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Buck Privates (1941)

Approved  |   |  Comedy, Musical  |  31 January 1941 (USA)
7.4
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Ratings: 7.4/10 from 2,964 users  
Reviews: 45 user | 17 critic

Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in boot camp. To their dismay, the company's drill instructor is none other than the cop... See full summary »

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(original screen play), (special material for Abbott and Costello)
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Title: Buck Privates (1941)

Buck Privates (1941) on IMDb 7.4/10

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Nominated for 2 Oscars. See more awards »

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Cast

Cast overview, first billed only:
...
...
Lee Bowman ...
Jane Frazee ...
Alan Curtis ...
Bob Martin
...
...
Laverne Andrews ...
Maxene Andrews ...
Patty Andrews ...
Samuel S. Hinds ...
Major General Emerson
Harry Strang ...
Sgt. Callahan
...
Mrs. Parker II
Leonard Elliott ...
Henry
...
Chef
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Storyline

Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in boot camp. To their dismay, the company's drill instructor is none other than the cop who was all set to run them off to the hoosegow in the first place! The boys end up having a whale of a time getting under the skin of their humourless nemesis. Written by Alfred Jingle

Plot Summary | Plot Synopsis

Genres:

Comedy | Musical

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

31 January 1941 (USA)  »

Also Known As:

Ordinário, Marche!  »

Box Office

Budget:

$180,000 (estimated)

Gross:

$4,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Both "Boogie-Woogie Bugle Boy" and "Apple Blossom Time" were huge recording hits for The Andrews Sisters during the 1940s. See more »

Goofs

In the song "Boogie Woogie Bugle Boy," during Patty Andrews' solo, she claps her hands at the end of the line, "He can't blow a note 'til the base and guitar's playing with him," but the slap sound effect misses her gesture by full beat. See more »

Quotes

Slicker Smith: Throw your chest out! Go on! Throw your chest out!
Herbie Brown: I'm not through with it yet!
Slicker Smith: Quiet!
See more »

Connections

Followed by Buck Privates Come Home (1947) See more »

Soundtracks

Bounce Me Brother with a Solid Four
Lyrics by Don Raye
Music by Hugh Prince
Performed by The Andrews Sisters (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Bud and Lou in top form
6 January 2003 | by (California) – See all my reviews

While this was the Abbott & Costello's second feature, and only Abbott's second film (Costello had appeared in several films as a stuntman and background extra in the late '20s), you sure couldn't tell, as the pair handled themselves like veterans. They are so assured and confident here that they appear to be making up their routines as they go along, although in reality they had polished them to near perfection during their years in vaudeville, burlesque and on the Broadway stage. This film is a terrific example of the flawless timing that not only convulsed their audiences but astounded other comedians (Steve Allen said that he had never seen anyone who could match them). Some criticism has been directed at the duo for the insertion of superfluous and usually second-rate musical numbers in most of their films--a decision made by Universal Pictures which the team had no control over--and while that may be true for several of their subsequent efforts, it isn't here. The numbers are well staged and the songs, especially "Boogie Woogie Bugle Boy," are infectious. The "plot" about a spoiled rich boy and his servant who enlist in the army is lame, but it doesn't really matter. This is a showcase for Bud and Lou's talents, and they don't disappoint. Director Arthur Lubin said that he pioneered the use of two cameras to cover scenes mainly because Costello was so off-the-wall and bounced all over the place so much that one camera simply couldn't contain him, so he ordered up another camera and had it trained exclusively on Costello. The boys do their best routines here--The Crap Game, The Ten/Forty routine, the Drill routine--and they are a joy to watch. Anyone who thinks that Bud Abbott wasn't the best straight man in the business should watch the Drill routine and check out how he consistently and skillfully reins in Costello whenever Lou's manic energy takes him too far outside the skit while still allowing him the freedom to employ the ad-libs and improvisations he was famous for. Abbott never really got as much credit as he deserved, and this scene alone shows why he deserved it.

Abbott & Costello did make some films that were beneath their talents, and some that were just plain unfunny, but this is definitely not one of them. This is a tremendously enjoyable film. Highly recommended.


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