Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in boot camp. To their dismay, the company's drill instructor is none other than the cop... See full summary »
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if ... See full summary »
Gangster's moll Honey Swanson goes into hiding when her boyfriend is under investigation by the police. Where better to hide than a musical research institute staffed entirely by lonely ... See full summary »
Hypochondriac Danny Weems gets drafted into the army and makes life miserable for his fellow GIs. He's also lovesick when it comes to pretty Mary Morgan, unaware that she's in love with his... See full summary »
Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in boot camp. To their dismay, the company's drill instructor is none other than the cop who was all set to run them off to the hoosegow in the first place! The boys end up having a whale of a time getting under the skin of their humourless nemesis. Written by
In the song "Boogie Woogie Bugle Boy," during Patty Andrews' solo, she claps her hands at the end of the line, "He can't blow a note 'til the base and guitar's playing with him," but the slap sound effect misses her gesture by full beat. See more »
What time is it?
None of your business!
[completely ad-libbed during the drill routine. Abbott didn't know it was coming but delivered his response flawlessly]
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Slick, well-made comedy which stands the test of time.
Like other reviewers, I've acquired the remastered DVD version of 'Buck Privates'. Bud and Lou fit into the story pretty well, far better than their stint in 'One Night in the Tropics'. The story rolls along at a breakneck pace and I especially enjoyed the steam loco shots as the train transported the boys to boot camp. The Andrews Sisters as usual are fabulous with some great songs.
What really impressed me was the photography, perhaps not something people would normally comment on in an A & C movie. Previous copies I've viewed have been grainy and washed out whereas this new print is visually great to look at. It was interesting for the first time to be able examine characters in the background, see facial expressions more clearly and especially, watch Lou 'working' both Bud and the crew off screen.
Clearly, Lou, like Stan Laurel and Buster Keaton, was a genius of comedy timing, the likes of which we may never see again.
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