Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
Dalila Di Lazzaro
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
Dr. Bernard Adrian is a kindly mad scientist who seeks to cure a young woman's polio. He needs spinal fluid from a human to complete the formula for his experimental serum. Meanwhile, a ... See full summary »
Dr. Jekyll believes good and evil exist in everyone. Experiments reveal his evil side, named Hyde. Experience teaches him how evil Hyde can be: he kills Ivy who earlier expressed interest in Jekyll and Sir Charles, Jekyll's faincee's father. Written by
Ed Stephan <firstname.lastname@example.org>
The film was a notorious critical failure when released, although it eventually made a profit of $2 million around the world. Spencer Tracy later said it was by far the least favorite of the films he had starred in, and that his performance was "awful". The New York Times famously described it as "not so much evil incarnate as ham rampant ... more ludicrous than dreadful." See more »
Right after Marcia and Ivy have been talking about a new theatre production and Hyde enters the room, the shadow of a boom mic is visible throughout much of the remaining scene with Hyde eating the grapes and playing the piano. The mic shadow, visible on the back wall, moves over to the doorway as Hyde enters, interrupting Ivy and Marcia, and follows him around the room. It's quite visible. See more »
Unlike Universal, MGM was never a studio associated much with out-and-out horror films (A notable exception: 1932's great "The Mask of Fu Manchu," with Boris Karloff, Myrna Loy, and Jean Hersholt). But, when they did make them, they made them with the legendary MGM class and gloss. And such a one was the 1941 version of Stevenson's "Dr. Jekyll and Mr. Hyde." Unlike the March version, this wasn't a particularly scary film, but more of a suspenseful one. As befits the director who made "Wizard of Oz," "Red Dust," and "Gone with the Wind," Victor Fleming turns the story into a thinking man's horror film, and succeeds brilliantly.
As to the cast, Spencer Tracy, like Frederick March, was effectively cast against type for the part, and delivers a good, understated performance. His Hyde is very much the Hyde of the book, an evil, decayed version of Jekyll himself, rather than a monster. This last was accomplished by Jack Dawn's equally understated makeup. Lana Turner, and Jekyll's fiance, Beatrix, is little more than pretty set decoration. Let's face it, she wouldn't really prove she could act until "Peyton Place" and "Imitation of Life" in the late '50's. But Ingrid Bergman, now, that's another story! In one of her first U.S. films, she delivers a brilliant performance as Ivy Peterson, the Cockney barmaid unwillingly cought up in Hyde's insane reign of terror. Her scenes with Tracy, both as Jekyll and as Hyde, fairly crackle with energy. These are two comsummate pros working together, and they don't disappoint. In the only other supporting roles of any importance, Donald Crisp, Ian Hunter, Barton McLane, and Sara Allgood all aquit themselves beautifully.
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