Old-time musical star Schyler Jarvis, now wealthy, is dying; his last act is a visionary plan for the future happiness of his son, swing bandleader Louis Jarvis, and Honey Carter, daughter ... See full summary »
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In the rural south of the United States, a godly young woman is accidently wounded by her unchurched husband. She succumbs to the injuries, whereupon a good angel bids her to journey with him to the Crossroads of Life. Before she can travel far, the devil lures her with the temptations of juke joints and the city. Can she regain the straight and narrow before it's too late? And what is to become of those she left behind? Written by
Thomas McWilliams <firstname.lastname@example.org>
This film is of some historical interest in that it represents black independent filmmaking of the 30s and 40s, intended primarily for black audiences. It also gives those who remember the "Amos and Andy" TV show a chance to see the earlier, serious work of Spencer Williams who portrayed Andy on the show and who wrote, directed, and starred in this film, as he did several others. Unfortunately, the acting and technical aspects of this film are so primitive that it is almost unfair to criticize it. It is an earnest and well meant effort, but worth watching only for a few nice religious images and the fine gospel singing on the soundtrack.
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