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Citizen Kane (1941)

 -  Drama | Mystery  -  5 September 1941 (USA)
8.4
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Ratings: 8.4/10 from 239,144 users  
Reviews: 1,122 user | 215 critic

Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance.

Director:

Writers:

(original screen play), (original screen play), 3 more credits »
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Title: Citizen Kane (1941)

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Top 250 #65 | Won 1 Oscar. Another 8 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Erskine Sanford ...
...
William Alland ...
...
George Coulouris ...
Fortunio Bonanova ...
Matiste
Gus Schilling ...
The Headwaiter
Philip Van Zandt ...
Mr. Rawlston
Georgia Backus ...
Miss Anderson
Harry Shannon ...
Kane's Father
Edit

Storyline

A group of reporters who are trying to decipher the last word ever spoke by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the "top of the world." Written by Zack H.

Plot Summary | Plot Synopsis

Taglines:

The classic story of power and the press. See more »

Genres:

Drama | Mystery

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 September 1941 (USA)  »

Also Known As:

American  »

Filming Locations:

 »

Box Office

Budget:

$686,033 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Although Marion Davies is frequently held up as the model for Susan Alexander Kane, the character was more likely to have been influenced by opera-singer-turned-film-actress Hope Hampton and opera-singer-turned-botanical-garden-founder Madama Ganna Walska. See more »

Goofs

The long dolly shot from outside the Kane house in Colorado and all the way back inside through two rooms, ending on the far side of a table, could not have been achieved with the table in place and, instead, the table had to be moved into position once the camera was past. It's an almost perfect illusion except that the hat on the table is still wobbling slightly (from the sudden movement) by the time it comes into shot. See more »

Quotes

[first lines]
Charles Foster Kane: Rosebud...
See more »

Crazy Credits

In a very rare move the director's credit is shown on the same card as the cinematographer's. This was Orson Welles's personal decision to show his thanks to cinematographer Toland for his enormous contributions to the film, meaning equal rights. See more »

Connections

Featured in The Story of Film: An Odyssey: Episode #1.8 (2011) See more »

Soundtracks

Theme
(uncredited)
from RKO's Music for Madame (1937)
Music by Nathaniel Shilkret
Performed in a "News On The March" sequence
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

CITIZEN KANE may let some people down, but it's still worth seeing.
2 May 2004 | by (The Mitten State, USA) – See all my reviews

It's a difficult undertaking for someone of my generation to watch a film like CITIZEN KANE. Not because it's "too old" or "too boring", but because it has been hailed--almost universally--as the single best motion picture ever made. And while the anticipation of seeing a film with such overwhelming acclaim may be quite exhilarating, actually watching it is ultimately an intimidating and somewhat disappointing experience.

This isn't to say that I thought CITIZEN KANE was a bad film; in fact, I thought everything about it was downright brilliant. From the enchanting performances right down to the meticulously planned camera movements and clever lighting tricks, there isn't a single element of CITIZEN KANE that isn't a stunning achievement in all areas of filmmaking.

CITIZEN KANE's storyline is deceptively simple. Even though the plot unfolds by jumping in and out of nonlinear flashbacks, it is surprisingly easy to keep track of. The straightforwardness and relatively fast pace of the story are what make it seem intimidating. Because everything moves smoothly along without any standstill, it feels like we are being fooled-like there is something much greater that we just can't seem to grasp. As a first-time viewer, I knew from its reputation that there must be *something* that separates this movie from all the others; something buried within its simple plotline that everybody else has seen, but that I just could not seem to get a handle on. And then, during those final frames, that something was revealed, and it all began to make sense. To me, it was these moments of confusion and uncertainty followed by a sense of enlightenment and appreciation that made watching CITIZEN KANE such a meaningful experience.

But no matter how great of a movie CITIZEN KANE really is, it can never live up to one's expectations. Although I do feel that it is deserving of its acclamation, the constant exposure to its six decades worth of hype and praise will invariably set most modern viewers' standards at a height that is virtually unreachable--even if it really *is* the best movie of all time.


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Is it possible for a film to be great - but not good? pantonx
This is my take on this highly respected film jrl0726
Favorite line in Citizen Kane fmc002
What's the deal with all the nagetivity directed towards this movie? yesman876
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Why is this film considered to be so great? NotScumbagSteve
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