In New York in 1995 Dr. Richard Jacks is a creator of perfumes. Thus he spends his days inventing new colorful and well smelling potions and certainly caring for his girlfriend Sarah Carver... See full summary »
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Francis L. Sullivan
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Tony Todd (Clive Barker's Candyman, Final Destination 2) is Dr. Henry Jekyll in this blood-drenched, modern adaptation of the macabre classic. Part crime thriller, part psychological horror... See full summary »
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Dr. Jekyll believes good and evil exist in everyone. Experiments reveal his evil side, named Hyde. Experience teaches him how evil Hyde can be: he kills Ivy who earlier expressed interest in Jekyll and Sir Charles, Jekyll's faincee's father. Written by
Ed Stephan <firstname.lastname@example.org>
The studio had originally cast Ingrid Bergman in the Beatrix Emery role and Lana Turner in the Ivy Peterson role. Bergman felt the role of Ivy was more challenging and persuaded the producers to switch roles with Turner. See more »
Ivy knocks Mr Hyde's bottle of champagne off the table, but later he lifts it from the table to smash over a man's head. See more »
Dr. Henry Jekyll:
When you went to see the good doctor, before you left you said... I almost thought, well what did you think? Maybe that you saw a little bit of ME, Hyde in him?
See more »
MGM did a stellar job of producing a high quality Horror film, putting together director Victor Fleming (of "Gone with the Wind" fame) and stars Lana Turner, Ingrid Bergman, and Spencer Tracy. This film demonstrates that horror doesn't have to be campy, low-budget schtick. Like 2000's "The 6th Sense," 1941's "Dr. Jekyll and Mr. Hyde" actually respected the horror material enough to demonstrate the heights to which a major studio could take the genre.
The film takes us to darker places than we dare imagined existed at good ol' MGM, home of the happy-go-lucky family musical. We see the confident, handsome, Jeckyll dissolve into a cruel, crass, foul-minded Hyde with Tracy's masterful performance.
Bergman and Turner also turn in gritty, splendid performances with their less-than-life affirming characters. Rather than playing it for sci-fi thrills, this interpretation of Robert Louis Stevenson's novel focuses more on Tracy's losing battle to tame the demon of Hyde. The result is a riveting parable on the banality of evil (all the more visceral in retrospect, given the film's release at the brink of World War II.)
The Film Snob, Lee Cushing
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