Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in basic training. To their dismay, the company's drill instructor is none other than ...
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Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house ... See full summary »
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if ... See full summary »
A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things ... See full summary »
Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in basic training. To their dismay, the company's drill instructor is none other than the cop who was all set to run them off to the hoosegow in the first place! The boys end up having a whale of a time getting under the skin of their humourless nemesis. Written by
To appease local censor boards, director Arthur Lubin avoided showing money in close shots in the gambling scene. See more »
Accustomed to performing for live audiences, Abbott & Costello "never did anything the same way twice," as editor Philip Cahn complained. "No two takes were exactly the same," said director Arthur Lubin. Continuity errors were almost inevitable. See more »
You're 40 years-old and you're in love with this little girl that's 10 years-old. You're four times as old as that girl and you couldn't marry her, could you?
Not unless I come from the mountains.
All right- you're 40 years-old, you're four times as old as this girl, and you can't marry her, so you wait five years. By that time the little girl's 15 and you're 45. You're only three times as old as that little girl. So you wait 15 years and when the girl is 30, you're at 60. You're only twice as ...
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Abbott and Costello's second feature, "Buck Privates," opened in January 1941. Peacetime conscription was in effect, voted by Congress in late 1940, and only planned to last for one year. Europe was at war, China was being raped (literally) by the Japanese. Americans were torn about the prospect of war-Lindbergh, a hero and a Nazi admirer, together with his America First movement urged isolationism.
"Buck Privates" walks a cautious line. No mention of the raging European war, the bombing of London, the success of German U-boats. No discussion of America's entering a war which, anyway, isn't even directly mentioned. The theme was high-spirited patriotism and preparation. With the Andrew Sisters, Abbott and Costello provide a light-hearted view of conscription and basic training. It almost seems like a Boy Scout experience. (I don't recall Basic Training at Fort Dix in 1965 as being any fun.)
Petty con artists, the duo mistakenly join the Army while trying to evade local police. The cop chasing them winds up as their company noncom. A rich young man and his former and now very resentful working class chauffeur are not only in the same company with the comedians, they're vying for a pretty girl who seems attracted to both. A common formula for movies.
The film tracks the transformation of average young American men from all over the country who share two qualities: they're happy to serve and they're all Caucasian.
With some film from the Louisiana maneuvers, at the time the largest combat training exercise in Army history, the thin and predictable plot develops to the singing/marching end as the now ready recruits prepare to take their places in line units.
Propaganda? Well, Hollywood was starting to get on the patriotic bandwagon but cautiously. No one gets hurt in this film worse than receiving a punch in a barracks brawl or during a prize fight.
Abbott and Costello became picture palace luminaries with this still funny but unsophisticated look at Army life. With tickets costing, usually, two bits "Buck Privates" grossed $4 million, a remarkable box office take for the time. The film drew an Oscar nomination for the Andrews Sisters and their "Boogie Woogie Bugle Boy" number, a huge hit.
"Buck Privates" is an interesting look at Hollywood's careful treatment of a politically sensitive issue, conscription and the path to war. It showcases two of America's funniest comedians in a series of give-and-take dialogues that became the hallmark of their collaboration. Their routines remain very funny more than six decades later.
8/10 (for its type and time).
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