In this version of the Billy the Kid legend, Billy, after shooting down land baron William Donovan's henchmen for killing Billy's boss, is hunted down and captured by his friend, Sheriff ... See full summary »
Johnny Mack Brown,
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
A rookie flyer, Ens. Alan Drake, joins the famous Hellcats Squadron right out of flight school in Pensacola. He doesn't make a great first impression when he is forced to ditch his airplane... See full summary »
A highly fictionalized account of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in 1876. He has little ... See full summary »
Olivia de Havilland,
Billy Bonney is a hot-headed gunslinger who narrowly skirts a life of crime by being befriended and hired by a peaceful rancher, Eric Keating. When Keating is killed, Billy seeks revenge on the men who killed him, even if it means opposing his friend, Marshal Jim Sherwood. Written by
Jim Beaver <email@example.com>
This film was first telecast in Los Angeles Monday 7 January 1957 on KTTV (Channel 11), followed by Philadelphia Friday 22 March 1957 on WFIL (Channel 6); it first aired in New York City 2 December 1957 on WCBS (Channel 2) and in San Francisco 15 February 1958 on KGO (Channel 7). At this time, color broadcasting was in its infancy, limited to only a small number of high rated programs, primarily on NBC and NBC affiliated stations, so these film showings were all still in B&W. Viewers were not offered the opportunity to see these films in their original Technicolor until several years later. See more »
Thus, as the ways of law came to the last frontier, the last of the men of violence found his peace.
See more »
There is a lot more to this predominantly lyrical account of an episode in Billy the Kid's life than action and brainless swagger. Hardboiled, embittered Billy gets a job as a cowhand for a pacifist farmer who rhapsodizes about how being unarmed protects a man by the usual Wild West code of not shooting a man in the back. When the farmer, Billy's new guardian, is killed, though, Billy's new-found love of peace and order must give way to a desire for revenge on the bad guys.
Somewhere along the line this film gets to sanctimonious and preachy to be entirely enjoyable, and Brian Donleavy as Billy's childhood pal turned born-again marshall deputy is the most unbelievable thing about it. Robert Taylor is a handsome devil in tight-fitting black leather, and it is honestly a relief when he finds back to his old bad ways, and things start happening again.
The Technicolor location cinematography is gorgeous.
10 of 16 people found this review helpful.
Was this review helpful to you?