A girl, Carol whom the audience is quickly informed "has been around," and her father arrive to take over the business management of an island in the Bahamas owned by Adrian Ainsworth, ...
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A girl, Carol whom the audience is quickly informed "has been around," and her father arrive to take over the business management of an island in the Bahamas owned by Adrian Ainsworth, descendant of many ancestors who have handled it over the years to the satisfaction of its 250 native residents. He is married to a woman who stays away from the island because she is lonely when there. Adrian doesn't want Carol or her father there, and they don't want to be there. Romance can't be lurking far behind the beautiful sunset. Written by
Les Adams <firstname.lastname@example.org>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. See more »
Sterling Hayden's name is misspelled "Stirling" in the opening credits. See more »
A tortured, angst-ridden story set on a salt farm situated on a remote island in the Bahamas. Madeleine Carroll and Stirling Hayden are visually resplendent but the lackluster story negates whatever potential there is for a passionate island romance. In fact, they manage to wade through the entire film without once kissing, a record for two stars who allegedly were engaged to be married at the time.
Leo G. Carroll and Flora Robson play a paranoiac pair who are convinced that the majority native population is bent on murdering them. The real star of the film is the cinematographer, who succeeds in offsetting a generally dull screenplay.
I'm yet to see a Madeleine Carroll film that was unwatchable, and Bahama Passage is no exception. It would have been nice if the story matched her inimitable beauty and charm, but you can't always get your wish.
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