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Blues in the Night (1941)

Passed  -  Crime | Drama | Film-Noir  -  15 November 1941 (USA)
6.9
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Ratings: 6.9/10 from 617 users  
Reviews: 26 user | 11 critic

"Jigger' Lane forms a band that includes singer Ginger 'Character' Powell, wife of the trumpeter Leo Powelll, and Nickie Haroyen and Peppi. All of them dedicate themselves to work as a unit... See full summary »

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Title: Blues in the Night (1941)

Blues in the Night (1941) on IMDb 6.9/10

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Nominated for 1 Oscar. See more awards »
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Edit

Cast

Cast overview, first billed only:
...
Betty Field ...
Kay Grant
Richard Whorf ...
Jigger Pine
...
Del Davis
...
Leo Powell
Wallace Ford ...
Brad Ames (as Wally Ford)
...
Nickie Haroyen
Peter Whitney ...
Pete Bossett
Billy Halop ...
Peppi
Howard Da Silva ...
Sam Paryas
...
Blonde dancing with drunk
Herbert Heywood ...
Brakeman
George Lloyd ...
Joe (St. Louis cafe owner)
Charles C. Wilson ...
Barney (as Charles Wilson)
Matt McHugh ...
Drunk
Edit

Storyline

"Jigger' Lane forms a band that includes singer Ginger 'Character' Powell, wife of the trumpeter Leo Powelll, and Nickie Haroyen and Peppi. All of them dedicate themselves to work as a unit and to play 'blues' music. The dedication isn't paying off in money and, while riding the rails in a boxcar, they meet and befriend a gangster named Del Davis. He offers them a job at a New Jersey roadhouse, where Powell falls in love with Kay Grant, a former 'real-good friend' of Davis. But when Powell learns that 'Character' is about to have a baby, he returns to her. "Jigger" tries to make Kay the band's singer and, when this fails, runs off with her. She leaves him with nothing to show for him except a nervous breakdown.Back at the roadhouse, after his recovery, Kay shows up, has a quarrel with Davis, shoots and kills him and plans to take back up with "Jigger", who knows better but just can't help himself. While she is waiting in a car for him, along comes cripple Brad Ames, who she put in ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

2 GRAND BANDS! JIMMY LUNCEFORD'S and WILL OSBORNE'S! MUSIC GALORE! (original print media ad - mostly caps) See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

15 November 1941 (USA)  »

Also Known As:

Hot Nocturne  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The melody of "The Man That Got Away" was actually written for this film as an up-tempo song called "I Can't Believe My Eyes". Harold Arlen disliked the Johnny Mercer lyric and put it in his trunk unused, only to pull it out years later to give to Ira Gershwin, who wrote a masterful new lyric for A Star Is Born (1954). See more »

Goofs

When Brad and Kay crash their car toward the end of the movie, The car looks like a '40 or '41 Buick. The car in the crash is an much older car. See more »

Connections

Referenced in Sucker Punch (2011) See more »

Soundtracks

Hang on to Your Lids, Kids
Music by Harold Arlen
Lyrics by Johnny Mercer
Played by the band and Sung by Priscilla Lane
Reprised at The Jungle club
See more »

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User Reviews

 
Film Noir meets Jazz
12 November 2009 | by (United States) – See all my reviews

This is a very offbeat kind of film that is not well known. You'll either really love it - I do - or you'll not care for it at all. Anatole Litvak, who directed so many womens' pictures, directs this odd little film that starts out as a kind of "small town band does good" picture, takes a turn into gangster territory, and then gets really dark with a venture into film noir and mental illness. Nobody in this film was a big name at the time, and I get the feeling it was one of those films that Warner's liked to grind out like sausages in the 30's and 40's that just happened to turn out to be rather special. Great performances are turned in from everyone involved, which includes Priscilla Lane as a good girl with depth, Lloyd Nolan as a gangster with a touch of the entrepreneurial and even a bit of a mentor, Jack Carson as a heel with a large bag of excuses for his behavior, Betty Field as the gangster's moll who aspires to be a singer and also ruins men as a hobby, and Richard Whorf as the musician and bandleader who falls for the moll and also into temporary insanity. Also note that future great director Elia Kazan shows up playing a small part as one of the bandmembers.

Released just three weeks before the beginning of World War II, it provides a snapshot of how the Depression and the era of the gangster were receding into memory just as an age of optimism was beginning that would go on hiatus during the war effort, and restart and peak after the war was over. Great atmosphere and great acting - highly recommended.


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