8.4/10
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1,226 user 234 critic

Citizen Kane (1941)

Approved | | Drama, Mystery | 5 September 1941 (USA)
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Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance.

Director:

Writers:

(original screen play), (original screen play)
Popularity
1,557 ( 18)
Top Rated Movies #67 | Won 1 Oscar. Another 7 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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William Alland ...
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Gus Schilling ...
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Mr. Rawlston
Georgia Backus ...
Miss Anderson
Harry Shannon ...
Kane's Father
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Storyline

A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by Zack H.

Plot Summary | Plot Synopsis

Taglines:

It's Terrific! See more »

Genres:

Drama | Mystery

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 September 1941 (USA)  »

Also Known As:

American  »

Filming Locations:

 »

Box Office

Budget:

$686,033 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Gregg Toland was really eager to work with the young maverick director Orson Welles as he was keen to be more experimental in his work. See more »

Goofs

The first time we see the backstage preparations before Susan sings, the shadow of the curtain rising has a completely straight bottom edge. The second time we see this scenario, this time from behind Susan, as the curtain rises, the bottom of the curtain is adorned with a series of prominent curves. See more »

Quotes

[first lines]
Charles Foster Kane: Rosebud...
See more »

Crazy Credits

The end credits show previous scenes from the film showcasing the Mercury Theatre performers. See more »


Soundtracks

Una voce poco fa
(1816) (uncredited)
from opera "Il barbiere di Seviglia"
Music by Gioachino Rossini
Libretto by Cesare Sterbini
Arranged by Nathaniel Shilkret
Sung by Dorothy Comingore (dubbed by Jean Forward)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
See it for what it is
21 April 2004 | by (Morgantown, WV) – See all my reviews

OK look, let me settle something between those who love and hate this film. A lot of people hail this film because it is technically brilliant and ground breaking. Director Orson Welles did a lot of things visually that no one had ever done before. Nearly every film maker was in some way influenced by this movie. This movie also had a great impact in its time. The title character was based on media giant William Randolph Hearst. He was that generations Donald Trump. He opposed this film so much he did everything in its power to stop its release and almost succeeded. Lastly this film contains some of the strongest and most common themes in literature; Life versus death. It is for these reasons why this film is so revered.

On the contrary people who hate this film mainly complain that it is boring. Which is a legitimate complaint. The story is slow compared to today's standards, and there is no real Hearst character alive today in which to relate. So yes, the story on the surface is outdated. However, this does not make it a bad movie. It was not made as a Matrix/Star Wars type of movie which can be enjoyed even at surface level. This is not pure entertainment. Remember there is more to film than storytelling. This film was designed to be cinematically beautiful and to tell a basic story of love and redemption. There is much more to the story than the thinly veiled attack on Hearst, one just needs to look deeper. Look at Shakespeare or Hawthorne for example, their literary works are universally loved. Yet, many people blow them off because they refuse to look past the outdated language into the beautiful prose and simple ubiquitous themes. Just because something is outdated does not mean it lacks worth in today's world.

My advice to those who did not like it the first time or have not seen it yet is simple. Watch it again for what it is. Do not expect to be on the edge of your seat for two hours. Watch it for the cinematography that alone makes this film among the best (I don't agree with AFI's number one ranking but I think it still ranks high). Look deeper into the story and try to connect with it on some level. At the very least appreciate how influential this film was and where the industry would be without it. If you can do this, then maybe some of the naysayers will change their minds. Again, you do not have to love Citizen Kane, but at least respect it for what it is.


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