In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by
The opera in which Susan Alexander Kane stars was, originally, to have been based upon, and titled, "Thaïs", after the novel by Anatole France--a choice that would have been highly significant: the novel is the bitingly satirical story of a beautiful (and successful) Alexandrian courtesan who is converted to holiness and sainthood by a fanatical monk (who eventually dies without having achieved the salvation he had sought for himself by having denied himself sensual love). For unspecified reasons, the opera was changed to be based on the novel "Salammbô" (by Gustave Flaubert), which is a much more straightforward sword-and-sandals story of a princess, barbarians and that sort of thing. Ultimately, though, all verbal references to the opera by title were deleted in the completed film, and the name "Salammbo" appears only within texts on various editions of the Inquirer. However, it seems likely that, during some stages of filming, references to a "Thaïs" title were still expected to appear during certain scenes, as Bernstein's line that he "still can't pronounce [the opera's] name" seem more likely to refer to such a word as that than to 'Salammbo'. See more »
When Kane shouts at Jim Gettys from the stairwell, it is clear that most of the words he is saying are not coming out of his mouth. See more »
A great piece of cinema, a magnificent example of storytelling
I've heard so much told about Citizen Kane and Orson Welles, so I finally decided to get the film, and find out if it really is all that it's cracked up to be... I must say, it's great. The plot is great, and the way it's told is amazing. The story is first summed up in a matter of minutes, about 15, to be more accurate, and then the rest of the film has characters telling the story through flashbacks and retelling. We hear just about every opinion about Charles Foster Kane, apart from his own. The story is told after his death, and we see everything important that leads up to it, and only in the very end do we understand him, only then do we fully understand who he was, and what made him so. The ending also reveals one of the very most important things in any man or woman... one thing that everyone needs and knows of. I won't reveal it here, as it would almost be a crime to spoil the experience of this film to anyone. The acting is excellent; Welles himself is stellar as Kane, and his impressive appearance, along with his commanding voice, makes the character a forceful sight, nay, experience. The characters are well-written and credible. The character of Kane is probably the most well-rounded and perfectly built up I've seen in a movie, ever. The cinematography is excellent... the editing is great. I can't praise the angles, pans, zooms and transitions enough... it just has to be experienced. Now, for the one thing I can criticize in the film; the pacing. It's only two hours long, but it feels like much, much more. There were portions of the film where it felt like it didn't move at all. When there weren't great dialog or something equally as good in the film, it dragged terribly. There were too many scenes where the dialog seemed pointless, as well, I think. It didn't seem to be leading to anything. However, this criticism is so minor, due to the ending more than making up for it, that I still give this film a perfect score. I can't do anything but agree with its placing at the top of the top #250 films of all time, here on IMDb. As I'm writing this, it's #11. That's pretty much what it deserves, in my opinion. Not higher, not lower. Not the greatest film of all time(that pretty much still belongs to The Godfather, I think... at least, I haven't seen a better film than that, yet), but definitely far up there. I recommend this to any fan of film in general, and anyone who thinks they can understand it; it has a truly profound point that any man(and woman) should know of(preferably through seeing the film for themselves). Don't let the fact that it's old and black & white deter you from seeing this masterpiece. A true cinematic masterpiece, in every sense of the word. 10/10
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