Billy Bonney is a hot-headed gunslinger who narrowly skirts a life of crime by being befriended and hired by a peaceful rancher, Eric Keating. When Keating is killed, Billy seeks revenge on... See full summary »
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Billy Bonney is a hot-headed gunslinger who narrowly skirts a life of crime by being befriended and hired by a peaceful rancher, Eric Keating. When Keating is killed, Billy seeks revenge on the men who killed him, even if it means opposing his friend, Marshal Jim Sherwood. Written by
Jim Beaver <jumblejim@prodigy.net>
This MGM Movie had Swedish Censorship number 63.152, and the movie was banned from showing at Swedish cinemas. MGM cut off 106 meters, and tried again this time the Censor number was 63.243, the Censor board cut another five meters, and it was allowed to be shown to everyone over 15 y/o. See more »
Quotes
Eric Keating:
You know, things are going to happen in this country. Guns and shooting are going out. Law and order is on the march. You better look out or they'll run you over. The good people want to live together as good, peaceful citizens. And when they get together, there isn't a man fast enough on the draw or tough enough to stand against them. Not even Hannibal, Napolean or Billy the Kid.
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There is a lot more to this predominantly lyrical account of an episode in Billy the Kid's life than action and brainless swagger. Hardboiled, embittered Billy gets a job as a cowhand for a pacifist farmer who rhapsodizes about how being unarmed protects a man by the usual Wild West code of not shooting a man in the back. When the farmer, Billy's new guardian, is killed, though, Billy's new-found love of peace and order must give way to a desire for revenge on the bad guys.
Somewhere along the line this film gets to sanctimonious and preachy to be entirely enjoyable, and Brian Donleavy as Billy's childhood pal turned born-again marshall deputy is the most unbelievable thing about it. Robert Taylor is a handsome devil in tight-fitting black leather, and it is honestly a relief when he finds back to his old bad ways, and things start happening again.
The Technicolor location cinematography is gorgeous.
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There is a lot more to this predominantly lyrical account of an episode in Billy the Kid's life than action and brainless swagger. Hardboiled, embittered Billy gets a job as a cowhand for a pacifist farmer who rhapsodizes about how being unarmed protects a man by the usual Wild West code of not shooting a man in the back. When the farmer, Billy's new guardian, is killed, though, Billy's new-found love of peace and order must give way to a desire for revenge on the bad guys.
Somewhere along the line this film gets to sanctimonious and preachy to be entirely enjoyable, and Brian Donleavy as Billy's childhood pal turned born-again marshall deputy is the most unbelievable thing about it. Robert Taylor is a handsome devil in tight-fitting black leather, and it is honestly a relief when he finds back to his old bad ways, and things start happening again.
The Technicolor location cinematography is gorgeous.