Lopez is a bandit who has stolen the herd at Gil's ranch, so Hardy is about to foreclose. But Lucia has come back from New York and Gil is happy until he meets her husband, Morgan. Saying ... See full summary »
Lopez is a bandit who has stolen the herd at Gil's ranch, so Hardy is about to foreclose. But Lucia has come back from New York and Gil is happy until he meets her husband, Morgan. Saying that they are friends, Morgan wants to buy the ranch before Hardy forecloses, and Gil will sell, but Lopez shows up with all his men and holds them all captive. Lopez has his own law, carried out with a 44 - and he plans to settle everything according to his vision of life. Written by
Tony Fontana <firstname.lastname@example.org>
I don't know if I'll ever see another Wallace Beery picture as bad as this one. I hope not, but I'm sure he made some other dogs. Usually Beery can be counted on to bring the laughs, and do something memorable with his character.
Beery's is not the worst performance in this piece (that distinction belongs to Lionel Barrymore, obviously loathe to be in this production and cantankerously chewing the scenery with noisy and irritating aplomb like nowhere else on his filmography) but he offers little more than updating his Pancho Villa schtick from Viva Villa. Not much originality or send-up in his performance and he doesn't even appear until around the 30 minute mark. He does look cartoonishly amusing galloping away with the Mexican Federales in hot pursuit though.
This really isn't a funny comedy or a watchable western. At 70 minutes it feels overlong. Everyone stands in one spot and talks endlessly, Ronald Reagan does the hero bit with his usual one dimensional panache, Barrymore won't shut up, and the oppressive sepia tone this was shot in kind of makes you queasy by the end. Chill Wills at least is his usual lovable self as Reagan's sidekick.
Definitely not a Beery classic
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