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A Braodway playwright wants to keep on writing plays for his wife to star in, but all she wants is to retire to Connecticut and, following a few 'worlds-apart" discussion of the issue, they get a divorce. The actress marries a banker in a fit of pique only to quickly discover the divorce was not valid. She communicates this information to her not-yet ex-husband and he, to prevent consummation of the invalid marriage rescues her by sending plumbers, waiters, porters, chambermaids, bellhops, desk clerks, exterminators and, finally, a crowd of roistering conventioneers to the suite to ensure no bedtime story would take place there. Written by
Les Adams <email@example.com>
After a night at a roadside gas station and motel, Mr. Drake (Fredric March) asks Mrs. Drake (Loretta Young) to pay for her room. She says that she's out of cash, so she'll have to use her credit card. The use of the term "credit card" in this 1941 movie is curious. The first use of the term "credit card" is attributed to Edward Bellamy in his 1887 utopian novel, 'Looking Backward', but the first actual credit card (not to be confused with a single-vendor "charge card" issued by department stores, airlines, and the like) didn't come along until the Diners Club card was introduced in 1950. However, gas stations were beginning to accept each others' charge cards in the 1930s. Obviously, the terms were being used interchangeably even before the likes of Diners Club, Carte Blanche, American Express, and various bank-issued credit cards appeared on the scene. See more »
[last lines, at the end of the play's premiere]
It's a smash hit, Eddie -- it'll run five years!
Ladies and gentlemen! This will have the shortest run of any of Mr. Drake's plays...
[gasps from audience]
No, no, no. Five years!
It will be closed in the early spring by an act of God. And I'm sure Mr. Drake hopes it will be... a boy.
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Delightful and often times hysterical comedy about a playwrite (Fredric March) who will stop at nothing to get his actress wife (Loretta Young) out of retirement to star in his latest play. The story might be typical for this type of comedy but the incredible cast really makes this one of the most memorable films of its type. March is downright brilliant as the obsessed writer who puts his play over his wife. March keeps his serious tone throughout the film but the way he makes it a tad bit lighter than we typically see just shows what a great actor he was. Young is also perfect in her role, which requires her to be funny and even dramatic during a few scenes. The chemistry between March and Young is wonderful and they make for a terrific duo. Robert Benchley, Allyn Joslyn and Helen Westley add great support and make the film even more funny. The film ends on a hysterical note as a riot breaks out in a motel room, which features just about everything you could imagine.
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