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Blues in the Night (1941)

Passed  -  Crime | Drama | Film-Noir  -  15 November 1941 (USA)
6.9
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Ratings: 6.9/10 from 632 users  
Reviews: 26 user | 11 critic

"Jigger' Lane forms a band that includes singer Ginger 'Character' Powell, wife of the trumpeter Leo Powelll, and Nickie Haroyen and Peppi. All of them dedicate themselves to work as a unit... See full summary »

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(from a play by), (screen play by), 1 more credit »
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Title: Blues in the Night (1941)

Blues in the Night (1941) on IMDb 6.9/10

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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
Betty Field ...
Richard Whorf ...
Jigger Pine
...
Del Davis
...
Leo Powell
Wallace Ford ...
Brad Ames (as Wally Ford)
...
Nickie Haroyen
Peter Whitney ...
Pete Bossett
Billy Halop ...
Peppi
Howard Da Silva ...
Sam Paryas
...
Blonde
Herbert Heywood ...
Brakeman
George Lloyd ...
Joe
Charles C. Wilson ...
Barney (as Charles Wilson)
Matt McHugh ...
Drunk
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Storyline

"Jigger' Lane forms a band that includes singer Ginger 'Character' Powell, wife of the trumpeter Leo Powelll, and Nickie Haroyen and Peppi. All of them dedicate themselves to work as a unit and to play 'blues' music. The dedication isn't paying off in money and, while riding the rails in a boxcar, they meet and befriend a gangster named Del Davis. He offers them a job at a New Jersey roadhouse, where Powell falls in love with Kay Grant, a former 'real-good friend' of Davis. But when Powell learns that 'Character' is about to have a baby, he returns to her. "Jigger" tries to make Kay the band's singer and, when this fails, runs off with her. She leaves him with nothing to show for him except a nervous breakdown.Back at the roadhouse, after his recovery, Kay shows up, has a quarrel with Davis, shoots and kills him and plans to take back up with "Jigger", who knows better but just can't help himself. While she is waiting in a car for him, along comes cripple Brad Ames, who she put in ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

SWEET HOT and LOW-DOWN! (original print media ad - mostly caps) See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

15 November 1941 (USA)  »

Also Known As:

Hot Nocturne  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The melody of "The Man That Got Away" was actually written for this film as an up-tempo song called "I Can't Believe My Eyes". Harold Arlen disliked the Johnny Mercer lyric and put it in his trunk unused, only to pull it out years later to give to Ira Gershwin, who wrote a masterful new lyric for A Star Is Born (1954). See more »

Goofs

When Brad and Kay crash their car toward the end of the movie, The car looks like a '40 or '41 Buick. The car in the crash is an much older car. See more »

Connections

Referenced in Sucker Punch (2011) See more »

Soundtracks

I'm Forever Blowing Bubbles
(1919) (uncredited)
Music by Nat Vincent, James Kendis and James Brockman
Lyrics by John W. Kellette
Sung a cappella by Matt McHugh
See more »

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User Reviews

 
Blues in the Night *** Well Paced, Fast Action
15 November 2007 | by (United States) – See all my reviews

Interesting film by director Anatole Litvak creating film-noir with a musical.

Two future excellent directors, Richard Whorf, who bore a strong resemblance to Robert Taylor, and Elia Kazan star. Kazan was also in Litvak's 1940 film "City for Conquest."

The picture has an excellent cast. A group of musicians led by Jigger (Whorf) meet up with gangster Lloyd Nolan while hitching a ride on a train. Nolan likes them when they don't turn him in despite the fact that he holds them up for $5.00!

He brings them to a Road House where the group perform. We have some great musical settings here and the various montage depiction is excellent.

The film is extremely well paced. There is never a dull moment. He moves beautifully from film noir to musical and back to film noir again.

In addition, there is a terrific performance by Bette Field as a Road House girl in love with Nolan, who spurns her. Whorf is hopelessly in love with her and her rejection of him leads to his mental breakdown. How ironic that 16 years after this film, Nolan and Field both appeared in the 1957 film "Peyton Place" but had no scenes together. Field is both catty and quite vicious in this film. It's her viciousness that shall prove to be her undoing.

Jack Carson toots his horn and is wed in the film to Priscilla Lane. One major flaw of the film is their lack of emotional outburst when it is revealed that their baby boy has died.


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