Newsman Mitch and teletype operator Jennifer, whose job is to see he doesn't send inappropriate stuff out of the country, dodge bombs during the blitz of London while falling in love.

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, (uncredited)

Writers:

(story), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
...
'Mitch' Mitchell
...
Jennifer Carson
...
Albert Perkins
...
Captain Lionel Channing
Raymond Walburn ...
H. Cyrus Stuyvesant
Arthur Shields ...
Jeff, Blind Typist
Eric Blore ...
Mr. Hobbs, Regency Hotel
Helene Reynolds ...
Dorothy
Claud Allister ...
William (scenes deleted)
Roseanne Murray ...
Ministry of Information Girl
Stuart Robertson ...
Johnny Dunne, Consolidated Press Operations Manager
Queenie Leonard ...
Daisy, Consolidated Press Switchboard Operator
Jean Prescott ...
Elizabeth Harding
...
Mr. Bindle
Lumsden Hare ...
Sir Titus Scott, Penzance Chronicle
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Storyline

Newsman Mitch and teletype operator Jennifer, whose job is to see he doesn't send inappropriate stuff out of the country, dodge bombs during the blitz of London while falling in love.

Plot Summary | Add Synopsis

Genres:

Drama | War

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Details

Country:

Language:

Release Date:

12 December 1941 (USA)  »

Also Known As:

Correspondente Especial  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Archie Mayo replaced Fritz Lang after six days of production. See more »

Connections

Edited into All This and World War II (1976) See more »

Soundtracks

Oh! Susanna
(uncredited)
Written by Stephen Foster
Hummed by Mitch when leaving the Colonial Club
See more »

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User Reviews

 
Love In the Underground
13 November 2001 | by (brighton, ma) – See all my reviews

Made in the months before the Japanese attack on Pearl Harbor, Confirm Or Deny is a pleasant comedy-drama set during the London blitz, featuring engaging performances by its lead players, Don Ameche and Joan Bennett. The production values are excellent, and for a modest film it is visually quite striking, managing at times to evoke the mood of the real life photographs and newsreels of London on a Hollywood backlot. Director Archie Mayo was in decline when he made this film, but rallied for the occasion, making it seem much better than its script. A period piece, for sure, but a fascinating one, and at times quite moving. Unlike most American movies of the period, this one gives the real world its due, and its occasional moments of sadness and even tragedy are touching, and still resonate through the years.


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