hyde can be: he kills Ivy who earlier expressed interest in Jekyll and Sir Charles, Jekyll's fiancée's father. Written by
Ed Stephan <firstname.lastname@example.org>
Spencer Tracy originally wanted a realistic approach, whereby Jekyll would commit violent deeds in a neighborhood where he was unknown after drinking alcohol or taking drugs. He was disappointed that the producers, having bought the screenplay from the 1931 version, insisted on a more traditional approach. He also said he felt his wig and make up as Hyde made him look "ridiculous". See more »
Right after Marcia and Ivy have been talking about a new theatre production and Hyde enters the room, the shadow of a boom mic is visible throughout much of the remaining scene with Hyde eating the grapes and playing the piano. The mic shadow, visible on the back wall, moves over to the doorway as Hyde enters, interrupting Ivy and Marcia, and follows him around the room. It's quite visible. See more »
Tracy is a chilling Hyde...Bergman is brilliant...
For years I knew that Fredric March had won one of his Oscars for DR. JEKYLL AND MR. HYDE back in the '30s and always assumed that because of this his performance was superior to Spencer Tracy's.
But having just seen the Tracy-Bergman-Turner version, my opinion has changed. Whereas the make-up for March makes him look like a cheap monster in a Universal thriller and almost Simian, Tracy achieves a distinctly chilling effect simply through posture and facial expressions alone with a minimum of make-up. His first encounter with the barmaid Ivy (Ingrid Bergman) is beautifully done with both of them registering emotions as they play against each other--Tracy with a wicked gleam in his eye and Bergman trying to hide her fear. She creates a really sympathetic character, especially when she realizes the extent of her degradation. Her scenes with Tracy where he is sadistically taunting her remind one of the cat-and-mouse game she played with Charles Boyer in "Gaslight".
The B&W photography realistically captures Victorian London after dark with its swirling mists and street lamps. All of the performances are first rate except for an uncertain Lana Turner who has a pallid role and can do little with it.
The only flaws are the film's length--it takes too long to tell the tale with its long-winded speeches--and the leisurely pace under Victor Fleming's direction makes the horror more muted than it need be.
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