6.2/10
176
11 user 1 critic

The Chocolate Soldier (1941)

Passed | | Comedy, Family, Musical | November 1941 (USA)
Maria and Karl Lang are the singing duo of Vienna. Maria is very flirtatious and Karl very jealous. Karl decides to masquerade as a Russian guardsman and attempts to make Maria flirt with ... See full summary »

Director:

Writers:

(screen play), (screen play)
Reviews
Nominated for 3 Oscars. See more awards »
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Cast

Complete credited cast:
...
Risë Stevens ...
Maria Lanyi
...
Bernard Fischer
...
Madame Helene
Dorothy Raye ...
Magda (as Dorothy Gilmore)
...
Liesel - Maid
...
Anton
...
Klementov
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Storyline

Maria and Karl Lang are the singing duo of Vienna. Maria is very flirtatious and Karl very jealous. Karl decides to masquerade as a Russian guardsman and attempts to make Maria flirt with him - to test her loyalty to him - as the Russian, Karl makes a vigorous attempt to seduce Maria. For a moment she accepts then rejects. Karl is left in turmoil... Written by Kelly

Plot Summary | Add Synopsis

Taglines:

Sights To See! Songs To Hear! It's Packed With Pleasure!

Genres:

Comedy | Family | Musical

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

November 1941 (USA)  »

Also Known As:

El soldado de chocolate  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In 1955, Risë Stevens again starred in another version, this time co-starring Eddie Albert: The Chocolate Soldier (1955). See more »

Connections

Version of The Chocolate Soldier (1914) See more »

Soundtracks

Various Works
(uncredited)
by Oscar Straus
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User Reviews

 
Quit picking on Nelson
7 June 2010 | by (New York, NY) – See all my reviews

Nelson Eddy was always considered a dull non-actor with a nice voice, no histrionic match for his usual co-star Jeanette MacDonald (who became increasingly coy and diva-ish with every passing movie). Here, opposite Rise Stevens in a musical updating of Molnar's "The Guardsman," he gets to exercise some hitherto unknown comic energy, and he's quite good-- not up to Alfred Lunt, perhaps, who played the role in MGM's 1931 non-musical version, but pleasingly hammy and with genuine comic timing. Stevens has a nice personality and, of course, a lovely Met soprano, but she's unflatteringly photographed, and she's playing a not very likable character. With minor roles given to Nigel Bruce and Florence Bates, Eddy and Stevens are pretty much the whole show, and they navigate the Oscar Straus melodies (and a few others) and worn marital-discord plot expertly. Made during the Hays Code years, it's less spicy than the original -- we're never in doubt as to whether the wife realizes her husband's exploits or not -- and takes place in a mittel-European never-never-land that never, never intrudes on reality. Once you get used to all the artifice and MGM overproduction, it's quite enjoyable. And it suggests Eddy may have had a productive career in comedy.


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