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Citizen Kane (1941)

Approved | | Drama, Mystery | 5 September 1941 (USA)
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Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance.

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Writers:

(original screen play), (original screen play)
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1,526 ( 106)
Top Rated Movies #69 | Won 1 Oscar. Another 7 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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William Alland ...
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Gus Schilling ...
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Mr. Rawlston
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Miss Anderson
Harry Shannon ...
Kane's Father
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Storyline

A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by Zack H.

Plot Summary | Plot Synopsis

Taglines:

Some called him a hero. Others called him a heel... See more »

Genres:

Drama | Mystery

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 September 1941 (USA)  »

Also Known As:

American  »

Filming Locations:

 »

Box Office

Budget:

$839,727 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

It was RKO head George Schaefer who suggested the title change from "American" to "Citizen Kane." Orson Welles had also wanted to call the film "John Q." See more »

Goofs

When the photographer at the party snaps the photograph of the former-Chronicle-now-Inquirer reporters, he is standing much too close to capture them all inside of the frame. At that distance (about 3 feet) he would only be able to capture about 3-4 of the men sitting there. See more »

Quotes

[first lines]
Charles Foster Kane: Rosebud...
See more »

Crazy Credits

Orson Welles's name is listed last and among the list of featured roles, instead of leading roles, saving his name as best for last. See more »

Connections

Referenced in Casper (1995) See more »

Soundtracks

In A Mizz
(1937) (uncredited)
Written by Charlie Barnet and Haven Johnson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Citizen for all Ages
11 February 2005 | by (Australia) – See all my reviews

What do you say about a movie more analysed than is enjoyed, more envied and despised than any other piece of cinema: well documented for its perceived portrayal of William Randolph Hearst, and his efforts to have it destroyed....It has survived and now stands at number one on the AFI's top 100 list, for a movie that didn't even win the Oscar for its year of release.

What can you say about the cinematography and direction and acting, that hasn't already been said? The lighting, the camera angles, the new visual techniques and trick photography used for the first time in an American movie to great effect. Special mention has to go to the acting of a 25 year old Orson Welles, an aspect the least highlighted.

The grand-daddy of the American Soap Opera, it tells the life of Charles Foster Kane, from his humble beginnings, his mother's giving him up to a wealthy guardian, and his building of a newspaper/radio empire. It sees Kane go from an idealistic journalist to a powerful mogul able to manipulate history through his media empire.

Despite all his money and power, Kane is not immune to the hand of destiny, and oh how she slaps Kane the old American way. A married Kane is caught through pure "innocence" with a "singer" and a scandal erupts, costing Kane the state governorship; you can guess the instigator of the scandal-mongering: the incumbent governor.

In the first part of the movie, we see a Kane adored by the public and employees but we don't see the reason why his relationship with his wife deteriorated, shown in a powerful film sequence of spouses drifting apart through the years. In the second part we see his relationship with the "singer" whom he took as his second wife, and how he uses her to try and manipulate public opinion of himself, just as he had used the media empire previously. The only problem is that his second wife isn't as competent as the media empire was in gaining respect or adoration; she is just terrible as an opera singer. But Kane wants to prove to the public that the "singer" who he was caught with, was more than "whore" and that he had the power to shape public opinion; she even told kane that she didn't want to be a singer. It is the cruelest thing any man could have done to another human being; manipulated for his own ends. William Randolph Hearst was said to have been less angry about his own portrayal than that of his mistress, Marion Davies.

The movie broke new grounds for cinema also, in its story-telling: we see first the death of a recluse Kane in his old age, and then there are flashbacks from newsreels and investigations and interviews of reporters piecing together the life of Charles Foster Kane and his dying word "rosebud".

The reporters never found out what his dying word meant, but the audience is shown what it "is". No single word can describe a man's life after all, so what does it mean??? lost childhood innocence and happiness??

This movie bred a bunch of copycats like "The Carpetbaggers" and "Valley of the Dolls", and inspired the great TV soapies like Dallas and Dynasty. Many other movies from different genres have copied and perhpas bettered the camera work and lighting and yet this movie has stood up well through the 60 years from its sheer brilliance and originality.

Despite its greatness, Citizen Kane seems to have taken some victims along the way. At age 25, Orson Welles starred, wrote and directed his masterpiece, but because of various reasons, political, envy, hatred, he was never able to match it. The other victim seems to have been Dorothy Comingore as Susan Alexander, mirroring the career of Marilyn Monroe who came after her.

A great movie thats stood the test of time. See it for what it is: a fantastic piece of story-telling firstly, only then can you see its greatness.


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Can the "average" modern movie goer fairly evaluate Citizen Kane? DarkLordBrannon
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