In future Britain, Alex DeLarge, a charismatic and psycopath delinquent, who likes to practice crimes and ultra-violence with his gang, is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by
It is widely believed that Ted Turner had plans to colorize the film, but that wide public outcry led to his decision not to. The rumor came from a tongue-in-cheek comment from Turner that he would colorize the film in order to bait critics of the process. In actuality, Orson Welles had the rights to the film, and Turner couldn't have colorized the film even if he had wanted to. Nonetheless, the controversy over the potential alteration of this film was one of the catalysts that eventually led to the film industry requirement that all future video and TV releases of films that have been altered in any way - including the standard conversion from widescreen to "pan and scan" - must carry a disclaimer indicating the film has been "modified from its original version." It is also widely believed that when he heard about it, Welles supposedly roared, "Tell Ted Turner to keep his crayons away from my movie!" However, being that he owned the rights to the film, it is highly unlikely that he ever made any such statement. See more »
When Kane returns from Europe, he enters the Inquirer news room and rushes towards the camera, which dollies back. At this point, and when he subsequently leaves, the dolly track is visible on the floor. See more »
Undoubtedly the greatest American film ever created.
Citizen Kane, the film, is many things. It is a brilliantly crafted series of flashbacks and remembrances. It is an engaging story of a dynamic man in a dynamic world. It is a remarkable statement for the wide range of time periods that it covers. It is a deceptively simple story centering on perhaps the most meaningful word in all of moviedom. Behind all that, Citizen Kane is the American cinema. There is not a major director today who has not been influenced by the genius Orson Welles put forth in his debut masterpiece. The film centers around a group of reporters investigating the origin of the dying newspaper tycoon (loosely based on William Randolph Hearst), Charles Foster Kane's last word: Rosebud. The movie begins with an unforgettable newsreel montage summarizing the man's life.
From there on, the viewer is thrown into a gloriously chaotic world of flashbacks upon flashbacks, in which the viewer slowly learns just about everything about Charles Foster Kane's enthralling life. From his trying childhood to his rise to power to the pinnacle of his success to his marital difficulties to his fall from grace, the story of Charles Foster Kane is presented for the viewer in a way that few other movies can offer: magically. Citizen Kane, undeniably, is THE triumph of the American cinema, and one of the greatest films every created.
148 of 273 people found this review helpful.
Was this review helpful to you?