Climaxing a long series of mysterious disappearances of young girls, dancer Thalia Arnold is found murdered. Police-detective Captain McVeigh believes that King Peterson, a nightclub ... See full summary »
Sheila Page, a Broadway star, shoots Barney, her murderous husband on New Year's Eve. She flees her apartment and goes to her Producer, John Friday. When she arrives, it is New Year's day, ... See full summary »
A pair of detectives investigates the murder of an elderly millionaire who was the target of blackmail and death threats and find that there is no shortage of suspects, many of them in the victim's own family.
A shot rings out in a darkened apartment; a woman screams and flees, tricking architect Jimmy McMillan into giving her a ride. McMillan returns and finds a body; but the police find a ... See full summary »
13 years before the movie opens, there was a dinner party, at which the 13th guest failed to show up. The master of the manner has died, and left the bulk of his estate to this 13th guest, ... See full summary »
J. Farrell MacDonald
Climaxing a long series of mysterious disappearances of young girls, dancer Thalia Arnold is found murdered. Police-detective Captain McVeigh believes that King Peterson, a nightclub operator and owner of the Crescent School of Fine Arts, knows something about the missing girls. Peterson's silent partner is Joseph Thompson, a theatrical agent, whose daughter, Nora, a reporter, is waging a newspaper crusade against the district attorney's office for failing to trace the girls, much to the discomfiture of James Horton, a young assistant district attorney. Pauline Randolph is the next to disappear but Nora had seen her leaving her grandmother's home in a car driven by a blonde woman. Nora interviews the grandmother who tells her that Pauline had theatrical employment, along with one of her friends, Mary Phillips. When the police begin investigating the Crescent talent-school, Thompson, who knew the Arnold girl intimately, quarrels with Peterson over the school, which, Thompson claims, ... Written by
Les Adams <firstname.lastname@example.org>
Having seen H. B. Warner as a character player in dozens of films, i was pleasantly surprised to see him starring in this crime-exploitation film about the white slave trade. I was also deeply impressed with his ability to carry the complex role of a poetic, philosophical police captain on the verge of retirement with such presence during the course of what otherwise would seem to have been destined to be a routine crime drama.
Alas, being a post-code movie, the white slave trade aspect of the plot is only understandable as a subtext, but there are plenty of other intriguing moments in the movie that will make B-film enthusiasts sit up and say, "Wow." For me, the gymnastic dance featuring a pair of uncredited twin teen girls was one such moment. Where did they FIND such unusual talent? Who were those young, incredibly athletic, giggling twins? We'll probably never know.
And then there was the scene in which H. B. Warner, previously seeming to be frail, distracted, and ready for the scrap heap of life, suddenly LEAPED INTO THE AIR and jumped into his bed feet first! What the heck!? That was truly replay-worthy.
This is not a great film, of course, but since it is available at bargain prices, old film buffs will certainly get their money's worth if they take the time to seek it out and watch it.
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