Emily Blair is rich and deaf. Doctor Vance, who grew up poor in Blairtown, is working on a serum to cure deafness which he tries on Emily. It doesn't work. Her sister is carrying on an ... See full summary »
Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found ... See full summary »
A Braodway playwright wants to keep on writing plays for his wife to star in, but all she wants is to retire to Connecticut and, following a few 'worlds-apart" discussion of the issue, they get a divorce. The actress marries a banker in a fit of pique only to quickly discover the divorce was not valid. She communicates this information to her not-yet ex-husband and he, to prevent consummation of the invalid marriage rescues her by sending plumbers, waiters, porters, chambermaids, bellhops, desk clerks, exterminators and, finally, a crowd of roistering conventioneers to the suite to ensure no bedtime story would take place there. Written by
Les Adams <email@example.com>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on June 22, 1942 with Loretta Young reprising her film role. See more »
[last lines, at the end of the play's premiere]
It's a smash hit, Eddie -- it'll run five years!
Ladies and gentlemen! This will have the shortest run of any of Mr. Drake's plays...
[gasps from audience]
No, no, no. Five years!
It will be closed in the early spring by an act of God. And I'm sure Mr. Drake hopes it will be... a boy.
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All the previous commenters are right: you'll find some things to like here. Exactly which things they are will depend on what you're hoping for. I think Fredric March is terrific as Luke, for the same reason other folks didn't enjoy him so much -- he's not what you're expecting, perhaps because his buttoned-down good looks make a great foil for his deviousness. Here, in mid-career, March's role is the kind Harrison Ford occasionally takes to lighten up. Benchley's Benchley (that's a plus) and Eve Arden has a great turn as an actress who must absorb withering directorial scorn for no good reason. Loretta Young is where this potentially fizzy movie goes flat in spots. She's ladylike to a fault.
After I saw this movie on TCM I decided it must've been written as a Powell-Loy vehicle -- theirs is the kind of chemistry that would've put more zip in this script. But March's performance is a treat.
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