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Citizen Kane (1941)

Approved | | Drama, Mystery | 5 September 1941 (USA)
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ON DISC
Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance.

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Writers:

(original screen play), (original screen play)
Popularity
1,768 ( 135)
Top Rated Movies #71 | Won 1 Oscar. Another 9 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Jedediah Leland / Screening Room Reporter
...
...
...
...
...
Herbert Carter / Screening Room Reporter
...
William Alland ...
...
...
...
Gus Schilling ...
The Headwaiter / Screening Room Reporter
...
Mr. Rawlston
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Miss Anderson
...
Kane's Father
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Storyline

A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by Zack H.

Plot Summary | Plot Synopsis

Taglines:

The classic story of power and the press. See more »

Genres:

Drama | Mystery

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 September 1941 (USA)  »

Also Known As:

American  »

Filming Locations:

 »

Box Office

Budget:

$839,727 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Orson Welles' 156-page personal working copy of the script for the film sold for $97,000 in 2007. See more »

Goofs

When Kane is talking to drunk Leland, he puts his right hand in the pocket. In the next shot, after he walks away from Leland, his hand appears out of the pocket. See more »

Quotes

[first lines]
Charles Foster Kane: Rosebud...
See more »

Crazy Credits

In a very rare move the director's credit is shown on the same card as the cinematographer's. This was Orson Welles's personal decision to show his thanks to cinematographer Toland for his enormous contributions to the film, meaning equal rights. See more »


Soundtracks

Theme
(uncredited)
from RKO's Curtain Call (1940)
Music by Roy Webb
Performed in a "News On The March" sequence
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
why did Citizen Kane create such an impact upon its first release?
31 August 2006 | by (london, england) – See all my reviews

Well as a media student myself , i have come across this question many times in books and during lectures. There are simply 3 reasons the film, which was considered as the "Mona Lisa of all films" , created such a legendary appeal upon release in 1941: 1) This was Orson Welles first cinematic debut , even though he had been a huge star in theater , he was given an opportunity few first time directors were permitted to having. He had full artistic freedom and above all power, to direct , produce, write and even star in his own picture. Therefore the film industry and RKO pictures had absolutely no influence in the making of the film and were not to know what was happening on set .Of course this was bound to generate a number of problems as businessmen were curious about the nature and plot of the film , which takes us to the second reason the film caused controversy.

2)One of the main reasons the film posed contentions was because the main character , Charles Foster Kane(Orson Welles), featured a range of similarities with real media mogul and newspaper journalist William Randolph Hurst . Therefore the film was seen as depicting the life , problems and personal relationships of a real person thus fictionalizing his life. Some of the similarities between the two persona's are:

KANE: newspaper tycoon , worked for New York Inquirer , known as the Kubla Khan of Xanadu ,married talentless singer Susan Alexander Kane, he was a political aspirant to presidency by campaigning for governor, bought his wife the Municipal Opera House, Financier Thatcher, and threat Getty's. Hurst: yellow journalist , worked for New York Journal, political aspirant to presidency by becoming governor, married acress Marion Davies, bought his wife Cosmopolitan Pictures, financier JP Morgan , and threat Tammany Hall.

-differences: Susan Alexander Kane( Dorothy Comingdore) leaves Kane later in their life however there was no marriage breakdown for Hurst and Marion.

3) The last reason and most pivotal of all to why the film was regarded the way it was , was due to its technical and stylistic innovations . The film upon its release was misunderstood and unappreciated by critics as they couldn't comprehend many of its elements and were too concerned with its dark and mysterious nature which is one of Welles's characteristics in his films. The film after all was 20 years ahead of its time and was only regarded as a triumphant success upon its second release after the American Film Noir era in the 1950's. His most prominent artistic inventions were: -the low angled camera movements -extreme facial closeups -long uninterrupted shots -chiaroscuro lighting -overlapping dialogue , giving a realistic effect to conversations -subjective camera angles -deep focus shots and depth of field -flashbacks that make up most of the film All the above and more constitute to why the film is so influential to all would be film directors and for why many people regard it as the best film of all time. Lastly we musnt forget the exceptional score by Bernard Herrmann who had collaborated also with the best known director of all time, Alfred Hitchcock , and made him the chillin sounds of strings in Psycho and Vertigo to name a few . In addition the superb photography of Gregg Toland in regards to Welles's unique eye on details. After all he wanted to put in each shot everything the human eye can see if they were present.

There are many areas of the film which are crucial , these are some of the most important , and as you can see there is never too little or too much that you can add to this masterpiece .


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