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Birth of the Blues (1941)

Approved | | Music | 7 November 1941 (USA)
Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. ... See full summary »

Writers:

(story), | 1 more credit »
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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Carolyn Lee ...
Aunt Phoebe Cobb
...
Louey (as Rochester)
...
Blackie
...
...
Wolf (as Horace MacMahon)
Ruby Elzy ...
Ruby
Jack Teagarden ...
Pepper
Danny Beck ...
Deek
Harry Barris ...
Suds
Perry Botkin Sr. ...
Leo (as Perry Botkin)
Minor Watson ...
Henri Lambert
Harry Rosenthal ...
Piano Player
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Storyline

Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou. Written by Lisa Grable <grable@unity.ncsu.edu>

Plot Summary | Add Synopsis

Taglines:

Strike Up The Band ! * Here comes happiness . . . in a merry medley of romance . . . and rhythm !

Genres:

Music

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

7 November 1941 (USA)  »

Also Known As:

Sinfonia Bárbara  »

Box Office

Budget:

$857,283 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on January 18, 1951 with Bing Crosby again reprising his film role. See more »

Connections

Referenced in Night Court: The Blues of the Birth (1990) See more »

Soundtracks

After the Ball
(uncredited)
Music and Lyrics by Charles Harris (as Charles K. Harris)
Performed by orchestra at Black Tie Café
See more »

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User Reviews

 
The Crooner, The Canary, and the Slide Trombone.
7 July 2004 | by (Buffalo, New York) – See all my reviews

Birth of the Blues was a labor of love for Bing Crosby and it showed. Coming up with Paul Whiteman, Bing met and worked with some of the greatest musicians in history. He enjoyed their company, he enjoyed working with them, just couldn't get enough. The plot is a fictionalization of the creation of the first all white jazz combo, the Original Dixieland Band.

This is Mary Martin's second of two films she did with Crosby and at the same time this was being shot, she was doubling as the girl singer on his Kraft Music Hall. As in Rhythm on the River, for once he's given a leading lady who matches him vocally. Why movie audiences didn't take to her is still a mystery.

Brian Donlevy was at the height of his career where he usually played villains. He's no villain here, but he's Bing's rival for Mary Martin. He plays a hot cornet player named Memphis and I do love the scene where Crosby's band engages in an impromptu jam session on the street in front of the new Orleans Jail where Donlevy is residing and Crosby's trying to get him out. In a radio broadcast dramatization of this film, Phil Harris played Donlevy's part and Dinah Shore played the Mary Martin role.

Usually Crosby's films have original material written for them, this is an exception. A whole lot of old standards are used, the only original song for Birth of the Blues is The Waiter and The Porter and The Upstairs Maid, written by Bing's good pal Johnny Mercer. It's nice, catchy, novelty number with the waiter and upstairs maid done by Crosby and Martin. The porter is jazz trombone great Jack Teagarden who's really into the spirit of the thing.

One of the standards is Wait Till The Sun Shines Nellie, this time done with a jazz inflection. Crosby and Martin duet it and it became a big seller Decca recording.

J. Carroll Naish plays a good gangster villain assisted by henchmen Horace McMahon and Warren Hymer. Hymer had a specialty in playing schlemiel henchmen and this is a typical Warren Hymer part.

Eddie Anderson is in the film, playing a Rochester like part for Bing Crosby as he did for Jack Benny. In many ways he played the typical servile black person and some would say he does it here. Personally I found his Rochester character very good, he often got the best of Jack Benny. He acquits himself well here.

Ruby Elzy plays Anderson's wife and she gets a good vocal opportunity to sing St. Louis Blues as Anderson is unconscious and the band thinks he's checking out.

No one should pass on an opportunity to see Bing and Mary Martin together.


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