Billy Bonney is a hot-headed gunslinger who narrowly skirts a life of crime by being befriended and hired by a peaceful rancher, Eric Keating. When Keating is killed, Billy seeks revenge on... See full summary »
One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit ... See full summary »
Cecil B. DeMille
A small farmer and rancher is being harassed by his mighty and powerfull neighbour. When the neighbour even hires gunmen to intimidate him he has to defend himself and his property by means... See full summary »
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Billy Bonney is a hot-headed gunslinger who narrowly skirts a life of crime by being befriended and hired by a peaceful rancher, Eric Keating. When Keating is killed, Billy seeks revenge on the men who killed him, even if it means opposing his friend, Marshal Jim Sherwood. Written by
Jim Beaver <firstname.lastname@example.org>
This MGM Movie had Swedish Censorship number 63.152, and the movie was banned from showing at Swedish cinemas. MGM cut off 106 meters, and tried again this time the Censor number was 63.243, the Censor board cut another five meters, and it was allowed to be shown to everyone over 15 y/o. See more »
Yeah, I'll play along, Hickey. You just keep four aces in the deck.
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This movie is Billy the Kid in name only. Anyone who has any kind of fascination with the Wild West or the historical William H. Bonney would do well to shy away from this flick. Almost all of the names have been switched around, the plot shares only a marginal familiarity with the true Billy and the lead actor Robert Taylor seems better suited for playing a 1930's era Chicago gangster than he does playing one of the most famous outlaws of all time.
Now that I've got my historical accuracy niggling out of the way - I still find myself unable to say many positive things about this film. But I'll give it a shot.
Some of the dialogue is rather inventive - and I do actually appreciate the relationship that Billy shares with ranch herder Eric Keating. There's an interesting exchange during Keating's introduction wherein he explains to a wary-eyed Billy why he doesn't carry a gun. Keating's naiveté rests upon a mythological ideal of frontier honor - an ideal that comes with a heavy price.
The movie itself is also wonderfully shot. The Technicolor treatment produces stunning visuals that can easily compare to westerns that are produced ten, fifteen, sometimes even twenty years after Billy the Kid.
Sadly, there simply isn't a lot of material available for Billy the Kid enthusiasts. Again, do NOT refer to this movie if you are looking to find insight into the true story of Billy the Kid. The closest you will probably come towards finding the definitive Billy story is in the 1988 fluff film, "Young Guns" and its subsequent continuation in "Young Guns II" - and even they take great spoonfuls of poetic license with history.
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