New York City, Dr. Richard Jacks is a creator of perfumes. He spends all of his days try to invent the next best thing in the industry. His girlfriend, Sarah, sometimes gets pushed to the ... See full summary »
In the Fifteenth Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen years old farm girl Joan of Arc claims to hear voices from ... See full summary »
Francis L. Sullivan
In Victorian London, Dr. Henry Jekyll attempts to create an elixir of life using female hormones stolen from fresh corpses. He reasons that these hormones will wipe out all common diseases ... See full summary »
Henry Jekyll is a troubled man. His wife died of pneumonia. He wants his sister-in-law, but her father forbids any contact. And his experiments into the dual nature of man have yielded a ... See full summary »
Maj. Pete Sandidge is a very able pilot who seems to have a streak of luck as far as flying goes. World War II is raging and Pete has come out of it pretty so far. He even has a beautiful ... See full summary »
Dr. Jekyll believes good and evil exist in everyone. Experiments reveal his evil side, named Hyde. Experience teaches him how evil Hyde can be: he kills Ivy who earlier expressed interest in Jekyll and Sir Charles, Jekyll's faincee's father. Written by
Ed Stephan <firstname.lastname@example.org>
Due to the Hay's Code much of the film had to be watered down from the 1931 version. The character of Ivy Peterson had to be changed from a prostitute to a barmaid. See more »
In the scene where Hyde visits Ivy, he is sitting in a chair eating some grapes. In closeup he can be seen putting the last grape into his mouth with his right hand; but in the next medium shot, showing Hyde in the foreground and Ivy in the background, he is feeding himself with his left hand. See more »
Dr. Henry Jekyll:
When you went to see the good doctor, before you left you said... I almost thought, well what did you think? Maybe that you saw a little bit of ME, Hyde in him?
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A true classic. The best version of the story. Tracy at his Best
I have to disagree with the comment "For all you Tracy fans only", and also with the comments that suggest the 1931 version of Dr. Jekyll and Mr. Hyde is far better.
First of all, I am not a Spencer Tracy fan - at least I didn't consider myself as one. Yes, the word dull came to mind. But after seeing the superb 1941 version of Dr. Jekyll and Mr. Hyde, I found myself wondering if anyone could have played Dr. Jekyll and especially Mr. Hyde any better than him.
In the 1931s original a handsome, wimpy Dr. Jekyll transforms into an ugly, retarded Mr. Hyde. While this Mr. Hyde hardly resembles his alter ego Jekyll, except for neediness, I do not find that as a strong, interesting controversy in the film. Fredric March was a great actor, but in this film with this script different actors could have played the parts of Jekyll and Hyde and it wouldn't have made any difference. Awkward, still boring film.
I was expecting so much, but stopped taping this pretty soon into the film. The psychology is awful (I am not suggesting that all films should emulate "real" life, but all films should be "real" in a world of their own, whatever it is.) I had seen the 1941s version earlier, and boy, it doesn't have a dull moment. I started watching this for Lana Turner, and there she is, looking pretty. Yes, she should have played the part Ingrid Bergman took, but you can't have it all all the time. Perhaps Ingrid Bergman was the girl to play the waitress. I truly enjoyed her masochistic portrayal of the bad girl.
Yes the film owns a lot to the original - filmed on same location, same choreography? The makers of this film had a decade to learn from the mistakes of the original and turn it around with better lines and nuances.
With one look from Spencer Tracy, a trouble maker changes his mind. "I'm sorry governor". Imagine Fredric March, in his monkey make up, doing that? He would have been laughed out the club, or not get in at all.
To add the grade to 10, Peter Godfrey as the butler. The end of this film is truly spiritual, merciful and frightening at the same time. And all of this is accomplished without any phony art stuff, as they would have tried these days.
A true classic.
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